11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 37점의 장 랑크 작품 (당사 카탈로그 기준)
요약하자면
A Grap-Picker Woman - Portrait of a Lady as Pomona (1715)은(는) 장 랑크의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 스톡홀름에 위치한 국립 미술관에 소장되어 있습니다. 그다음 시선은 Portrait d'Anne Melon (1685 - 1727) (1702)와 Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742) (1724)로 향합니다. 우리 카탈로그에 수록된 장 랑크의 작품 37점 중, 가장 유명한 37점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
An orange gown catches the light, a sudden burst of warmth against the deepening blue of a twilight sky. The woman sits with a quiet, heavy grace, her skin pale as porcelain under the soft, directional glow. She is Pomona, the goddess of fruit, yet she feels grounded in the tactile reality of the harvest. A white silk headpiece rests near her face, a sharp point of light that draws…
In this three-quarter length portrait from 1702, we encounter Anne Melon, a woman whose poise reflects the quiet dignity of the French aristocracy. She is positioned slightly off-center, a choice that lends a subtle sense of movement to her otherwise composed stance. The light, descending from the upper left, carves her features with a soft precision, casting shadows that give her form a tangible, three-dimensional weight. There is a certain…
The air feels heavy with the scent of old velvet and the quiet stillness of a twilight sky. Louise Élisabeth d'Orléans stands before us, a figure of immense dignity caught in a moment of poised repose. She is draped in a gown that seems to hold the very essence of light, its heavy folds cascading around her in a display of sheer opulence. The fabric, a deep and tactile velvet,…
A heavy cobalt blue velvet falls in deep, sculptural folds around the figure of Joseph Bonnier de la Mosson. The fabric catches a sharp light from the upper left, turning the ridges of the cloth into luminous streaks of blue against the dark shadows of the background. He sits with a quiet, commanding presence, his right hand extended in a gesture of presentation or command. A large, powdered periwig frames…
The portrait titled Cardinal-Infante Luis as a Boy captures a moment of youthful nobility through the eyes of the French painter Jean Ranc. Created around 1731, the work presents a young nobleman who is known as Cardinal-Infante Luis Antonio de Borbón. He gazes out from his position within the frame, a figure of high status even in his childhood. The painting holds the viewer in a quiet, formal encounter with…
This oil on canvas portrait, executed in 1723, depicts Elisabeth Farnese, Queen of Spain. The subject is presented in a full-length vertical composition, centered within the frame to establish a sense of stability and importance. She is dressed in a voluminous crimson and deep pink velvet gown, accented with white ermine fur trim and delicate lace. The attire is further detailed with gold embroidery, blue jewels, and light blue ribbons.
This oil on canvas portrait, titled Joseph I of Portugal, was executed by the French painter Jean Ranc in 1729. The work captures the likeness of a young man who would eventually ascend to the throne, though at the time of this sitting, his status was defined by his position as the Prince of Brazil and the future King of Portugal. It is a formal representation of the Infant Joseph,…
The Portrait of Prince Louis of Spain is a formal oil on canvas painted by Jean Ranc in 1723. The subject is captured in a three-quarter length view, draped in the heavy weight of royal and military regalia. A steel cuirass catches the light, resting against the soft textures of lace and velvet. He holds a baton, a singular line of authority held against the dark, quiet space of the…
In this 1731 portrait, we find the young Maria Antonia of Spain seated with a poise that belies her years. The composition is centered on the child, arranged in a slight diagonal that lends a sense of movement to the scene. She is draped in a heavy satin cloak of deep, saturated blue, which contrasts against the warm pinks and golds of the ornate settee. Her skin is rendered with…
Philip V, King of Spain, by Jean Ranc, was completed in 1723. The oil on canvas portrait captures the Spanish monarch alongside his family, presenting a formal record of the Bourbon dynasty during the early eighteenth century. The work is currently held in the Museo del Prado.
Mr Dupuy1698 · Musée de la Chartreuse de Douai
12
Philip V, King of Spain1728 · 프라도 미술관
13
Louis XIV1701 · Musée Fabre
14
Portrait of a great lady1717 · Musée d'art et d'histoire de Narbonne
15
Maria Anna of Austria1729 · National Coach Museum
16
Barbara of Braganza Queen of Spain1729 · 프라도 미술관
17
Elisabeth Farnese1723 · Slovak National Gallery
18
John V, King of Portugal1729 · 프라도 미술관
19
Maria Anna of Austria, Queen of Portugal1729 · 프라도 미술관
20
Maria Ana Victoria of Bourbon (Future Queen of Portugal) as a Child1725 · 프라도 미술관
21
Infante Don Felipe1726 · 부다페스트 미술관
22
A great lord's dog1735 · Musée Ingres Bourdelle
23
Portrait de Louis XV, roi de FranceMusée Fabre
24
Christ on the cross국립 미술관
25
François VerdierOpera House
26
Retrato De Carlos Iii De España프라도 미술관
27
Felipe de Borbón y Farnesio, future Duke of Parma프라도 미술관
28
Vertumnus And Pomona
29
Portrait De Femme, Identified As Francoise Marie De Bourbon
30
Portrait De Louis XvOpera House
31
Nicolas Van Plattenberg, Known As De Platte-montagne
32
Diane Chasseresse
33
Portrait Of Charles De Bourbon
34
Portrait Équestre De Philippe V프라도 미술관
35
Vertumne Et PomoneMusée Fabre
36
The Family of Philip V1723 · 프라도 미술관
37
Ferdinand Vi As Prince프라도 미술관
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 장 랑크의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 프라도 미술관 |
마드리드 | 17 | Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742), Cardinal-Infante Luis as a Boy, Elisabeth Farnese, Queen of Spain |
 Musée Fabre |
몽펠리에 | 5 | Portrait d'Anne Melon (1685 - 1727), Portrait de Joseph Bonnier de la Mosson, receveur de l'Hôpital Général, trésorier de la Bourse des États de Languedoc (1676-1726), Louis XIV |
 국립 미술관 |
스톡홀름 | 2 | A Grap-Picker Woman - Portrait of a Lady as Pomona, Christ on the cross |
 Opera House |
Versailles | 2 | François Verdier, Portrait De Louis Xv |
 Musée de la Chartreuse de Douai |
Duffel | 1 | Mr Dupuy |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 1 | Portrait of a great lady |
 National Coach Museum |
Lisbon | 1 | Maria Anna of Austria |
 Slovak National Gallery |
브라티슬라바 | 1 | Elisabeth Farnese |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In the portrait of Mr Dupuy by Jean Ranc, the subject is presented in a three-quarter view. The composition focuses on the man from the waist up, with his torso positioned slightly off-center within the frame. This arrangement directs the viewer's attention toward the subject's face and the textures of his attire. The background remains in deep shadow, creating a sense of three-dimensionality through the use of a chiaroscuro technique.…
In this three-quarter length portrait from 1702, we encounter Anne Melon, a woman whose poise reflects the quiet dignity of the French aristocracy. She is positioned slightly off-center, a choice that lends a subtle sense of movement to her otherwise composed stance. The light, descending from the upper left, carves her features with a soft precision, casting shadows that give her form a tangible, three-dimensional weight. There is a certain…
An orange gown catches the light, a sudden burst of warmth against the deepening blue of a twilight sky. The woman sits with a quiet, heavy grace, her skin pale as porcelain under the soft, directional glow. She is Pomona, the goddess of fruit, yet she feels grounded in the tactile reality of the harvest. A white silk headpiece rests near her face, a sharp point of light that draws…
The air feels heavy with the scent of old velvet and the quiet stillness of a twilight sky. Louise Élisabeth d'Orléans stands before us, a figure of immense dignity caught in a moment of poised repose. She is draped in a gown that seems to hold the very essence of light, its heavy folds cascading around her in a display of sheer opulence. The fabric, a deep and tactile velvet,…
The portrait titled Cardinal-Infante Luis as a Boy captures a moment of youthful nobility through the eyes of the French painter Jean Ranc. Created around 1731, the work presents a young nobleman who is known as Cardinal-Infante Luis Antonio de Borbón. He gazes out from his position within the frame, a figure of high status even in his childhood. The painting holds the viewer in a quiet, formal encounter with…
A Grap-Picker Woman - Portrait of a Lady as Pomona (1715), 국립 미술관, 스톡홀름. 다음은 Portrait d'Anne Melon (1685 - 1727) (1702)와 Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742) (1724)입니다.
41세: A Grap-Picker Woman - Portrait of a Lady as Pomona은(는) 1715년 작품이며, 장 랑크은(는) 1674년에 태어났습니다.
A Grap-Picker Woman - Portrait of a Lady as Pomona, Portrait d'Anne Melon (1685 - 1727), Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742), Portrait de Joseph Bonnier de la Mosson, receveur de l'Hôpital Général, trésorier de la Bourse des États de Languedoc (1676-1726), Cardinal-Infante Luis as a Boy, Elisabeth Farnese, Queen of Spain, Joseph I of Portugal, Portrait of Prince Louis of Spain, Maria Antonia of Spain 및 Philip V, King of Spain. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1698년부터 1735년 사이의 장 랑크 작가의 작품 37점이 수록되어 있습니다.
대부분 프라도 미술관 (마드리드), Musée Fabre (몽펠리에) 및 국립 미술관 (스톡홀름)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1720s 동안: 이 페이지의 총 37점의 작품 중 14점이 해당 시기에 제작되었으며, 그중 Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742)점입니다.
이 페이지에서 가장 오래된 작품은 Mr Dupuy (1698)이며, 가장 최근 작품은 A great lord's dog (1735)입니다.
이 페이지의 37점의 작품에 걸쳐 있는 Lace (14), Woman (11) 및 Man (11)
이 페이지의 총 37점의 작품 중 22점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Rococo 및 Baroque
Portrait of Louise Élisabeth d'Orléans, Queen of Spain (1709-1742), Cardinal-Infante Luis as a Boy 및 Elisabeth Farnese, Queen of Spain: 프라도 미술관, 마드리드은(는) 이 페이지에 있는 작품 중 17점을 소장하고 있습니다.
