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Covered jar

Ron Meyers: American ceramicist known for evocative animal & human forms. Smithsonian featured artist – explore functional pottery & timeless designs.

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合計金額

¥ 12795

Covered jar

ジークレー/アートプリント

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合計金額

¥ 12795

In 1971, while attending a National Council on Education for the Ceramic Arts conference in Toronto, Meyers visited the Royal Ontario Museum, where he came across Japanese ware for the first time; he was immediately attracted to its spontaneous, gestural approach. Influenced by this experience, Meyers began using a Japanese Shino glaze, a type of satiny glaze that ranges in color from white to orange depending on reduction, with his primarily stoneware clay bodies.

Q&A

「Covered jar」の作者は誰ですか?

「Covered jar」の作者はRonald Meyersとされています。

「Covered jar」の作者であるRonald Meyersには、他に知られている名前はありますか?

「Covered jar」の作者であるRonald Meyersには、他にRon Meyersといった名称でも記録されています。

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作家プロフィール

A Life Rooted in Clay: The Enduring Legacy of Ron Meyers

Ron Meyers, born in Buffalo, New York, in 1934, is more than just a potter; he’s a storyteller who breathes life into earthenware. His journey began not with clay, but with the vibrant energy of a blue-collar upbringing and a youthful fascination with comic book art—specifically, the stark black-and-white drawings that captured his imagination. This early love for narrative imagery would subtly yet profoundly shape his artistic path, imbuing his functional pottery with a whimsical spirit and a distinctly human touch. Meyers’ parents recognized and nurtured his talent, encouraging him to pursue formal art education, a decision that ultimately led him to the State University College at Buffalo where he earned both a Bachelor of Science and Master's degree in Art Education. Further honing his skills at the School for American Craftsmen at the Rochester Institute of Technology, he completed his MFA in Ceramics in 1967, setting the stage for a career dedicated to teaching and artistic exploration.

From Classroom to Studio: A Career Dedicated to Mentorship

Meyers’ commitment extended beyond personal creation; it was deeply interwoven with education. He began his academic tenure at the University of South Carolina in 1967, followed by a transformative twenty-year period at the University of Georgia in Athens, where he retired as Professor Emeritus. For over two decades, Meyers didn't simply impart technical skills—he fostered an environment that encouraged experimentation, spontaneity, and a deep connection to the material itself. He believed in the power of storytelling within functional forms, challenging students to see pottery not as a restrictive craft but as a canvas for personal expression. His influence resonates through generations of ceramic artists who carry his ethos of integrating form, surface, and use. Even after retirement, Meyers remained an active figure, continuing to mentor and inspire with workshops across the United States and internationally, solidifying his reputation as “one of his generation’s most important potters” and “an icon of the American ceramics community.”

The Whimsical World on Earthenware: Style & Influences

Meyers' pottery is immediately recognizable for its playful spirit. He works primarily with red earthenware, embracing its warmth and tactile quality. His pieces are not pristine or perfectly symmetrical; instead, they bear the visible marks of the hand—wobbly forms, intentional imperfections, and a casual fluidity that speaks to the spontaneity of creation. Pictorial slips depicting animals, human figures, and humorous scenes adorn his vessels, transforming everyday objects into miniature narratives. While rooted in functionality, Meyers’ work transcends mere utility. He openly acknowledges influences from diverse sources: Picasso and Chagall for their expressive forms, the Leach-Hamada aesthetic for its emphasis on natural materials, and even Frans Wildenhain, his graduate school instructor at RIT, who instilled a deep appreciation for traditional techniques. However, Meyers doesn't simply replicate these influences; he synthesizes them into a unique visual language that is distinctly his own—a blend of folk art charm, narrative storytelling, and a profound respect for the clay itself.

A Lasting Impression: Collections & Recognition

The impact of Ron Meyers’ work extends far beyond the studio and classroom. His pieces are held in numerous prestigious collections, including the Smithsonian American Art Museum, the Georgia Museum of Art, and the Rosenfield Collection—testaments to his artistic merit and enduring appeal. He has been featured in prominent publications such as *Clay Times*, *NCECA Journal*, and *The Penland Book of Ceramics*, further solidifying his position within the contemporary ceramics landscape. In 2008, he received the Northern Clay Center’s Regis Masters Award, an honor bestowed upon senior artists who have made a significant contribution to the field. This recognition not only celebrated his lifetime achievements but also acknowledged his profound influence on generations of ceramic artists. His work continues to be exhibited and sought after by collectors, ensuring that his whimsical narratives and tactile forms will continue to inspire for years to come.

The Enduring Power of Human Touch

Ron Meyers’ legacy lies in his ability to imbue functional pottery with personality and soul. He demonstrated that utility does not preclude artistry—that a mug or a platter can be both beautiful and meaningful. His emphasis on the human touch, prioritizing storytelling and informality over perfection, has resonated deeply within the ceramics community. As he continues to work well into his nineties, Meyers remains a vital force, bridging traditional techniques with personal expression and reminding us of the enduring power of clay—and the stories it can tell. His pottery is not merely an object; it’s a connection to the past, a celebration of the present, and a testament to the transformative power of art.
Ronald Meyers

Ronald Meyers

1934 - , United States of America

プロフィール概要

  • Full Name: Ron Meyers
  • Nationality: American
  • Date Of Birth: 1934
  • Place Of Birth: Buffalo, United States of America
  • Notable Artworks:
    • Functional pottery
    • Animal forms
  • Artistic Movement Or Style: Studio pottery
  • Artists Who Influenced This Artist:
    • Picasso
    • Chagall
    • Leach-Hamada
    • Peter Voulkos
    • Frans Wildenhain
  • Artists Or Movements Influenced By This Artist: Contemporary ceramics