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Vilnius

A striking modernist cityscape of Vilnius featuring vibrant red brick architecture by Lithuanian master Vincas Kisarauskas from 1965, offering a poignant glimpse into Soviet-era art for your private collection.

Discover Vincas Kisarauskas: Lithuanian modernist painter & graphic artist. Bold experiments, radical style, & poignant Vilnius scenes. A key figure in Soviet-era art.

このページに掲載されている作品は著作権法によって保護されており、当社の許可なく同一の複製物を制作または販売することは法律で禁じられています。この保護は、以下のような国際条約に基づき執行されます。 ベルヌ条約 および、以下の条項に定められたものを含む各国の法律により、 米国著作権法 第17編。

この手法は、著作権で保護された作品の複製や複写を伴わないため、著作権法に完全に準拠しています。これは単なる模倣ではなく、創造的な再解釈です。元の作品からインスピレーションを受けつつも、それとは異なる、全く新しい絵画を生み出すものです。

ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描きの複製画を注文する デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 天然木, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 天然木, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 天然木, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 天然木, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 天然木, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 天然木, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 天然木, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 天然木, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 天然木, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 天然木, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 天然木, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 天然木, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 天然木, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 天然木, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 天然木, 6 cm wide and 3.5 cm thick
W953PJ ¥8

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世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(30 10月)

世界中へ無料エクスプレス配送
高品質なリネンキャンバス
配送時完全保険付
関税・輸入税の払い戻し保証
忠実な色彩再現の保証
100日間返品保証(製造上の欠陥がある場合のみ)
100% 全額返金保証
まとめ買い割引のご案内

合計金額

¥ 12587

Vilnius

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 12587


アーティストについて

Vincas Kisarauskas: A Radical Voice in Soviet Lithuania

Born in Augiemanių, Lithuania, in 1934, Vincas Kisarauskas’s life and art were inextricably linked to the turbulent currents of Soviet-era Lithuania. He emerged as a pivotal figure in the country's burgeoning modernist scene – a bold experimenter who defied official constraints while simultaneously pushing the boundaries of artistic expression. Often described as one of the most progressive artists of his time, Kisarauskas’s work is characterized by its raw emotion, unsettling imagery, and a deliberate rejection of prevailing ideological norms. His legacy lies not just in the paintings he created but also in his courageous stance against censorship and his profound influence on subsequent generations of Lithuanian artists.

Early Years and Artistic Training

Kisarauskas’s artistic journey began with a practical grounding in ceramics at the Telšiai Trade School of Applied Arts. This early exposure to tactile materials and functional design subtly shaped his later approach, influencing his use of texture and form. He then transitioned to Vilnius Art Institute, initially studying textiles before transferring to the Painting Department in 1959. It was here that he truly began to develop his distinctive style – a potent blend of abstraction, expressionism, and a deeply personal vision. His graduation marked the beginning of a period where his work would be largely marginalized by the state’s rigid artistic controls.

A Style Defined by Disruption and Emotion

Kisarauskas's art is immediately arresting. He wasn’t interested in creating pleasant, easily digestible images; instead, he sought to confront viewers with uncomfortable truths about the human condition. His paintings are often characterized by fragmented figures, distorted perspectives, and a palpable sense of unease. He frequently employed stark contrasts between light and shadow, utilizing bold colors – particularly reds and blacks – to amplify the emotional intensity of his scenes. Kisarauskas’s work can be seen as a direct response to the psychological pressures of living under Soviet rule, reflecting the anxieties, frustrations, and suppressed desires of ordinary Lithuanians. He was a pioneer in combining painting with photography and assemblage, creating multi-layered works that challenged traditional artistic conventions.

Recognition After Censorship: A Late Flowering

For much of his career, Kisarauskas’s work remained largely unseen by the public. The Soviet authorities actively suppressed any art deemed “formalist” or subversive, and his innovative style was considered a threat to ideological orthodoxy. Despite this censorship, he continued to create prolifically, often working in secret and distributing his art through informal channels. It wasn't until after his death in 1988 in New York that his work began to receive wider recognition. The lifting of restrictions on artistic expression following the collapse of the Soviet Union allowed Kisarauskas’s legacy to finally emerge, solidifying his place as a key figure in Lithuanian modernism and a courageous voice against oppression.

Key Works and Lasting Influence

Several works stand out as particularly significant examples of Kisarauskas's artistic vision. “Christ at Emmaus” (1988), painted shortly before his death, is a powerful depiction of faith and suffering, rendered in a raw and emotionally charged style. "Illuminated Window III" (1987) showcases his exploration of light and shadow, while "April Space" (XX Century. V) reflects the anxieties of the era. His smaller-format works, including diary-like sketchbooks and ex-libris designs, offer a glimpse into his creative process and reveal a remarkable versatility. Kisarauskas’s influence extends beyond his own creations; he inspired countless artists in Lithuania to challenge conventions and explore new forms of expression. He remains a potent symbol of artistic freedom and a testament to the enduring power of art to resist oppression.

Useful Links:

Vincas Kisarauskas

Vincas Kisarauskas

1934 - 1988 , Lithuania

アーティスト情報

  • Full Name: Vincas Kisarauskas
  • Nationality: Lithuanian
  • Date Of Birth: 1934
  • Date Of Death: 1988
  • Place Of Birth: Augiemanių, Lithuania
  • Notable Artworks:
    • Christ at Emmaus
    • Illuminated Window III
    • April Space
    • Tilting towards Zanavykai
    • Six Figures...
  • Artistic Movement Or Style: Radical Modernism
  • Artists Who Influenced This Artist: ['Abstract Expressionism']
  • Artists Or Movements Influenced By This Artist: ['Contemporary Lithuanian art']