Visual Composition and Subject Matter
In this black and white painting, the focus rests entirely upon the subject's face. The man possesses dark hair and a mustache, complemented by a beard that frames his features. He appears to be looking directly at the viewer, creating an immediate sense of intensity. The background remains blurry, ensuring that nothing distracts from the primary focus of the composition.
The lighting is handled with a specific, flat incidence from the side. This choice casts a shadow across his gaze, which does not engage the viewer but instead suggests a private moment of melancholic self-reflection. There is a sense of spiritual solitude in the way he turns his eyes away from the darkness. The restrained colors and the use of light as a central compositional tool lend the work a psychological depth.
History and Provenance of the Work
The history of this painting is as dramatic as the gaze it captures. Once held within the collection of the Kunsthalle Bremen, the work disappeared from public view during the upheaval of World War II. For decades, its fate remained uncertain, and it was widely believed to have been lost to the chaos of the conflict.
The silence surrounding the piece ended in 1995, when it was finally returned from the Ukraine. This recovery brought the work back into the light of the art world after a long period of absence. It is a rare occurrence to see a piece of this nature resurface so completely after such a significant gap in its provenance.
Q&A
Self-Portraitの制作年である1862年は、ハンス・フォン・マーレースのキャリアにおけるどの時期にあたりますか?
1862年に制作された「Self-Portrait」は、ハンス・フォン・マーレースの画業におけるEarly Self-Portraitに属する作品です。
「Self-Portrait」は、いつ、どのような素材で制作されましたか?
「Self-Portrait」は、1862年にOilで制作されました。
ハンス・フォン・マーレース作「Self-Portrait」は、どのようにしてNeoclassicismをアーティストの母国と結びつけているのでしょうか?
「Self-Portrait」は、作者の出生地を通じて、Neoclassicism運動とGermanyを結びつけています。
この絵画の詳細を見る




いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。



