メニュー
無料アート相談
プレビュープレビュー ARで試着ARで試着 手描き画への切り替え 手描き画への切り替え画像に切り替え 画像に切り替え シェアするシェアする
詳細を見る詳細を見る お気に入りに追加 お気に入りに追加 ダウンロードダウンロード 似ている作品似ている作品 X線調査X線調査 スライドショースライドショー

Malaspina - Giusti

Discover agostino ugolini’s late-Baroque & early-Neoclassical portraits & sacred subjects. Explore his Verona works, including altarpieces & sculptures.

ジークレー/アートプリント

迅速な制作と多彩な仕上げオプションを備えた、ミュージアムクオリティのジークレーまたはキャンバスプリント。 (手描き画への切り替え 手描き画への切り替え画像に切り替え 画像に切り替え)

Standard
custom
CM
INCH

作品のオリジナル比率に合わせた、当店の規定サイズからお選びください。

高さ

特定のフレームやスペースに合わせて、ご自身でサイズを指定することも可能です。選択されたサイズが元の画像の比率と一致しない場合、作品をトリミングするか、鏡面反射または単色での塗りつぶしによって画像を拡張いたします。制作を開始する前に、ご確認用のデジタルモックアップをお送りいたします。
画面上のプレビューには、実際のトリミングや拡張は反映されませんのでご注意ください。最終的な構図を正確に確認できるのは、モックアップのみとなります。
カスタムサイズも承っておりますが、元の比率を維持するためには、あらかじめ用意されたリストからサイズを選択することをお勧めいたします。

世界中への配送()は、標準の4〜5週間ではなく、2週間でお届けいたします。(10 8月)

why_choose_icon
世界中へ無料エクスプレス配送
why_choose_icon
高品質なリネンキャンバス
why_choose_icon
配送時完全保険付
why_choose_icon
関税・輸入税の払い戻し保証
why_choose_icon
忠実な色彩再現保証
why_choose_icon
60日間返品保証(製造上の欠陥のみ)
why_choose_icon
100% 全額返金保証
why_choose_icon
まとめ買い割引のご案内

合計金額

$ 81

reproduction

Malaspina - Giusti

ジークレー/アートプリント

複製画のサイズ

-

合計金額

$ 81

作品詳細説明

Both paintings are signed and dated “Aug. Ugolini Pinx. 1790”, the first on the dial of the clock so brand and year of manufacture, while the second signature and date are on the nut that connects the table top with the leg tapered in perfect Louis XVI style.The two paintings are an extraordinary example of portraiture and an exceptional document of the costume of the time. The accurate description of luxury objects expresses a refined taste and lover of luxury, underlined by the richness of the fabric of the dress of the lady. The letter resting on the table in the second portrait is addressed to

アーティストの略歴

Agostino Ugolini: Verona’s Baroque Visionary

Agostino Ugolini (1758–january 8, 1824) stands as a pivotal figure in the artistic landscape of late baroque and early neoclassical Italy. Born in Verona, he emerged from the tutelage of Giovanni Battista Burato, establishing himself as a student deeply attuned to the stylistic currents shaping his era. His career blossomed amidst an intellectual fervor for classical ideals, mirroring the broader transformation occurring across Europe. Ugolini’s artistic journey was marked by unwavering dedication and prolific output, leaving behind a legacy celebrated in both Verona and beyond.
  • Early Training & Academic Recognition: Ugolini's formative years were spent honing his skills under Burato’s guidance, absorbing the principles of baroque painting – dramatic chiaroscuro, opulent ornamentation, and emotive expression—characteristics that would inform his subsequent artistic endeavors. Crucially, he was elected academic of the Academy of Fine Arts in Verona in 1775, securing institutional support and elevating his standing within the artistic community.
  • Teaching & Artistic Development: Recognizing Ugolini’s talent and pedagogical aptitude, he assumed the role of professor at the academy in 1786. This position not only nurtured his own artistic growth but also disseminated knowledge and fostered the development of younger artists—a testament to his commitment to artistic excellence.
  • Verona's Patronage & Notable Commissions: Ugolini’s reputation quickly garnered attention from influential patrons, notably the Malaspina family and Giusti. These commissions fueled his creativity and allowed him to explore ambitious projects, including monumental altarpieces for churches like San Fermo and San Massimo in Verona—works that exemplify the grandeur of baroque style.
  • Sculptural Contributions: Beyond painting, Ugolini demonstrated versatility as a sculptor, creating impressive sculptures for various ecclesiastical sites. His artistic vision extended beyond canvas to encompass three-dimensional forms, reflecting the multifaceted nature of his artistic practice.
  • International Recognition & Legacy: Ugolini’s canvases found their way into prestigious collections internationally, notably the Princeton Museum of Art, where four monumental paintings—including “Decapitation of John the Baptist,” “Virgin and Child with Saints,” “Calling of Saint Martin,” and “Decapitation of SS. Fermo and Rustico”—remain enduring symbols of baroque artistry. His influence continues to resonate through subsequent generations of artists, securing his place as a cornerstone of Italian art history.
Major Achievements: Ugolini’s artistic achievements are particularly evident in his altarpieces for Verona's churches—particularly the Deposition at San Fermo and the Adoration of the Magi at San Massimo—which showcase masterful technique and profound theological contemplation. Furthermore, his sculptures adorn churches throughout Italy, demonstrating his mastery of sculptural form and conveying spiritual narratives with remarkable sensitivity.
Agostino Ugolini

Agostino Ugolini

1758 - 1824 , Italy

基本情報

  • Artistic Movement Or Style: Late Baroque & Early Neoclassical
  • Artists Or Movements Influenced By This Artist: ['Neoclassicism']
  • Artists Who Influenced This Artist: ['Giovanni Battista Burato']
  • Date Of Birth: Verona, Italy (1758)
  • Date Of Death: January 8, 1824
  • Full Name: Agostino Ugolini
  • Nationality: Italian
  • Notable Artworks:
    • Decapitazione di Giovanni Battista Tiepolo
    • Deposizione della Vergine Maria
    • Adorazione dei Magi
    • Sant'Agostino nella chiesa di San Gimignano
  • Place Of Birth: Verona