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Dalilah

Capturing a profound sense of melancholy triumph, this neoclassical marble sculpture Dalilah by American master William Wetmore Story embodies biblical drama and classical elegance, inviting you to explore its timeless beauty.

Neoclassical sculptor William Wetmore Story created the iconic Cleopatra. Discover his profound marble masterpieces today.

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スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描き複製画を注文する デジタル画像販売へ切り替え)

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合計金額

¥ 12808

Dalilah

ジークレー/アートプリント

複製画サイズ一覧

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合計金額

¥ 12808

作品詳細

  • Subject or theme: Biblical Narrative
  • Year: 1877
  • Artistic style: Neoclassical
  • Location: Fine Arts Museums of San Francisco
  • Movement: Romanticism
  • Medium: Marble

Dalilah by William Wetmore Story: A Portrait of Melancholy Triumph

William Wetmore Story’s “Dalilah” stands as a cornerstone of American Romantic sculpture, embodying the spirit of its time and capturing a profound psychological complexity rarely achieved in artistic endeavors. Created in 1877 during his prolific Roman period—a testament to his unwavering fascination with classical ideals and human emotion—the statue transcends mere representation; it delves into the very essence of vulnerability and resilience within the framework of biblical narrative.
  • Subject Matter: The sculpture portrays Dalilah, the biblical temptress who lured Samson from his vigil and ultimately betrayed him by revealing the secret to his strength – his uncut hair. This retelling of the Old Testament tale aligns perfectly with the prevailing artistic sensibilities of the mid-19th century, reflecting a burgeoning interest in dramatic storytelling and exploring themes of morality and desire.
  • Style: “Dalilah” firmly establishes Wetmore Story within the neoclassical tradition. Rejecting the ornate excesses of Baroque sculpture, he championed a restrained elegance characterized by idealized forms—specifically, the female nude—balanced compositions, and meticulous craftsmanship. This stylistic choice reflects a broader movement toward returning to classical models as a source of inspiration for artistic expression.
  • Technique: Wetmore Story’s mastery is evident in his masterful manipulation of marble carving. The sculptor employed a subtractive technique, meticulously chipping away at the stone to reveal the underlying form and sculptured drapery with remarkable precision. This painstaking process resulted in an astonishingly lifelike depiction of Dalilah's posture and expression—a testament to Wetmore Story’s dedication to achieving unparalleled realism.
  • Composition: The sculpture’s central placement on a pedestal immediately commands attention, emphasizing its monumental scale and conveying a sense of solemn grandeur. Wetmore Story skillfully utilizes diagonal lines to guide the viewer’s gaze across Dalilah's body, creating dynamic movement despite her stillness. Furthermore, the stark black background isolates the figure, intensifying its visual impact and highlighting the contours of her form.
  • Symbolism & Emotional Impact: Beyond its narrative basis, “Dalilah” resonates with deeper symbolic meanings. The sculpture embodies the tension between vulnerability and triumph—Dalilah’s melancholic gaze conveys a palpable sadness stemming from her betrayal, yet her upright posture exudes confidence and resilience. Wetmore Story's portrayal captures the psychological drama inherent in the biblical story, prompting contemplation on themes of desire, deception, and ultimately, redemption.

Historical Context: The Victorian Aesthetic & Romantic Idealism

The sculpture’s creation coincided with the height of the Victorian era—a period marked by moral conservatism and a fervent devotion to religious piety. However, Wetmore Story's artistic vision diverged from prevailing societal norms, prioritizing emotional depth and psychological nuance over superficial ornamentation. He drew inspiration from Romantic ideals—particularly those championed by poets like Wordsworth and Coleridge—which emphasized imagination, emotion, and the sublime beauty of nature. This confluence of influences shaped Wetmore Story’s approach to sculpture, resulting in a work that transcends its historical context and speaks to universal human experiences.

Material & Craftsmanship: Marble as Medium for Expression

Wetmore Story selected marble—a material revered for its permanence and ability to convey subtle tonal variations—as the medium of choice for “Dalilah.” The sculptor’s meticulous attention to detail is palpable in every aspect of the sculpture's execution. From the delicately sculpted drapery to the subtly shaded contours of Dalilah’s torso, Wetmore Story demonstrated an unparalleled command of marble carving techniques. This dedication to craftsmanship ensured that the statue would endure for generations to come—a lasting legacy of artistic excellence and a poignant reminder of the Romantic spirit.

Further Exploration: Christie's Auction Record

“Dalilah” achieved considerable renown during Wetmore Story’s lifetime, attracting significant acclaim from critics and collectors alike. Notably, it was auctioned by Christie’s in 2016 for a substantial sum—a testament to its artistic merit and enduring appeal. Its presence within the Barberini Palace's impressive collection underscores its significance as one of Wetmore Story’s most celebrated achievements and exemplifies the lasting impact of Romantic sculpture on American art history.

Q&A

デ・ヤング美術館に所蔵されているWilliam Wetmore Story作「Dalilah」は、法的に複製することが可能でしょうか?

「Dalilah」の原画はデ・ヤング美術館に所蔵されており、本作品はパブリックドメイン(著作権消滅)です。

「Dalilah」の主題は、William Wetmore Storyが普段扱うテーマとどのように関連していますか?

William Wetmore Storyの代表的なテーマであるromantic sculpture, biblical symbolism, classical elegance, emotional depth, story’s legacyにおいて、「Dalilah」はsculpture, classical art, biblical narrative, female figure, marble, emotion, contemplationに独自の焦点を当てています。

「Dalilah」全体の明るさはどの程度ですか?

全体として、「Dalilah」の明るさはdeep_shadowと記録されています。知覚的な明るさとは、作品がどの程度明るく、あるいは暗く感じられるかを表すものです。


作家プロフィール

A Life Shaped by Marble and Law

Born in Salem, Massachusetts, William Wetmore Story began his adult life far from the quiet dust of a sculptor's studio. He was a man of intellect and rigorous study, having graduated from Harvard College in 1838 and later completing his studies at Harvard Law School in 1840. Under the guidance of his father, the Supreme Court Justice Joseph Story, he practiced law and even authored legal treatises regarding contracts and sales. Yet, the heavy books of jurisprudence could not entirely contain a spirit drawn toward the classical world. After a period of practicing law in Boston, a profound shift occurred. Following the commission to create a bust of his late father, he felt a calling to move toward the arts, eventually settling in Rome in 1850.

This transition from the courtroom to the studio was not merely a change in profession but a relocation of his very soul. His home in the Palazzo Barberini became a gathering place for many notable figures living in Italy. He lived among the poets and thinkers of his age, finding himself part of a circle that included the Brownings. This Roman period allowed him to immerse himself in the traditions of antiquity, moving away from the dry logic of American law toward the emotional weight of Greek tragedy and biblical narrative.

The Weight of Emotion in Stone

In his hands, cold marble took on a heavy, psychological presence. He did not seek to merely replicate the human form but to capture the internal struggles of his subjects. His work often focused on figures from antiquity or scripture, imbuing them with a sense of profound thought and impending fate. In his sculpture Cleopatra, he avoided the sensationalism of her death, focusing instead on the quiet introspection of a queen caught in a moment of deep contemplation. The marble was carved to suggest the softness of skin and the heavy flow of drapery, creating a tension between the hard stone and the vulnerable life it represented.

Other works revealed a similar preoccupation with the human condition through dramatic storytelling. His Dalilah explored themes of vulnerability and resilience within a biblical framework, while his Hero Looking for Leander utilized fine-grained white marble to depict a youthful, timid priestess. Even in his more somber monuments, such as the Angel of Grief, there is a palpable sense of loss. This piece, which he designed for his wife Emelyn, rests in the Protestant Cemetery in Rome, marking his final resting place alongside her.

A Legacy of Letters and Stone

Beyond the chisel, Story was a man of many voices. He was an author, poet, and editor who used words to explore the same classical themes found in his sculptures. His writings, such as Roba di Roma and Conversations in a Studio, provided observations on the culture and people of his adopted home. He possessed a wide-ranging intellect that allowed him to move between the precision of legal writing and the imaginative impulse required for poetry and drama.

His influence extended into the very fabric of American identity during the nineteenth century. While he lived much of his life in Italy, his works found their way back to the United States, appearing in collections from the Smithsonian American Art Museum to the Metropolitan Museum of Art. He left behind a family deeply rooted in the arts, with children who pursued their own paths as sculptors and painters. When he passed away at Vallombrosa, Italy, he left a body of work that bridged the gap between the legalistic rigor of his New England upbringing and the classical grandeur of the Roman world.

プロフィール概要

  • Artistic Movement Or Style: Neoclassicism
  • Full Name: William Wetmore Story
  • Nationality: American
  • Notable Artworks:
    • Cleopatra
    • Dalilah
    • Angel of Grief
    • Hero Looking for Leander
    • Medea
    • Sappho
  • Place Of Birth: Salem, United States
  • Date Of Birth: 1819
  • Date Of Death: 1895