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Wooden statue

Explore the expressive wood sculptures of Francis Xavier Nnaggenda, a leading Ugandan artist. His neo-traditionalist works capture African heritage & resonate globally.

ジークレー/アートプリント

スピーディーな制作と多彩な仕上げオプションが魅力の、ミュージアムクオリティなジークレー・キャンバスプリント。 ( 手描きの複製画を注文する デジタル画像販売へ切り替え)

標準サイズ
カスタムサイズ
CM
INCH

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横幅
高さ

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画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(25 9月)

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世界中へ無料エクスプレス配送
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高品質なリネンキャンバス
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配送時完全保険付
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関税・輸入税の払い戻し保証
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忠実な色彩再現の保証
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100日間返品保証(製造上の欠陥がある場合のみ)
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100% 全額返金保証
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まとめ買い割引のご案内

合計金額

$ 80

reproduction

Wooden statue

ジークレー/アートプリント

複製画サイズ一覧

-

合計金額

$ 80

Born in 1936, Nnaggenda was raised in Buganda, which is the central part of Uganda. The Bugandans are renowned for the love for their culture, which is also disguised in mythology. Nnaggenda who received his artistic education in Germany and France balances externally acquired and indigenous sensibilities.Francis Nnaggenda is a former head of the Department of Sculpture at the School of Fine Art, Makerere University. He is one of the leading African artists, whose expressionistic work, especially in sculpture, has drawn considerable acclaim. In his monumental sculpture titled

アーティストについて

Francis Xavier Nnaggenda: A Voice of Ugandan Heritage

Francis Xavier Nnaggenda (born 1936, Central Uganda) stands as one of Uganda’s most celebrated postwar and contemporary artists, recognized globally for his expressive wood sculptures and captivating paintings. His artistic journey began amidst the formative years of Ugandan independence, deeply rooted in a profound connection to traditional rural life—a connection that continues to inform his creative vision. Witnessing the encroachment of modernization on African communities fueled his conviction that art could serve as a powerful instrument for advocating against inequitable development processes.
  • Early Life and Education: Born in Buganda, Nnaggenda’s formative years instilled within him an unwavering appreciation for Ugandan artistic traditions. Recognizing the importance of preserving cultural heritage, he championed the revival of Makerere Art School's curriculum—abandoned by Cecil Todd—which prioritized engagement with indigenous art-making practices. This commitment solidified his alliance with fellow artist Sam Ntiro and Professor Elimo Njau, who challenged Todd’s scholarly approach to art education during the early 1960s.
  • Swiss and German Influences: Seeking formal artistic training, Nnaggenda pursued studies at Freiburg University in Switzerland and Bayerische Akademie der Schonen Kunste in Germany, broadening his understanding of Western artistic movements while simultaneously grounding himself in foundational techniques. These experiences exposed him to diverse perspectives on art history and encouraged experimentation with innovative approaches.
  • Makerere Art School Leadership: Returning to Uganda in 1968, Nnaggenda assumed the role of Head of Department of Sculpture at Makerere University’s School of Fine Arts, shaping generations of Ugandan artists. He instilled a dedication to artistic integrity and championed an alternative pedagogical path—one that prioritized engagement with African art traditions over purely theoretical pursuits.

Sculptural Style and Technique: The Essence of Wood

Nnaggenda’s distinctive artistic style is characterized by neo-traditionalism, blending elements of indigenous Ugandan craftsmanship with modern expressive techniques. He primarily utilizes wood as his medium—a deliberate choice reflecting his reverence for natural materials and honoring Uganda's rich artistic heritage. His sculptures are imbued with symbolic representations of African spirituality and cultural identity, capturing the dynamism of rural life and conveying profound emotional resonance. The monumental scale of many pieces underscores Nnaggenda’s ambition to engage viewers on a visceral level—creating artworks that demand contemplation and provoke dialogue about themes of resilience, faith, and human connection.
  • Material Choice: Wood was selected by Nnaggenda for its inherent strength and malleability—qualities perfectly suited to conveying emotion and capturing the spirit of Ugandan culture.
  • Expressionistic Approach: His sculptures embody an expressionistic style, prioritizing emotional intensity over precise representation. Bold forms and textured surfaces convey a palpable sense of movement and dynamism.

Recognition and Legacy: A Global Artist’s Impact

Nnaggenda's artworks have garnered international acclaim, appearing in prominent museums across Europe and North America—including the Zurich Museum of Art and MoMAA. His sculptures are highly sought after by collectors and institutions alike, demonstrating the enduring power of his artistic vision. He has been recognized as a legendary art educator, inspiring countless students to pursue creative endeavors and championing the importance of preserving Ugandan artistic traditions. Furthermore, he was honored as one of the selected artists for KLA Art 014, Kampala Contemporary Art Festival—solidifying his position as a pivotal figure in Uganda’s contemporary art landscape. His sculptures are currently valued at over US$50,000 and have been offered at auction multiple times.

Notable Achievements

  • Professor Francis Nnaggenda's masterful paintings and sculptures constitute a significant contribution to East African modernism.
  • He was one of the selected artists for KLA Art 014, Kampala Contemporary Art Festival
francis xavier nnaggenda

francis xavier nnaggenda

1936 - , Uganda

アーティスト情報

  • Artistic Movement Or Style: Neo-traditionalist
  • Artists Or Movements Influenced By This Artist: ['African Heritage House']
  • Artists Who Influenced This Artist:
    • Cecil Todd
    • Margaret Trowell
  • Date Of Birth: 1936
  • Full Name: Francis Xavier Nnaggenda
  • Nationality: Ugandan
  • Notable Artworks:
    • Untitled (Acrobat)
    • Mother and Child
  • Place Of Birth: Central Uganda, Uganda