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A painting made for you, by hand

Soldiers at Rye

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

作品解説

Edward Burra’s ‘Soldiers at Rye’ (1941) captures a dynamic battlefield scene with 13 soldiers in stunning detail. Explore this iconic British artist's masterful realism and historical significance.

アーティストの略歴

Discover Edward Burra (1905-1976): British Surrealist master of watercolor. Explore his unsettling scenes of urban life, exoticism & Dada influence. Pioneering 20thC art.

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

標準サイズ
オーダーメイド
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

横幅
高さ

フレームや壁のスペースに合わせて、ご希望の幅と高さを入力してください。本作品は手描きのため、異なる比率のサイズをご希望の場合、絵画の周囲を少し広げて描くか、あるいは端を少しカットして調整することが可能です。お客様のご要望に合わせます。制作を開始する前に、仕上がりを確認するためのデジタルモックアップをお送りいたします。このページに表示されている画像は完成品の実物ではなく、あくまでモックアップによるイメージです。

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on 無垢材 bars
White ¥1
Corner sample of the BlurSideWrap canvas edge finish, stretched on 無垢材 bars
Blurside ¥1
Corner sample of the ExtendedWrap canvas edge finish, stretched on 無垢材 bars
Extended ¥1
Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
Corner sample of the P118H picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118H ¥10
Corner sample of the P118W picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118W ¥10
Corner sample of the P438Z picture frame: 成型ポリスチレン, 5.5 cm wide and 3.5 cm thick
P438Z ¥10
Corner sample of the P508JH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508JH ¥12
Corner sample of the P508YH picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P508YH ¥12
Corner sample of the P805H picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805H ¥10
Corner sample of the P805Z picture frame: 成型ポリスチレン, 5 cm wide and 3.5 cm thick
P805Z ¥10
Corner sample of the P919BZ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919BZ ¥10
Corner sample of the P919G picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919G ¥10
Corner sample of the P919XJ picture frame: 成型ポリスチレン, 7 cm wide and 3.5 cm thick
P919XJ ¥10
Corner sample of the P959ZH picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P959ZH ¥10
Corner sample of the P968JZ picture frame: 成型ポリスチレン, 6 cm wide and 4 cm thick
P968JZ ¥12
Corner sample of the W106C picture frame: 無垢材, 5 cm wide and 3 cm thick
W106C ¥8
Corner sample of the W218G picture frame: 無垢材, 5 cm wide and 3 cm thick
W218G ¥10
Corner sample of the W218JH picture frame: 無垢材, 5 cm wide and 3 cm thick
W218JH ¥8
Corner sample of the W218Y picture frame: 無垢材, 5 cm wide and 3 cm thick
W218Y ¥10
Corner sample of the W307PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W307PJ ¥10
Corner sample of the W316G picture frame: 無垢材, 6 cm wide and 3 cm thick
W316G ¥10
Corner sample of the W316PJ picture frame: 無垢材, 6 cm wide and 3 cm thick
W316PJ ¥8
Corner sample of the W316Y picture frame: 無垢材, 6 cm wide and 3 cm thick
W316Y ¥10
Corner sample of the W398PJ picture frame: 無垢材, 5 cm wide and 3 cm thick
W398PJ ¥8
Corner sample of the W4111J picture frame: 無垢材, 6.5 cm wide and 3.5 cm thick
W4111J ¥10
Corner sample of the W500HY picture frame: 無垢材, 7 cm wide and 5 cm thick
W500HY ¥15
Corner sample of the W500JH picture frame: 無垢材, 7 cm wide and 5 cm thick
W500JH ¥15
Corner sample of the W692G picture frame: 無垢材, 8 cm wide and 4 cm thick
W692G ¥12
Corner sample of the W849H picture frame: 無垢材, 5 cm wide and 3 cm thick
W849H ¥8
Corner sample of the W940BG picture frame: 無垢材, 7.5 cm wide and 4.5 cm thick
W940BG ¥15
Corner sample of the W953PJ picture frame: 無垢材, 6 cm wide and 3.5 cm thick
W953PJ ¥8
Corner sample of the H24-GOLD picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
H24-GOLD ¥30
Corner sample of the H24-SILVER picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
H24-SILVER ¥30
Corner sample of the H36-GOLD picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
H36-GOLD ¥45
Corner sample of the H36-SILVER picture frame: ジェッソ仕上げの木彫, 15 cm wide and 6.5 cm thick
H36-SILVER ¥45
額縁プレビュー
額装済み

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(2 11月)。品質には一切妥協いたしません。

Chapter 4

The finishing touches

A nameplate, as in a museum?

刻印入りブロンズプレートの詳細

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

透明アクリル銘板の詳細

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黒アクリル製銘板の詳細

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Soldiers at Rye

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

組み立てには専門知識が必要です(DIY用製品ではありません)。
本キットは、経験豊富なプロの額装師が、木工用ボンド(別売)、キャンバス用プライヤー、およびボンドの乾燥時に桟を直角に保持するためのクランプを使用して、組み立ておよびキャンバスの張り作業を行う必要があります。不適切な組み立てやキャンバスの張りの不均一は、作品に永久的な損傷を与える恐れがあり、弊社の保証対象外となります。

  • すべての無垢材のパーツが含まれており、組み立てに最適なサイズに正確にカットされています。

  • 付属のネジを使用し、角の接合部には別途木工用ボンドをご用意ください(ボンドは付属しておりません)。ボンドは額装業者様にてご手配をお願いいたします。

  • プロ仕様の道具が必要ですが、キットには含まれていません:キャンバス用ストレッチングプライヤー(テンショナー)、および接着剤が乾燥するまで木枠を直角に固定するためのクランプ。

重要:
コーナーの接合部には木工用ボンドが必要です。また、ボンドが完全に乾くまでクランプでバーを固定しておく必要があり、組み立てたフレームにキャンバスを張るにはキャンバス用ストレッチングプライヤーが必要となります。これらの道具はキットに含まれておりません。このサイズをご注文される前に、経験豊富なプロの額装師(フライマー)の手配をお願いいたします。

キャプション

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保護用ワニス

光沢ワニス(色彩を鮮やかに引き立て、光や湿気から保護します)

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作品をカスタマイズ

カスタマイズの例:顔をお客様の写真に差し替える、ペットを追加する(例:猫を犬に変更)、背景に隠しメッセージを入れる、背景の風景や要素を変更する。

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お急ぎ便

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(2 11月)。品質には一切の妥協を許しません。

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お急ぎ便

世界中への配送()は、5週間ほどでお届けします。(9 11月)。

込み

合計金額

¥ 47312

合計金額 ¥ 47312

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。

Included with every order

  • 世界中へ無料エクスプレス配送
  • 高品質なリネンキャンバス
  • 配送時完全保険付
  • 関税・輸入税の払い戻し保証
  • 真の色彩再現に関する保証
  • 100日間返品保証(製造上の欠陥がある場合のみ)
  • 100% 全額返金保証
  • まとめ買い割引のご案内

A Stage of War: Edward Burra’s ‘Soldiers at Rye’

Edward Burra's 1941 painting, *Soldiers at Rye*, is a powerfully unsettling depiction of military life during wartime. The scene presents thirteen figures – soldiers in varying states of readiness – positioned within a bleak and indeterminate landscape. Rather than glorifying combat, Burra offers a starkly realistic portrayal, devoid of heroism, focusing instead on the psychological weight and inherent tension of waiting for action. The composition is deliberately claustrophobic; the tightly packed figures create a sense of unease and shared anxiety. This isn’t a triumphant march or a dramatic battle scene, but a moment suspended in time – a breath held before an uncertain future.

Style & Technique: A Surrealist Glimpse into Reality

Burra's style is uniquely his own, blending elements of Surrealism with a distinctly British sensibility for realism and social commentary. While not strictly adhering to any single movement, the influence of artists like George Grosz – whom Burra discovered through Paul Nash – is evident in the angularity of the figures and the gritty depiction of their surroundings. He employs a meticulous technique, building up layers of watercolor and gouache to achieve remarkable detail, particularly in the rendering of uniforms and facial expressions. The color palette is muted and earthy, dominated by browns, greys, and ochres, reinforcing the somber mood. This deliberate restraint contributes to the painting’s overall sense of foreboding. Burra's masterful draughtsmanship, honed during his training at the Royal College of Art, shines through in the precise linework that defines each figure.

Historical Context & The Spirit of 1941

Created in 1941, *Soldiers at Rye* is deeply rooted in the anxieties of World War II. Though painted relatively early in Britain’s involvement, the shadow of conflict looms large over the canvas. The location, Rye – a historic town on the south coast of England – was strategically important during the war, vulnerable to invasion and serving as a staging ground for troops. Burra himself did not serve in the military, but his work reflects a profound awareness of the national mood and the psychological toll of wartime. The painting can be seen as a response to official war art that often romanticized conflict; instead, Burra presents an unvarnished view of the human cost of war, focusing on the quiet desperation and uncertainty experienced by those who fought.

Emotional Resonance & Lasting Impact

*Soldiers at Rye* is not a painting that offers easy answers or comforting narratives. It’s a work that demands contemplation, prompting viewers to confront the complexities of war and its impact on the human psyche. The soldiers' expressions – ranging from stoicism to apprehension – invite empathy and understanding. The lack of a clear narrative allows for multiple interpretations, making it a timeless piece that continues to resonate with audiences today. Its enduring power lies in its ability to capture not just the physical realities of war, but also the emotional weight carried by those who serve. The painting serves as a potent reminder of the human cost of conflict and the importance of remembering the sacrifices made by generations past.

Q&A

Edward Burra作「Soldiers at Rye」 のプリントはどこで購入できますか?

Edward Burra作「Soldiers at Rye」のプリントは、こちらのファインアートプリントページから直接ご注文いただけます:コットンキャンバス、またはアーカイブ品質のキャンバスペーパーに施されたファインアートプリント

Edward Burra作「Soldiers at Rye」は、どの芸術流派に属していますか?

Edward Burra作「Soldiers at Rye」に関連する芸術運動はRealismです。この分類により、本作は関連する他の芸術家や作品群の中に位置づけられます。

Edward Burra作「Soldiers at Rye」の色彩構成はどのように成り立っていますか?

Edward Burra作「Soldiers at Rye」 の色彩分析は、Bold なコントラストと Discordant Palette な調和を捉えています。

More about this painting

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詳細を見る ガイドを表示 お気に入りに追加 ダウンロード 似ている作品 X線調査 スライドショーを表示 Q&A 統計情報

In numbers

  • 1941the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Edward Burra

Edward Burra

1905 - 1976, United Kingdom

Quick facts about Edward Burra

  • Name: Edward Burra
  • Movement:
    • Surrealism
    • Dadaism
  • Birth Date: 1905
  • Death Date: 1976
  • Birth Place: South Kensington, United Kingdom
  • Nationality: British
  • Date Of Birth: 1905
  • Date Of Death: 1976
  • Influenced By: Paul Nash, George Grosz
  • Notable Works:
    • The Jungle
    • Dancing Skeletons
    • The Snack Bar
    • Soldiers at Rye
  • Place Of Birth: South Kensington, United Kingdom

作家プロフィール

Edward Burra: A Life in Surreal Visions

Early Life and Education

  • Born: South Kensington, United Kingdom, 1905.
  • Edward Burra demonstrated artistic talent early on, particularly as a draughtsman.
  • He received his formal training at the Royal College of Art from 1923 to 1925, honing his skills in drawing and painting.

Early Travels and Influences (1920s)

  • During the latter half of the 1920s, Burra travelled extensively throughout France.
  • He focused on depicting detailed urban scenes, often portraying the harsh realities of life in cities like Toulon and Marseille.
  • These early works reveal a keen observational eye and a sensitivity to social conditions.
  • A pivotal moment came in 1927 when he met Paul Nash, who introduced him to avant-garde periodicals.
  • Exposure to artists like George Grosz through these publications profoundly influenced Burra, inspiring him to experiment with collage and drawing within a Dadaist spirit.

Artistic Development & Key Themes (1930s-1940s)

  • The Jungle (1931) exemplifies Burra’s fascination with the exotic and forbidden. The painting depicts a lavish dinner party set in a fantastical tropical world, blending sensuality with premonitions of death.
  • Burra was among the first British artists to embrace Surrealism, creating a distinctive universe populated by extravagantly dressed women, workers, sailors, and soldiers—often situated in imaginary locales.
  • His physical health, compromised from childhood, led him to favor watercolor as his primary medium due to its relative ease of use compared to oil paints.
  • He held his first solo exhibition at the Leicester Galleries in 1930.
  • The impact of Picasso’s Guernica was significant, prompting a shift in Burra's artistic style.

World War II and Later Life (1940s-1976)

  • During World War II, travel restrictions led Burra to work as a stage designer for theatrical productions and ballets, achieving some recognition in this field.
  • He declined an invitation to become a Royal Academician in 1963 but accepted the Order of the British Empire in 1971.
  • A major retrospective of his work was organized by the Tate Gallery in 1973, solidifying his place within British art history.
  • He died in Hastings on March 22, 1976, as a result of complications from a fractured iliac bone.

Artistic Style and Historical Significance

  • Burra’s style is characterized by its unsettling atmosphere, vivid colors, and distorted figures.
  • He masterfully blended elements of Dadaism and Surrealism with a uniquely British sensibility.
  • His work offers a critical commentary on social issues, exploring themes of alienation, decadence, and the darker aspects of human nature.
  • Though not always widely recognized during his lifetime, Edward Burra is now considered a pioneering figure in 20th-century British art, influencing subsequent generations of artists with his distinctive vision.

作品詳細

  • title: Soldiers at Rye
  • artist: Edward Burra
  • subject: Military conflict, soldiers on a battlefield

アート・クイズ

各質問の正解は1つのみです。

設問 1:
In what year was Edward Burra's 'Soldiers at Rye' painted?
設問 2:
Which artistic movement is most closely associated with Edward Burra's style, as seen in 'Soldiers at Rye'?
設問 3:
Who significantly influenced Burra's artistic development by introducing him to avant-garde periodicals?
設問 4:
What is the primary subject matter depicted in 'Soldiers at Rye'?