Olive Cotton (1911–2003) and Max Dupain OBE (1911–1992) were pioneering modernist photographers. Cotton’s lifelong obsession with photography began at age eleven with the gift of a Kodak Box Brownie. She was a childhood friend of Dupain’s and in 1934 she joined his fledgling photographic studio, where she made her best-known work, Teacup Ballet, in about 1935. Throughout the 1930s, Dupain established his reputation with portraiture and advertising work and gained exposure in the lifestyle magazine The Home. Between 1939 and 1941, Dupain and Cotton were married and she photographed him often; her Max After Surfing is frequently cited as one of the most sensuous Australian portrait photographs. While Dupain was on service during World War II Cotton ran his studio, one of very few professional women photographers in Australia. Cotton remarried in 1944 and moved to her husband’s property near Cowra, New South Wales. Although busy with a farm, a family, and a teaching position at the local high school, Cotton continued to take photographs and opened a studio in Cowra in 1964. In the 1950s, Dupain turned increasingly to architectural photography, collaborating with architects and recording projects such as the construction of the Sydney Opera House. Dupain continued to operate his studio on Sydney’s Lower North Shore until he died at the age of 81. Cotton was in her seventies when her work again became the subject of attention. In 1983, she was awarded a Visual Arts Board grant to reprint negatives that she had taken over a period of forty years or more. The resulting retrospective exhibition in Sydney in 1985 drew critical acclaim and has since assured her reputation.
Q&A
Olive Edith Cotton作「The photographer」は、明るい色調の作品ですか、それとも暗い色調の作品ですか?
「The photographer」の全体的な明るさはbalancedで、輝度はGentle Luminanceです。
拡張現実(AR)を使って、自分の部屋にOlive Edith Cotton作「The photographer」を配置して見ることはできますか?
Olive Edith Cotton作「The photographer」のARで見るページでは、対応端末を使用して拡張現実(AR)により、作品をご自身の空間に表示してご確認いただけます。
「The photographer」の色同士は、どのように調和していますか?
Olive Edith Cotton作「The photographer」の色使いは、Unified Paletteな調和を見せています。ここでの「調和」とは、色彩同士が互いにどのように響き合っているかを表しています。