Lord Algernon Percy
1780
107.0 x 87.0 cm
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご希望のサイズをご入力いただけます。選択されたサイズが元の画像の比率と異なる場合、アートワークをトリミングするか、手描きで要素を追加して絵画を拡張いたします。デジタルモックアップ を制作し、制作開始前にご確認(承認)をいただきます。
画面上のプレビューは、実際のトリミングや拡張を正確に反映しているものではありません。最終的な構図は、モックアップによってのみ正確にご確認いただけます。
カスタムサイズもご利用いただけますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
ご注文後、OriginalUniqueArt.com チームより詳細な指示をお送りするとともに、仕上がりイメージ(モックアップ)をご提供いたします。
Lord Algernon Percy
複製技法
複製画のサイズ
-
合計金額
-
アーティストの略歴
James Millar (1735–1805): Birmingham’s Enlightenment Portraitist
James Millar, born in Birmingham in 1735, emerged as a prominent figure in the artistic landscape of the Midlands Enlightenment – a period characterized by intellectual curiosity and scientific advancement. Records from Birmingham's poor law levy books confirm his presence in the city’s social fabric in 1763, marking the beginning of his career as a portrait painter. He quickly established himself as Birmingham’s foremost artist of the latter half of the eighteenth century, capturing the spirit of his time through meticulously crafted canvases. Millar's artistic style was deeply rooted in neoclassical principles, reflecting the broader European movement towards rationalism and idealized beauty. Influenced by artists like Joshua Reynolds and Thomas Gainsborough, he favored a polished technique—often employing mezzotint alongside oil paint—that prioritized clarity of form and subtle tonal gradations. This meticulous approach allowed him to convey not only physical likeness but also psychological character, capturing the nuances of emotion and intellect within his subjects. His prolific output spanned over three decades, producing portraits of notable Birmingham citizens and luminaries. Among his most celebrated commissions were depictions of John Baskerville, Francis Eginton, and John Freeth – individuals who played significant roles in Birmingham’s commercial and social life. Notably, Millar's work frequently incorporated allegorical symbolism, mirroring the intellectual fervor of the Enlightenment. One striking example is a portrait commissioned by Thomas Day depicting allegories representing wisdom, science, and the arts—a deliberate visual statement reflecting the influence of St. Philip’s Church tower over Birmingham’s cityscape. Millar gained recognition through exhibitions at the Royal Academy and the Society of Artists in London between 1771 and 1790, showcasing his talent to a wider audience. His paintings reside in prestigious institutions such as the Fitzwilliam Museum in Cambridge, Wolverhampton Art Gallery, Lichfield Guildhall, the Royal Society, the Cowper and Newton Museum, and most notably, the National Portrait Gallery in London—testaments to his enduring legacy as one of Britain’s leading portraitists.- Notable Subjects: John Baskerville, Francis Eginton, John Freeth, Thomas Day
- Technique: Oil Paint & Mezzotint
- Influences: Joshua Reynolds, Thomas Gainsborough
- Institutions Holding Artwork: Fitzwilliam Museum, Wolverhampton Art Gallery, Lichfield Guildhall, Royal Society, National Portrait Gallery
james millar
1735 - 1805
基本情報
- Artistic Movement Or Style: Midlands Enlightenment
- Artists Or Movements Influenced By This Artist: ['Royal Academy']
- Artists Who Influenced This Artist: ['Romanticism']
- Date Of Death: 1805
- Full Name: James Millar
- Nationality: British
- Notable Artworks: ['Allegories of Wisdom']
- Place Of Birth: Birmingham, England

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。