- ホーム
- キャンバスプリント用
- frances barth
- Vessel
手描き複製画を注文する
シェアする
シェアする
詳細を見る
ダウンロード
似ている作品
X線調査
スライドショーVessel
1978
33.0 x 58.0 cm
詳細を見る
作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。
特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。
ガラスオプションは、110cm未満のサイズでのみご利用いただけます。
Vessel
ジークレー／アートプリント
複製画のサイズ
-
合計金額
-
アーティストの略歴
Frances Barth: Bridging Abstraction and Landscape
Frances Barth (b. 1946) stands as a singular figure in contemporary American painting, recognized for her distinctive approach that seamlessly blends the rigor of geometric abstraction with evocative explorations of landscape and mapping. Emerging during a pivotal moment in art history—following the dominance of minimalism and conceptualism—Barth’s oeuvre defies easy categorization, instead presenting a complex tapestry woven from modernist formalism, references to topographical charts, and profound metaphorical resonance. Her work isn't merely about depicting visual elements; it’s about conveying spatial relationships, emotional states, and intellectual inquiries through carefully considered lines and forms. Born in the Bronx, New York, Barth pursued her artistic education at Yale University School of Art, where she honed her skills under influential mentors like Josef Albers and Robert Irwin. These formative experiences instilled in her a deep appreciation for both chromatic harmony and perceptual experimentation—principles that would become central to her artistic vision. Early paintings demonstrate a preoccupation with monochrome palettes and precise geometric constructions, mirroring the aesthetic sensibilities of artists like Agnes Martin and Ellsworth Kelly. However, Barth quickly moved beyond these stylistic constraints, incorporating elements of landscape imagery into her compositions, often juxtaposing stark lines against subtly textured surfaces. This deliberate tension between abstraction and representation speaks to a broader artistic impulse—a desire to capture not just what is seen but also what is felt. Her groundbreaking exploration into video art solidified her reputation as an innovator, pushing the boundaries of traditional painting mediums. Barth’s narrative films delve into themes of memory, identity, and psychological introspection, utilizing experimental techniques to create immersive experiences that challenge viewers' perceptions. These cinematic endeavors underscore her belief in the power of visual storytelling—a conviction rooted in her lifelong fascination with cartography and spatial representation. The influence of Bauhaus principles – particularly the emphasis on functional design and geometric precision – is palpable throughout her artistic trajectory. Throughout her career, Barth has garnered prestigious accolades including a Guggenheim Fellowship, the Anonymous Is A Woman Award, and invitations to exhibit at prominent institutions such as MoMA, the Dallas Museum of Art, and the Whitney Biennial. Her artwork resides in significant public collections across North America, cementing its place within the canon of modern art. Notably, her paintings are showcased at The Metropolitan Museum of Art, MoMA, and Whitney Museum, demonstrating a sustained engagement with artistic discourse and cultural heritage. Currently, Barth serves as Director Emerita of the Mount Royal School of Art at Maryland Institute College of Art (mica), continuing to nurture emerging talent and champion innovative approaches to visual art.
frances barth
1946 - , United States of America
基本情報
- Artistic Movement Or Style: Abstract painting; Landscape art; Geometric abstraction; Modernist formalism
- Date Of Birth: 1946
- Full Name: Frances Barth
- Nationality: American
- Notable Artworks:
- Untitled, Number 500
- Travelling View
- Vessel
- Place Of Birth: The Bronx, United States
