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あなたのために、手仕事で描かれた一枚の絵画

Black and White

手描き油彩複製画

当社のアーティストが、ご希望のサイズと額縁に合わせてキャンバスに手描きで制作する、オーダーメイドの油彩画です。 ( プリント版に切り替え デジタル画像販売へ切り替え)

作品解説

Anthony Poon Kin Soon’s "Black and White" is a mesmerizing geometric abstraction, a minimalist masterpiece from the 1970s featuring interlocking squares and echoing Malevich's Suprematism. Discover this iconic artwork and elevate your space with OriginalUniqueArt.

アーティストの略歴

Explore the abstract art of Anthony Poon Kin Soon (1945-2006), a Singaporean pioneer known for his 'Wave Series' paintings & sculptures. Discover his contribution to modern Singaporean art and geometric abstraction.

〜より ·

第1章

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第2章

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Corner sample of the WhiteWrap canvas edge finish, stretched on 無垢材 bars
白の側面仕上げ ¥1
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Corner sample of the P118B picture frame: 成型ポリスチレン, 5 cm wide and 3 cm thick
P118B ¥10
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Corner sample of the H24-GOLD picture frame: ジェッソ仕上げの木彫, 10 cm wide and 6 cm thick
H24-GOLD ¥30
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H36-GOLD ¥45
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第3章

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世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(3 11月)。品質には一切妥協いたしません。

第4章

仕上げのひと手間

美術館にあるような、銘板(ネームプレート)を。

刻印入りブロンズプレートの詳細

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

透明アクリル銘板の詳細

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

黒アクリル製銘板の詳細

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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第5章

ご注文通りの絵画内容

Black and White

再現技法

複製画サイズ一覧

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至高の熟練アーティスト

より細部までこだわった表現、洗練された技術、そして十分な制作時間

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複製画用フレーム

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いずれかの辺が105 cm(約41インチ)を超えるアートワークまたは複製画の場合、フレームは分解されたキットの状態でお届けいたします。この方法は、輸送中の破損を防ぎ、安全に配送するために採用しております。

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重要:
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キャプション

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保護用ワニス

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作品をカスタマイズ

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お急ぎ便

世界中への配送()は、通常の5週間ではなく、3〜4週間でお届けいたします。(3 11月)。品質には一切の妥協を許しません。

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お急ぎ便

世界中への配送()は、5週間ほどでお届けします。(10 11月)。

込み

合計金額

¥ 47389

合計金額 ¥ 47389

ガラスオプションは、110cm未満のサイズでのみご利用いただけます。

すべての注文に同梱

  • 世界中へ無料エクスプレス配送
  • 高品質なリネンキャンバス
  • 配送時完全保険付
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  • 100% 全額返金保証
  • まとめ買い割引のご案内

Black and White: A Geometric Echo of Minimalism

Anthony Poon Kin Soon’s “Black and White” stands as a testament to the enduring power of geometric abstraction—a movement that emerged in Europe during the 1960s and profoundly influenced artistic expression across continents. This striking canvas, executed in acrylic on canvas sometime around 1975, embodies the core tenets of minimalist aesthetics: simplicity, repetition, and an unwavering focus on fundamental forms.

The artwork’s visual language is dominated by a mesmerizing grid pattern composed entirely of interlocking squares. These squares vary subtly in size, creating a dynamic interplay between order and suggestion. Poon eschews any illusionistic representation—there are no shading gradients or textural variations—leaving the viewer to contemplate solely the geometric relationships inherent within the composition.

  • Style: Geometric Abstraction
  • Technique: Acrylic Painting on Canvas
  • Size: 186 x 186 cm

Roots in European Avant-Garde

Poon’s artistic journey began at Nanyang Academy of Fine Arts (NAFA) in Singapore, where he honed his foundational skills before embarking on a transformative study grant to Bynam Shaw School of Art in London and Regional College of Art in Bradford. These experiences exposed him to the influential ideas circulating within European art circles during this period—artists like Piet Mondrian and Kazimir Malevich championed radical simplification as a means of conveying spiritual truths.

The influence of Malevich’s Suprematism is particularly evident in “Black and White.” Malevich famously reduced painting to pure geometric forms – squares, rectangles, circles – rejecting representational imagery altogether. Poon's work reflects this ethos, prioritizing conceptual clarity over visual embellishment.

Symbolism Beyond Surface Appearance

While seemingly devoid of overt narrative content, “Black and White” possesses a subtle yet compelling symbolic resonance. The repetition of the square motif can be interpreted as representing stability, permanence, and perhaps even the underlying structure of existence. Its stark monochrome palette—a deliberate choice by Poon—amplifies these ideas, stripping away distracting colors to concentrate on pure form and tonal variation.

Furthermore, the artwork’s quiet contemplation invites viewers to consider questions of perception and abstraction itself. It encourages us to appreciate beauty not in imitation of nature but in recognizing the inherent elegance of geometric principles.

A Legacy of Singaporean Modernism

"Black and White" solidified Poon Kin Soon's position as a pioneer of abstract art in Singapore, securing him the Cultural Medallion in 1991. It also served as inspiration for his monumental sculpture commissioned for the Beijing Olympics in 2008—a testament to his enduring commitment to exploring the expressive potential of minimalist forms.

This artwork remains a cornerstone of Singaporean modernism, demonstrating how artists can grapple with complex philosophical concepts through deceptively simple visual vocabularies. Its enduring appeal lies in its ability to provoke thought and inspire appreciation for the beauty of pure geometric abstraction.

Q&A

Anthony Poon Kin Soon作「Black and White」 の全体を貫く基調となる色は何ですか?

Anthony Poon Kin Soon作「Black and White」には、Green to Violet Spectrumの色調が全体に広がっています。

Anthony Poon Kin Soon作「Black and White」の輝度はどのくらいですか?

Anthony Poon Kin Soon作「Black and White」 の輝度は Dark です。輝度とは、色がどれほど光を反射しているかを表す指標です。

「Black and White」は、Anthony Poon Kin Soonが繰り返し描いてきた主題の中でどのような位置を占めているのでしょうか?

Anthony Poon Kin Soonの代表的なテーマであるeuropean abstraction, spatial relationships shapes, geometric exploration, minimalist repetition, signature style seriesにおいて、「Black and White」はmaze, squares, geometric, pattern, abstraction, minimalism, repetitionに独自の焦点を当てています。

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原画について

寸法
186.0 x 186.0 cm
Anthony Poon Kin Soon

Anthony Poon Kin Soon

1945 - 2006, Singapore

Anthony Poon Kin Soonについてのクイック・ファクト

  • Full Name: Anthony Poon Kin Soon
  • Nationality: Singaporean
  • Date Of Birth: 1945
  • Date Of Death: 2006
  • Place Of Birth: Singapore, Singapore
  • Notable Artworks:
    • Wave Series
    • Squa-Forma
    • Black and White
  • Artistic Movement Or Style: Abstract Art

作家プロフィール

The Architect of Abstraction: The Life and Legacy of Anthony Poon Kin Soon

In the vibrant tapestry of Singapore’s modern art history, few threads are as structurally profound or visually rhythmic as those woven by Anthony Poon Kin Soon. Born on April 21st, 1945, in Singapore, Poon emerged as a pivotal figure who helped define the landscape of geometric abstraction on the island. His journey was one of dual mastery, blending the precision of an architect with the soulful intuition of a painter. After graduating from the Nanyang Academy of Fine Arts in 1964, his thirst for global perspectives led him to the Bynam Shaw School of Art in London. Supported by a prestigious Lee Foundation study grant, this period of immersion in European traditions allowed him to absorb the complexities of contemporary movements, ultimately fueling his ambition to forge an independent artistic voice that was both internationally informed and deeply rooted in his Southeast Asian identity.

Poon’s evolution as an artist is characterized by a fascinating transition from the tactile dimensions of sculpture to the layered depths of canvas. His early explorations were deeply sculptural, focusing on the physical manifestation of movement. This fascination birthed his celebrated Wave Series, which began in 1976. In these works, Poon sought to capture the kinetic energy of oceanic motion through meticulously crafted geometric forms. These pieces were not merely static objects but intellectual meditations on spatial relationships and textural contrasts, using simplified shapes to convey the overwhelming power of nature’s rhythms. This ability to translate organic fluidity into structured, geometric language became a hallmark of his creative genius.

A Symphony of Geometry and Form

As his career progressed, Poon’s mastery of geometric abstraction reached new heights through works that balanced minimalist restraint with profound complexity. His paintings often functioned as architectural blueprints of emotion, utilizing intricate grid patterns, interlocking squares, and prominent circles to guide the viewer's eye through a structured yet dynamic space. One of his most striking achievements, Squa-Forma, serves as a quintessential example of this style. This large-scale acrylic work, now held in the permanent collection of the National Gallery Singapore, showcases his ability to use mathematical precision to create a sense of visual equilibrium and monumental presence.

Beyond the rigid structures of his geometric works, Poon possessed a remarkable capacity for emotional resonance through color and atmosphere. In pieces such as Jobless Son, he moved away from pure abstraction toward a more poignant, atmospheric expressionism. Through the use of layered blues and greens, he captured themes of melancholy and uncertainty, reflecting the shifting social landscapes of Singaporean life. Conversely, his work Black and White demonstrates his dialogue with the giants of modernism, such as Malevich’s Suprematism, utilizing a minimalist palette to explore the fundamental tension between light and shadow, presence and absence.

Recognition and Lasting Significance

The significance of Anthony Poon Kin Soon extends far beyond the aesthetic beauty of his canvases and sculptures; he was a foundational pillar of Singapore's cultural identity. His contributions were formally recognized with the prestigious Cultural Medallion in 1990, an honor that cemented his status as a master of his craft and a vital contributor to the nation's artistic heritage. His work bridged the gap between the structural discipline of architecture and the expressive freedom of fine art, leaving behind a legacy that continues to inspire generations of abstract artists.

Today, the works of Anthony Poon Kin Soon remain essential touchstones for understanding the development of modernism in Singapore. His ability to synthesize diverse influences—from London’s academic traditions to the rhythmic pulses of the natural world—ensures that his art remains a living, breathing part of the global conversation on abstraction. Through his meticulous use of form and his profound dedication to exploring spatial relationships, Poon transformed the canvas into a site of architectural wonder and emotional depth.

作品詳細

  • Notable elements or techniques: Square shape replication
  • Title: Black and White
  • Dimensions: 186 x 186 x 2.5 cm
  • Subject or theme: Maze-like pattern
  • Medium: Acrylic on canvas

アート・クイズ

各質問の正解は1つのみです。

設問 1:
What artistic movement is Anthony Poon Kin Soon primarily associated with?
設問 2:
Where was Anthony Poon Kin Soon educated in art?
設問 3:
What prestigious grant enabled Poon to pursue his artistic studies abroad?
設問 4:
In what year did Anthony Poon Kin Soon receive the Cultural Medallion for his contributions to Singaporean art?
設問 5:
What is a notable achievement of Anthony Poon Kin Soon recognized by the China International City Exhibition and Symposium?