Inside

A Pulse of Pure Color

The canvas breathes through a series of concentric rings that pull the eye toward a deep blue center. It is a study in geometry and light, where a circle of yellow, red, and blue expands outward in rhythmic layers. Black lines cut through the middle, adding a sharp, structural tension to the soft bleeding of the hues. The colors do not sit on the surface like heavy paste; instead, they seem to live within the fibers of the fabric itself. This is the result of a staining technique, where thinned paint meets unprimed canvas, allowing the pigment to soak in and become one with the material. The edges of the rings vibrate against one another, creating a sense of movement that feels both steady and restless.

The Geometry of Space

Created in 1958, this work emerges from a period of intense exploration into the relationship between a shape and the boundary of the frame. The composition focuses on the tension between the central target and the surrounding space. By using the soak-stain method, the artist removes the presence of the brushstroke, leaving only the raw impact of color. This approach strips away the hand of the maker to let the color act as the primary force. The interaction of the red, yellow, and blue rings creates an optical effect, a subtle pulsing that challenges how the eye perceives depth and distance on a flat plane. It is a moment of pure visual energy, captured in a state of permanent expansion.