メニュー
無料アート相談
プレビュープレビュー ARで試着ARで試着 手描きの絵画を購入 手描きの絵画を購入画像を購入 画像を購入 シェアするシェアする
詳細を見る詳細を見る お気に入りに追加 お気に入りに追加 ダウンロードダウンロード 似ている作品似ている作品 X線調査X線調査 スライドショースライドショー

Benefits

  • 寸法23.0 x 18.0 cm

Dan Lam is an American sculptor of Vietnamese ancestry known for her vibrant 'drippy' sculptures using polyurethane foam & epoxy resin. Her work explores desire, disgust, and the boundary between beauty & grotesque, gaining recognition through social

ジークレー/アートプリント

迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (手描きの絵画を購入 手描きの絵画を購入画像を購入 画像を購入)

標準サイズ
オーダーメイド
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(28 8月)

why_choose_icon
世界中へ無料エクスプレス配送
why_choose_icon
高品質なリネンキャンバス
why_choose_icon
配送時完全保険付
why_choose_icon
関税・輸入税の払い戻し保証
why_choose_icon
忠実な色彩再現保証
why_choose_icon
60日間返品保証(製造上の欠陥のみ)
why_choose_icon
100% 全額返金保証
why_choose_icon
まとめ買い割引のご案内

合計金額

$ 80

reproduction

Benefits

ジークレー/アートプリント

複製画のサイズ

-

合計金額

$ 80

Benefits is a work by the artist Dan Lam (Morong, Philippines, 1988). The daughter of Vietnamese migrants, born in the Philippines and raised in Texas, she generates sculptures that melt before the gaze of the spectators. Influenced by Lynda Benglis, the artist decided to start working with resin, glues, and plastic polymers. Her works, full of curves and bulges that spill over what supports them, are presented as organic elements before the viewer. “I want the sculptures to offer that illusion of being alive, but without needing to take drugs to see it,” says Dan Lam, who uses psychedelia and neon colours to turn the inert into a completely different reality.

アーティストの略歴

The Visceral Allure of Dan Lam

In the contemporary art landscape, few artists command attention with such an immediate, sensory impact as Dan Lam. Known for her signature "drippy" sculptures, Lam creates works that seem to pulse with a life of their and defy the stillness of traditional sculpture. Her aesthetic is a mesmerizing paradox, sitting precariously on the razor's edge between the beautiful and the grotesque. Utilizing a vibrant palette of neon colors and unconventional materials like polyurethane foam, epoxy resin, and acrylic paint, she crafts organic forms that appear to melt, bulge, and spill over their supports. To witness her work is to experience a profound tension; it evokes a simultaneous sense of desire and disgust, pulling the viewer into a psychedelic realm where the synthetic becomes startlingly biological.

The roots of Lam’s unique perspective are deeply embedded in a history of movement and resilience. Born in 1988 in a refugee camp in Morong, Bataan, Philippines, she is the daughter of Vietnamese migrants who fled their homeland in 1986. Her early months were spent in the uncertainty of a displacement camp before her family eventually established a home in Houston, Texas. This nomadic beginning and the challenges of refugee life fostered an innate curiosity and a profound connection to experimentation—qualities that would later become the bedrock of her artistic practice. As an only child, Lam often found solace in solitary creation, manipulating whatever materials were at hand, a habit that blossomed into a sophisticated mastery of complex polymers.

Materiality and the Illusion of Life

Lam’s technical evolution is marked by a deliberate departure from traditional sculptural mediums. Influenced heavily by the work of Lynda Benglis, Lam began to move away from the rigid structures of classical art toward more fluid, unpredictable substances. Her process involves the strategic use of plastic polymers, glues, and resins to create textures that mimic organic decay or cellular growth. She describes her creative intent through a striking metaphor: “I want the sculptures to have that illusion of being alive, but you don’t need drugs to see it.” This pursuit of "living" art is achieved through the way her pieces interact with gravity, often dangling over shelf ledges or cascading downward in colorful, viscous drips.

During her academic journey, which included earning both a Bachelor’s and a Master’s degree in Drawing and Painting from the University of North Texas and Arizona State University, Lam faced pivotal moments of artistic growth. A significant turning point occurred during her graduate studies when a professor challenged her for making work that was "too pretty." This critique served as a catalyst, pushing her to explore the concept of excessive beauty and to embrace the unsettling, the messy, and the overwhelming. By leaning into the "gross" or the hyper-saturated, she found a way to confront uncomfortable emotions through a lens of extreme visual pleasure.

Digital Resonance and Contemporary Significance

The rise of Dan Lam is inextricably linked to the power of the digital age. After moving to Midland, Texas, and embarking on a period of solitary studio work, Lam utilized social media to bridge the gap between her isolated practice and the global art community. Her Instagram presence became a vital engine for her fame; in 2016, her following surged from thousands to tens of thousands, attracting the attention of high-profile celebrities like Miley Cyrus. The viral nature of her work—such as a video of a finger poking into a molten, cake-like sculpture that garnered millions of views—demonstrates how her tactile, "squishy" aesthetic is perfectly suited for the era of the moving image.

Today, Lam stands as a significant figure in contemporary sculpture, representing a new wave of artists who leverage social media to bypass traditional gatekeepers. Her work does more than just decorate; it challenges the boundaries of taste and forces a confrontation with the visceral reality of our material world. Through her mastery of the synthetic and her ability to evoke deep-seated biological responses, Dan Lam has secured her place as an artist who can turn the inert into something undeniably, and sometimes uncomfortably, alive.

Dan Lam

Dan Lam

1988 - , Philippines

基本情報

  • Artistic Movement Or Style: Contemporary Sculpture
  • Artists Or Movements Influenced By This Artist: ['Sculpture']
  • Artists Who Influenced This Artist: ['Lynda Benglis']
  • Date Of Birth: June 3, 1988
  • Full Name: Dan Lam
  • Nationality: American
  • Notable Artworks: ['Blobs, drips and squishes']
  • Place Of Birth: Morsang, Philippines