1887 - 1948

基本情報

  • Color intensity:
    • balanced
    • monochromatic
  • Creative periods: mature period
  • Died: 1948
  • Museums on this site:
    • スミソニアン・アメリカン・アート・ミュージアム
    • 国立肖像画美術館
    • The Kinsey African American Art - History Collection
    • Pennsylvania Academy of Fine Arts
  • Typical colors:
    • espresso
    • rosy brown
  • Copyright status: Public domain
  • Movements: contemporary realism
  • Top-ranked work: Landscape with Trees

Early Life and Education

  • Born: May 16, 1887, Hartford, Connecticut
  • Parents: Reverend Robert Foster Wheeler and Mary (née Freeman) Wheeler
  • Family Background: Her mother was involved in anti-slavery activities.
  • Education: Graduated from Hartford Public High School in 1906. Studied at the Pennsylvania Academy of the Fine Arts, graduating in 1914.
  • Early Career: Began teaching part-time in Philadelphia while studying.

Career and Artistic Development

  • Teaching at Cheyney University: Taught art and music for over thirty years at Cheyney University, Pennsylvania, eventually becoming director of the art programs.
  • European Travels (1914 & 1924): Received a scholarship to study in Paris (1914). A second trip to Europe in 1924 proved pivotal, leading to a shift in her artistic style towards more vibrant colors and realism.
  • Artistic Style: Initially influenced by European masters like Monet, Manet, Corot, and Cézanne. Later developed a distinctive style characterized by realistic depictions with vivid color and atmosphere. Houses at Semur, France (1925) is considered a key work marking this stylistic shift.
  • Harlem Renaissance Portraits: Commissioned by the Harmon Foundation to paint portraits of prominent African Americans during the Harlem Renaissance. These portraits are among her most celebrated works.

Major Works and Subjects

  • W. E. B. Du Bois (1948): A realistic oil painting capturing the wisdom and melancholy of the prominent intellectual.
  • Little Brown Girl: A captivating portrait blending realism and impressionism, showcasing her skill with color and texture.
  • Naomi Barnett Aden: A black and white portrait evoking dignity and contemplation through chiaroscuro.
  • Portraits for the Harmon Foundation Exhibition (1928): Included portraits of significant African American figures like Mary White Ovington and James Weldon Johnson.
  • Illustrations for The Crisis: Contributed illustrations to the NAACP’s magazine, celebrating the dignity of African American life.

Legacy and Historical Significance

  • Recognition: Exhibited her work in Paris and across America. Her portraits were displayed at institutions like the Corcoran Gallery, Brooklyn Museum, and Philadelphia Museum of Art.
  • Influence on Black Artists: Waring's dedication to arts education and her portrayal of prominent African Americans helped inspire future generations of artists.
  • Contribution to Civil Rights: Her portraits served as a powerful visual representation of African American achievement during the early civil rights movement.
  • Connecticut Women’s Hall of Fame Induction (1997): Honored for her commitment to teaching and art, and her influence on African American artists and teachers.
  • Death: Died February 3, 1948, in Philadelphia, Pennsylvania.

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設問 1:
Where was Laura Wheeler Waring born?
設問 2:
What art school did Laura Wheeler Waring attend?
設問 3:
During what artistic movement was Laura Wheeler Waring most active?
設問 4:
What was a significant focus of Laura Wheeler Waring's portraiture?