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Cup

Explore Giovanni Battista Gariboldi’s 1936 ceramic bowl – a textured masterpiece showcasing organic forms & serene green hues. A unique, hand-built piece reflecting Italian artistry.

Discover Giovanni Battista Gariboldi’s breathtaking Italian landscapes & genre scenes. A renowned 19th-century painter celebrated for his mastery of light & color.

ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描き複製画を注文する デジタル画像販売へ切り替え)

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Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
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Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
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Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
W953PJ ¥8

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世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(7 11月)

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配送時完全保険付
関税・輸入税の払い戻し保証
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100日間返品保証(製造上の欠陥がある場合のみ)
100% 全額返金保証
まとめ買い割引のご案内

合計金額

¥ 12819

Cup

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

¥ 12819

作品詳細

  • Year: 1936
  • Subject or theme: Mythic Art
  • Influences: Edward Burne-Jones
  • Movement: Pre-Raphaelite
  • Title: Cup

アート・クイズ

各質問の正解は1つのみです。

設問 1:
What artistic movement is Giovanni Battista Gariboldi’s ‘Cup’ primarily associated with?
設問 2:
The image description highlights a particular stylistic element of the artwork. What is it?
設問 3:
What color palette dominates the visual experience presented by the ‘Cup’ image?
設問 4:
Giovanni Battista Gariboldi's artistic style reflects a rejection of what characteristic found in academic painting?
設問 5:
Edward Burne-Jones's artistic approach involved studying and imitating masters like Botticelli. What was a key difference between his method and that of traditional art education?

Giovanni Battista Gariboldi: Cup - A Study in Organic Texture and Serene Green

Giovanni Battista Gariboldi’s 1936 ceramic bowl stands as a testament to the enduring power of Italian craftsmanship and a masterful exploration of natural forms. More than just tableware, it embodies a deliberate aesthetic choice—a commitment to capturing the essence of organic beauty within a meticulously crafted medium.

  • Subject Matter: The bowl’s central focus is simplicity itself: a single ceramic vessel designed to hold liquid. However, its unassuming appearance belies a profound consideration for visual harmony and textural richness.
  • Style: Gariboldi's work aligns squarely with the principles of ceramic art—a tradition rooted in ancient techniques and celebrated for its ability to transform raw materials into objects of enduring elegance. Influenced by Art Deco sensibilities, it leans towards geometric forms softened by organic contours.
  • Technique: The bowl’s surface is achieved through a painstaking process of hand-building – likely utilizing coil construction—followed by careful glazing application. This technique ensures that every piece possesses unique variations in tone and texture, reflecting the inherent irregularities of natural materials.

The glaze itself contributes significantly to the overall impression. Gariboldi skillfully employs a palette dominated by shades of green – from deep olive tones reminiscent of ancient woodlands to lighter hues suggestive of tranquil lagoons. These colors aren’t merely decorative; they evoke feelings of serenity and connection with the natural world.

Historical Context: Created in 1936, Gariboldi's bowl reflects the broader artistic currents of its time—a period marked by a renewed interest in organic forms and a desire to express emotion through visual language. It stands as an exemplar of Italian ceramic art during the Fascist era, showcasing a dedication to tradition while embracing stylistic innovations.

Symbolism: The bowl’s textured surface – resembling a leaf or petal – speaks to themes of growth, fragility, and renewal. These symbols resonate deeply within Pre-Raphaelite aesthetics—a movement that championed idealized beauty and sought inspiration in medieval myths and legends. Gariboldi's piece invites contemplation on the relationship between humanity and nature.

Emotional Impact: Viewing Gariboldi’s bowl is an experience of quiet contemplation. Its understated elegance and harmonious color palette inspire a sense of calm and appreciation for artisanal skill—a reminder that beauty can be found in simplicity and that objects crafted with care hold profound emotional resonance.

Q&A

スフォルツァ城に所蔵されているGiovanni Battista Gariboldi作「Cup」は、法的に複製することが可能でしょうか?

スフォルツァ城に所蔵されているGiovanni Battista Gariboldi作「Cup」は、パブリックドメイン(著作権消滅)です。このステータスにより、画像の複製が可能かどうかが決まります。

Cupは、Giovanni Battista Gariboldiのキャリアにおけるどの時期の作品にあたりますか?

Giovanni Battista Gariboldiの画業において、「Cup」はEarly Modernに制作されたものです。この時期の作品を知ることで、同アーティストの他の作品との比較検討が可能になります。

「Cup」の作者と制作年は?

Giovanni Battista Gariboldiによる「Cup」は、1936年に制作されました。