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Copy of

寸法
179.0 x 94.0 cm

Explore Joaquín Sorolla’s 'Copy of Velázquez,' a dramatic Baroque oil painting featuring an aged man in striking chiaroscuro. A poignant study of poverty & light, showcasing impasto texture and timeless beauty.

スペインの光と色彩を捉えた画家、ホアキン・ソローヤ。地中海沿岸の風景や人々の日常を描き、印象派の影響を受けながら独自の Luminism を確立しました。『悲しき相続』から『海岸の子どもたち』まで、鮮やかな筆致で描かれた作品は、スペイン文化と光の美しさを永遠に伝えます。

ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描き複製画を注文する デジタル画像販売へ切り替え)

Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 無垢材, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 無垢材, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 無垢材, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 無垢材, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
W953PJ ¥8

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世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(4 11月)

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関税・輸入税の払い戻し保証
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100% 全額返金保証
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合計金額

¥ 12810

Copy of

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 12810

作品詳細

  • Notable elements: Chiaroscuro, impasto
  • Title: Copy of Velázquez
  • Year: 1882
  • Movement: Baroque
  • Influences: Rembrandt

The Weight of Years: An Encounter with Time

Joaquin Sorolla's "Copy of Velázquez," painted in 1882, isn’t merely a replication; it’s a profound meditation on age, memory, and the enduring power of light. Sorolla, already establishing himself as a master of capturing the vibrant essence of Spain, chose to revisit one of history's most iconic portraits – Velázquez’s enigmatic depiction of Charles V – not as a slavish imitation, but as a lens through which to explore his own artistic vision and the passage of time. The painting immediately draws you in with its dramatic chiaroscuro, a technique borrowed directly from Rembrandt and employed here with breathtaking skill. Darkness dominates much of the composition, enveloping the subject in a veil of shadow that speaks volumes about the burdens of experience. Yet, within this gloom, Sorolla masterfully introduces pockets of brilliant light – illuminating the face of the old man, highlighting the texture of his cloak, and casting an ethereal glow upon the rough stone wall behind him. This interplay between darkness and light isn’t simply a stylistic choice; it's a deliberate orchestration designed to evoke a deep sense of melancholy and contemplation.

A Baroque Masterclass: Form and Texture

Sorolla’s technique is rooted firmly in the traditions of the Baroque, yet he infuses it with his own distinctive sensibility. The composition is vertically oriented, mirroring the formality of Velázquez's original while simultaneously creating a sense of intimacy. The old man, positioned slightly off-center, commands immediate attention – his face etched with wrinkles and lined by time, conveying both resilience and vulnerability. Sorolla’s brushstrokes are thick and impastoed, particularly evident in the folds of the cloak and the weathered surface of the wall. This tactile quality invites the viewer to reach out and touch the canvas, experiencing the physicality of the paint itself. Linear perspective is subtly employed, flattening the space somewhat but creating a convincing illusion of depth through careful manipulation of shadows and highlights. The artist’s attention to detail is remarkable; you can almost feel the rough texture of the stone beneath his hand, or the weight of the heavy fabric draped across his shoulders.

Symbolism in Shadow: Poverty, Reflection, and Mortality

Beyond its technical brilliance, “Copy of Velázquez” resonates with layers of symbolic meaning. The subject’s age and poverty are immediately apparent, reflecting a common theme in Spanish art – the plight of the marginalized and forgotten. The darkness surrounding him suggests hardship, isolation, and perhaps even resignation. However, Sorolla doesn't succumb to mere pathos; instead, he imbues the scene with a quiet dignity. The old man’s gaze is direct and unwavering, suggesting an inner strength despite his outward circumstances. Furthermore, the painting can be interpreted as a meditation on memory and reflection – the subject appears lost in thought, contemplating his past. The rough stone wall behind him serves as a visual metaphor for time itself, relentlessly eroding and shaping all that it touches.

A Legacy of Light: Sorolla’s Spain

Joaquin Sorolla was deeply connected to the spirit of 19th-century Spain. His work is characterized by an unyielding celebration of light, color, and the vibrancy of everyday life. He sought to capture the essence of his homeland – its sun-drenched landscapes, its bustling cities, and its diverse population. “Copy of Velázquez” exemplifies this passion, transporting us to a specific moment in time and place. It’s a poignant reminder that even within the darkest corners of existence, beauty and dignity can still be found. Sorolla's ability to imbue his subjects with such profound humanity is what elevates this work beyond a simple imitation; it becomes a timeless testament to the enduring power of art to illuminate the human condition. The painting’s influence continues to inspire artists today, demonstrating Sorolla’s lasting legacy as one of Spain’s greatest painters.

Q&A

「Copy of」に似た作品はありますか?

「Copy of」に似た作品は、こちらの関連作品ページでご覧いただけます。

「Copy of」のプリントは、どのような用途でのご利用がおすすめですか?

「Copy of」のプリントのおすすめの使い方は、Statementです。

ジョアキン・ソローラ イ バスティダ作「Copy of」 の著作権状況の根拠を教えてください。

ジョアキン・ソローラ イ バスティダ作「Copy of」はパブリックドメイン(著作権消滅)です。著作権の保護期間は、1923年に亡くなった作家の没年から起算されます。


作家プロフィール

Joaquín Sorolla y Bastida - A Life Bathed in Light

Joaquín Sorolla y Bastida, a name synonymous with the radiant light and vibrant energy of Spain, was more than just a painter; he was a chronicler of his nation’s soul. Born in Valencia in 1863, Sorolla's early life was marked by tragedy. Orphaned at the tender age of two following a cholera epidemic that claimed both parents, young Joaquín and his sister were raised by their maternal aunt and uncle. This early experience with loss perhaps instilled within him a profound appreciation for the fleeting beauty of life – a sentiment that would permeate his art. Though hardship shadowed his beginnings, it did not dim the spark of artistic talent that quickly became apparent. He received initial instruction in Valencia, demonstrating an aptitude that led to studies under established artists like Cayetano Capuz and José Benlliure, eventually culminating in a four-year grant to study in Rome. It was there, amidst the classical grandeur of Italy, that Sorolla began to forge his unique artistic path, absorbing influences while simultaneously developing a style distinctly his own.

Early Life and Influences

Joaquín Sorolla y Bastida was born on February 27, 1863, in Valencia, Spain – the eldest child of Joaquín Sorolla, a tradesman, and Concepción Bastida. His sister, Concha, arrived a year later. The devastating cholera epidemic that swept through Valencia in 1865 tragically claimed the lives of his parents, leaving him and his sister orphaned at just two years old. They were subsequently cared for by their maternal aunt and uncle, fostering an early awareness of vulnerability and loss—themes that would subtly inform Sorolla’s artistic vision throughout his career. His formative education took place in Valencia, where he honed his skills under the tutelage of Cayetano Capuz and José Benlliure, artists who championed realism and celebrated Valencian culture. Recognizing his exceptional talent, Sorolla secured a prestigious scholarship to study at the Accademia di Belle Arti di Roma (Roman Academy), propelling him toward artistic maturity amidst the intellectual ferment of Italy’s Belle Époque. Here, he encountered the monumental canvases of Francisco Pradilla Ortiz, director of the Spanish Academy in Rome, who instilled in him a deep respect for classical tradition and established a stylistic benchmark that would guide his future endeavors. Furthermore, Sorolla immersed himself in the burgeoning Impressionist movement, captivated by exhibitions showcasing Jules Bastien-Lepage and Adolf von Menzel—artists whose innovative techniques challenged academic conventions and championed capturing fleeting moments of light and color. These influences coalesced into Sorolla’s distinctive artistic voice – a harmonious blend of realism and Impressionistic luminosity that would become his hallmark.

From Historical Narratives to Sun-Drenched Realism

Sorolla's initial artistic explorations leaned toward historical painting, mirroring the prevailing trends of his time—large-scale depictions of mythological and biblical scenes intended to inspire awe and reverence. However, a pivotal transformation occurred upon his return to Spain, where he discovered an irresistible fascination with the everyday lives of his countrymen – particularly those inhabiting the picturesque Valencian coast. The intense Mediterranean sunlight, shimmering sea breezes, and vibrant energy of coastal communities became Sorolla’s primary subjects—a deliberate rejection of formal grandeur in favor of capturing the immediacy and beauty of ordinary existence. This stylistic shift wasn't abrupt; Sorolla continued to engage with social realism, exemplified by his poignant portrayal of polio sufferers bathing in the sea – Sad Inheritance (1899)—a painting that garnered considerable acclaim but also revealed a compassionate sensitivity to human suffering. The exhibition of this artwork at the Paris Salon solidified Sorolla’s reputation as a leading voice in Spanish art and underscored his commitment to portraying the realities of contemporary life with honesty and empathy. Sorolla's technique—characterized by bold brushstrokes, loose compositions, and an unwavering dedication to *plein air* painting—became instantly recognizable. He prioritized capturing the ephemeral effects of sunlight on surfaces – skin, water, sand – striving not merely to represent what he saw but to convey its essence—its warmth, vibrancy, and transformative power. This approach distinguished him from many of his contemporaries who adhered to stricter academic standards, establishing Sorolla as a pioneer of Luminism—a style that sought to illuminate the human experience through radiant light. His canvases pulsated with life, infused with an unparalleled sense of spontaneity and dynamism—a testament to his mastery of artistic expression.

Major Achievements & Legacy

Sorolla’s prolific output spanned decades, encompassing portraits, landscapes, monumental murals, and numerous genre scenes—each imbued with a distinctive blend of observation and imagination. He achieved international renown through exhibitions in Munich, Paris, Chicago, Vienna, Venice, Buenos Aires, and countless others—receiving accolades from critics and collectors alike. His artistic success was particularly evident in 1892 when he secured the gold medal at the National Exhibition in Madrid for his painting *Another Marguerite*, marking a pivotal moment in his career. He cemented his position as one of Spain’s foremost artists by winning first prize at the Chicago International Exposition in 1893—a triumph that underscored his ability to captivate audiences with evocative imagery and masterful technique. Sorolla's magnum opus, *Vision of Spain*, commissioned by the Hispanic Society of America, represents an extraordinary undertaking—a series of fourteen colossal canvases depicting the regional costumes and customs of Spain’s provinces. Completed posthumously in 1928, this ambitious project stands as a testament to Sorolla’s artistic vision and technical prowess—a monumental achievement that continues to inspire admiration for its grandeur and beauty. Today, Sorolla's paintings reside in prestigious museums worldwide—including the Museo Sorolla in Madrid—where they serve as enduring symbols of Spanish art history and exemplify the transformative power of capturing light and emotion on canvas. His legacy extends beyond his artistic accomplishments; Sorolla remains a beacon of Luminism—a painter whose work continues to resonate with audiences across generations, reminding us that true beauty lies in embracing spontaneity and conveying the profound essence of human experience.

プロフィール概要

  • Artistic Movement Or Style: Impressionisme en Luminisme
  • Artists Or Movements Influenced By This Artist: ['Monet']
  • Artists Who Influenced This Artist:
    • Francisco Pradilla
    • Jules Bastien-Lepage
  • Date Of Birth: 27 Februari 1863
  • Date Of Death: 10 Agustus 1923
  • Full Name: Joaquín Sorolla y Bastida
  • Nationality: Spaanse kunstenaar
  • Notable Artworks:
    • Marguerite
    • Het terugkomen van het vissen
    • Zwaarlijvige meisje
    • Kinderen op het strand
  • Place Of Birth: Valencia, Spanien
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