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スライドショーHigh Altar
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ジークレー／アートプリント
迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (
手描き画への切り替え 画像に切り替え)
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
High Altar
ジークレー／アートプリント
複製画のサイズ
-
合計金額
$ 81
アーティストの略歴
Girolamo Campagna: Venetian Sculptor of Sorrow and Grace
Girolamo Campagna (1552 – 1624) stands as a pivotal figure in the artistic landscape of Renaissance Venice, renowned for his profound sensitivity to human emotion and his masterful execution of sculptural forms. Born in Verona, he embarked on a formative journey to Venice in 1572, immersing himself in the tutelage of luminaries like Jacopo Sansovino and Danese Cattaneo – artists who profoundly shaped his artistic vision. These masters instilled within him an unwavering dedication to classical ideals blended with humanist contemplation, principles that would permeate his entire oeuvre. Campagna’s early career was marked by collaboration with Cattaneo on monumental projects, notably the figure of Doge Leonardo Loredano adorning the tomb in Santi Giovanni e Paolo Basilica. This commission solidified Campagna's reputation as a skilled craftsman capable of capturing complex psychological states within sculpted stone—a hallmark that would characterize his subsequent endeavors. Following Cattaneo’s death, he relocated to Padua where he secured the prestigious patronage entrusted to him by Cattaneo himself for the basilica’s central altar piece – an undertaking that cemented Campagna's legacy as one of Venice’s most celebrated sculptors. The resulting sculpture, “High Altar,” exemplifies Campagna’s ability to convey profound spiritual depth through elegant drapery and subtly expressive poses. His magnum opus remains undeniably "Man of Sorrows," a breathtaking bas-relief depicting Jesus Christ mourning over the Virgin Mary—a poignant meditation on grief and compassion executed with unparalleled virtuosity. Crafted in Padua, this masterpiece showcases Campagna’s mastery of anatomical detail combined with emotive dynamism; it is considered one of the finest examples of Venetian Baroque sculpture. The sculpture's expressive power stems from Campagna’s meticulous attention to texture and surface treatment—techniques honed during his studies under Cattaneo—resulting in a palpable sense of sorrowful contemplation. Beyond Padua, Campagna’s influence extended throughout Venice where he produced numerous commissions for churches and palaces. He was instrumental in the creation of the bronze tabernacle for St Anthony's Basilica – a monumental achievement that further demonstrated his technical prowess and artistic ambition. The chapel itself, known as Cappella Gattamelata, is considered one of Padua’s architectural treasures, largely thanks to Campagna’s contribution. Campagna’s artistic trajectory reflects the broader currents of Venetian Renaissance art—a period characterized by humanist ideals, classical revival, and a burgeoning interest in emotional realism. His work stands apart for its profound psychological insight and its ability to evoke empathy within the viewer. Girolamo Campagna's sculptures continue to inspire admiration for their beauty and intellectual depth, securing his place as an enduring icon of Venetian artistic excellence.
Girolamo Campagna
1552 - 1624 , Italy
基本情報
- Artistic Movement Or Style: Northern Italian Renaissance
- Artists Or Movements Influenced By This Artist: ['Parmigianino']
- Artists Who Influenced This Artist:
- Jacopo Sansovino
- Danese Cattaneo
- Date Of Birth: Verona, Italy (1552)
- Date Of Death: 1624
- Full Name: Girolamo Campagna
- Nationality: Italian
- Notable Artworks:
- Man of Sorrows
- High Altar
- Salt Cellar
- Place Of Birth: Verona
