- მთავარი გვერდი
- დაბეჭდვა ქანვასზე
- sergio prego
- დიhedsროების სერია
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დიhedsროების სერია
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გიკლე / ხელოვნების პრინტი
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P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
აირჩიეთ ჩვენს მიერ წინასწარ განსაზღვრული ზომებიდან, რომლებიც ნაწარმოების ორიგინალურ პროპორციებს შეესაბამება.
თქვენ შეგიძლიათ მიუთითოთ საკუთარი ზომები კონკრეტული ჩარჩოსთვის ან სივრცისთვის მოსარგებლებლად. თუ თქვენ მიერ არჩეული ზომა არ შეესაბამება ორიგინალი გამოსახულების პროპორციებს, ჩვენ ან დავჭრით ნამუშევარს, ან გავაფართოვებთ გამოსახულებას სარკული ან ერთფეროვანი კიდეებით. წარმოების დაწყებამდე თქვენს დასამტკიცებლად გამოგეგზავნებათ ციფრული მაკეტი.
გთხოვთ, გაითვალისწინოთ, რომ ეკრანზე ნაჩვენები წინასწარი ნახვა არ ასახავს რეალურ ჭრას ან გაფართოებას. მხოლოდ მაკეტზე იქნება ზუსტად წარმოდგენილი საბოლოო კომპოზიცია.
მიუხედავად იმისა, რომ ინდივიდუალური ზომები ხელმისაწვდომია, ორიგინალური პროპორციების შესანარჩუნებლად გირჩევთ, აირჩიოთ ზომა წინასწარ განსაზღვრული სიისგან.
მიწოდება მთელ მსოფლიოში () 2 კვირაში, სტანდარტული 4/5 კვირის ნაცვლად. (25 ივლისი)
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60-დღიანი დაბრუნების პოლიტიკა (მხოლოდ დეფექტის შემთხვევაში)
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მინის ჩარჩოს არჩევანი ხელმისაწვდომია მხოლოდ 110 სმ-ზე ნაკლები ზომისთვის
დიhedsროების სერია
გიკლე / ხელოვნების პრინტი
რეკლამაციის ზომა
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საბოლოო ფასი
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საკლექციო აღწერა
Sequence of Dihedrals: A Kinetic Sculpture Within Bilbao’s Architectural Embrace
Sergio Prego's "Sequence of Dihedrals," conceived for the Guggenheim Museum Bilbao in 2007, isn’t merely a sculpture; it’s an orchestrated disruption—a deliberate challenge to the museum’s established sensory experience. This installation transcends traditional artistic boundaries, prioritizing spatial exploration and utilizing polyethylene tubes alongside aluminum panels to generate mesmerizing movement and unsettling sounds. The artist's fascination with figures like Bruce Nauman and Andrei Tarkovsky – whose works delve into corporeality and cinematic storytelling – profoundly influenced his conceptual framework, mirroring a broader interest in questioning perception and embracing impermanence.- Concept & Technique: Prego’s ingenious approach centers on a pneumatic mechanism that governs the movement of modular panels positioned atop glass slabs. Each panel pivots at angles of 10º or 15º, creating dihedrals—angled relationships between surfaces—resulting in rhythmic noises and visual interruptions as they shift into predetermined configurations. This intricate choreography speaks to a mastery of engineering alongside artistic vision.
- Architectural Context: Situated within the Guggenheim’s iconic glass façade, “Sequence of Dihedrals” responds directly to its environment. The parallelogram-shaped glass wall module contrasts with the rectangular panels added, layering an orthonormal lattice over the existing oblique lattice—a deliberate gesture that underscores the interplay between structure and perception.
- Material Palette & Texture: Primarily constructed from polyethylene tubes and aluminum, the installation utilizes reflective surfaces that subtly capture ambient light, contributing to a grayscale aesthetic. The smooth texture of the panels emphasizes their precision and invites contemplation on materiality itself.
- Symbolism & Emotional Resonance: More than just decoration, “Sequence of Dihedrals” embodies Prego’s exploration of movement and change—themes central to Tarkovsky's cinematic vision. It evokes a feeling of awe at the scale of modern architecture while simultaneously unsettling viewers with its rhythmic disruptions, prompting reflection on how art can engage our senses and challenge our assumptions about space.
Historical Significance & Artistic Influence
Prego’s work aligns with the broader artistic currents of the late 1990s Basque landscape, characterized by a renewed interest in experimental sculpture and spatial exploration. Influenced by artists like Bruce Nauman—whose explorations of body and performance questioned conventional notions of representation—Sergio Prego continues to push boundaries within contemporary art, demonstrating how innovative materials and techniques can generate profound aesthetic and conceptual impact.Exploring the Guggenheim Experience
“Sequence of Dihedrals” isn’t simply viewed; it's experienced. Its presence transforms the museum space, disrupting established rhythms and inviting visitors to reconsider their perception of Bilbao’s architectural grandeur. Consider how this kinetic sculpture contributes to a deeper understanding of Prego’s artistic ethos—a commitment to challenging conventions and embracing the transformative potential of ephemeral art forms.Reproductions & Artistic Inspiration
A high-quality reproduction captures the essence of “Sequence of Dihedrals,” allowing you to bring this captivating artwork into your home or studio. Its minimalist aesthetic, combined with its dynamic movement and textural richness, serves as an inspiration for interior designers seeking to create spaces that stimulate contemplation and evoke a sense of wonder—a testament to Sergio Prego’s enduring legacy in the realm of sculptural innovation.მხატვრის ბიოგრაფია
Sergio Prego: Sculpting Space and Embracing Impermanence
Sergio Prego is a Spanish artist born in Donostia/San Sebastián in 1969, deeply rooted in the Basque artistic landscape of the late 1990s. His formative years at the University of the Basque Country and subsequent studies at the School of Visual Arts in New York instilled in him a multidisciplinary approach that would become central to his distinctive artistic vision. Prego’s work transcends traditional sculptural conventions, prioritizing exploration of spatial relationships and embracing the transformative potential of ephemeral materials—primarily polyethylene tubes and aluminum—to create installations that challenge perceptions of form and movement.- Early Influences: Prego's artistic trajectory was significantly shaped by figures like Bruce Nauman and Andrei Tarkovsky, whose explorations of corporeality and cinematic storytelling resonated deeply with his conceptual framework. He drew inspiration from the radical architecture collectives of the 1960s—Ant Farm and Archigram—who envisioned new ideas of space and corporeality as a reaction to prevailing societal norms.
- Material Exploration: Prego’s fascination with pneumatic structures – inflatable membranes stabilized by compressed air – represents a pivotal element in his artistic practice. These constructions, often referred to as “poems in space,” are characterized by their delicate balance between rigidity and flexibility, mirroring the artist's preoccupation with capturing fleeting moments of transformation.
- Notable Exhibitions: Prego’s career has been marked by numerous prestigious exhibitions internationally, including the Guggenheim Museum Bilbao (2006), Museo Nacional Centro de Arte Reina Sofía (Madrid), Museo Contemporáneo Barcelona – MACBA (Barcelona), and Venice Biennale (2019). His collaborative project with Itziar Okariz at the Biennale garnered critical acclaim for its conceptual boldness and innovative use of materials.
Sculptural Methodology: Pneumatic Architecture and Kinetic Forms
Prego’s sculptural process is defined by a meticulous attention to detail and an unwavering commitment to experimentation. He employs tetrahedrons—triangular pyramids—arranged around a central axis as fundamental building blocks for his installations, creating modular structures that defy static categorization. These sculptures utilize polyethylene tubes and aluminum elements to generate movement and tension within the confines of space, mirroring Prego’s belief that sculpture should actively engage with its environment. As he articulates, “I have always been interested in inventing new modalities of apprehending the space or, even more, in inventing new spatial relations.”- Technique: The artist meticulously folds polyethylene sheets into tubes and secures them with aluminum supports, resulting in structures that appear to breathe—expanding and contracting subtly under pressure.
- Conceptual Framework: Prego’s approach aligns with the broader artistic movement of the 1960s, which championed performance art and experiential engagement as means of questioning established conventions and exploring alternative perspectives on reality.
Recognition and Legacy: Venice Biennale Collaboration
Sergio Prego achieved international recognition through his participation in the Spanish Pavilion at the Venice Biennale (2019), alongside Itziar Okariz, where they presented *Get Out of the Way*, an inflatable sculpture referencing the pioneering work of architects like Buckminster Fuller and Frei Otto. This project underscored Prego’s enduring fascination with pneumatic structures—a technique rooted in the utopian visions of the late 1960s—and solidified his position as a visionary artist who pushes the boundaries of sculptural practice. His contribution to the Biennale was lauded for its conceptual depth and innovative exploration of spatial dynamics, cementing his legacy as a pivotal figure in contemporary art.
sergio prego
1969 - , Spain
მოკლე ინფორმაცია
- Artistic Movement Or Style: Sculpture & Installations
- Artists Or Movements Influenced By This Artist:
- Juan Luis Moraza
- Ángel Bados
- Txomin Badiola
- Artists Who Influenced This Artist:
- Bruce Nauman
- J.G. Ballard
- Ant Farm
- Trisha Brown
- Date Of Birth: 1969
- Full Name: Sergio Prego
- Nationality: Spanish
- Notable Artworks:
- Sequence of Dihedrals
- Rose-colored Drift/To the Students
- Place Of Birth: San Sebastián, Spain
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