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いずれかの辺が105 cm（約41インチ）を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。
The Depiction of Bad-Mouthing by Charles Walch
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting a shared confidence or a sharp exchange of gossip.
Around them, the social fabric of the group begins to fray. Other figures occupy the middle ground and foreground, their gazes drifting toward the central pair. Some onlookers watch with palpable curiosity, their eyes drawn to the private exchange. Others remain detached, drifting through the crowded space with an indifference that heightens the tension. The figures are layered closely together, creating a sense of social density and psychological weight.
The background offers a glimpse of a village or town, where white buildings with dark roofs sit beneath the deep sky. This setting provides a structured contrast to the complex, expressive movement of the people. Every gesture and look contributes to the atmosphere of the gathering. A single whisper travels through the crowd.
Composition and Visual Elements of the Work
The canvas is crowded, a dense gathering of figures layered within the foreground and middle ground. This arrangement creates a shallow depth of field, pressing the social interaction toward the viewer. Heavy, visible brushstrokes build an impasto-like texture across the surface, giving the paint a tactile weight. Soft, somewhat distorted lines define the shapes, favoring an expressionistic movement over strict realism.
Color anchors the scene in earthy tones. Muted blues and ochre settle over the composition, punctuated by patches of warm reds and pinks. The lighting is diffused, lacking a single strong source, which allows tonal contrasts to emerge quietly from the shadows. In the distance, a simplified landscape rests under a dark blue sky, where white buildings with dark roofs suggest a quiet village setting.
The paint clings to the surface in thick applications. Each stroke carries an emotional weight. A quiet tension remains held within the pigment.
Q&A
Bad-Mouthingは手描きですか、それともプリントですか？
手描きによる制作：熟練した画家が、リネンキャンバスに油彩でBad-Mouthingを模写します。
Bad-Mouthingのサイズはどれを選べばよいですか？
原画のサイズは162.0 x 130.0cmです。 サイズは35.3 x 28.3 cm (¥51186)から245.6 x 196.7 cm (¥298767)まで展開しております。こちらのページ内の表に、主な工程とそれぞれの価格を記載しています。
配送にはどのくらいの時間がかかりますか？
配送には4〜5週間を要し、世界中どこでも速達便にて無料でお届けいたします。また、本ページではお急ぎの方向けの特急制作オプションもご用意しております。商品は、理由を問わず100日以内であれば全額返金での返品が可能です。
Bad-Mouthingの原画はどこにありますか？
作品のオリジナルは、パリにあるポンピドゥー・センターの所蔵です。
Charles WalchはBad-Mouthingの制作にどのような画材（メディア）を使用しましたか？
Oil
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