From the early 1800s, the British were encouraged to emigrate to Australia and become wealthy by working the land or, from the 1850s, by trying their luck on the goldfields. This work represents the changing popular response to emigration to Australia.When
Abraham Solomon painted
Second Class in 1854, circumstances in England and Australia had changed dramatically. Gold had been discovered in Australia, transportation had virtually ceased and the political print had lost its popularity in England.
Solomon’s painting shows a
young man leaving for the goldfields, his family accompanying him on the train journey. The work is aimed at a sentimental middle-class market – when will the mother see her son again?This painting forms part of a wider genre presenting free settlers (and gold rush emigrants) to Australia and other British empire colonies. After receiving accolades at the Royal Academy,
Second Class, together with its counterpart First Class 1954, became popular through printed reproductions,being produced as a lithographic print both in England and Germany.Roger ButlerText ©
National Gallery of Australia, Canberra 2010From: Anne Gray (ed),
Australian art in the
National Gallery of Australia,
National Gallery of Australia, Canberra, 2002
Q&A
Second Class - the parting: は手描きですか、それともプリントですか?
手描きによる制作:熟練した画家が、リネンキャンバスに油彩でSecond Class - the parting: を模写します。
Second Class - the parting: のサイズはどれを選べばよいですか?
原画のサイズは966 x 694 cmです。 サイズは25.8 x 38.7 cm (¥31668)から164.8 x 246.8 cm (¥240679)まで展開しております。こちらのページ内の表に、主な工程とそれぞれの価格を記載しています。
配送にはどのくらいの時間がかかりますか?
配送には4〜5週間を要し、世界中どこでも速達便にて無料でお届けいたします。また、本ページではお急ぎの方向けの特急制作オプションもご用意しております。商品は、理由を問わず100日以内であれば全額返金での返品が可能です。
Second Class - the parting: の原画はどこにありますか?
作品のオリジナルは、キャンベラにあるオーストラリア国立美術館の所蔵です。