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Casket: Old Testament Subjects

Scopri Pierre Raymond, un artista francese del XVI secolo celebre per opere simboliche e raffinata ceramica. Esplora il suo patrimonio creativo su OriginalUniqueArt!

Riproduzione a olio fatta a mano

Olio su tela dipinto a mano nelle tue dimensioni e con la tua cornice, realizzato su ordinazione dai nostri artisti. (Ordina stampa Ordina stampaAcquista download Acquista download)

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Scegli tra le nostre dimensioni predefinite, che rispettano le proporzioni originali dell'opera d'arte.

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È possibile inserire dimensioni personalizzate per adattare l'opera a una cornice o a uno spazio specifico. Se la dimensione selezionata non corrisponde alle proporzioni dell'immagine originale, provvederemo a ritagliare l'opera o a estendere il dipinto con elementi aggiuntivi dipinti a mano. Un mockup digitale ti sarà inviato per approvazione prima dell'inizio della produzione.
Si prega di notare che l'anteprima a schermo non riflette il ritaglio o l'estensione effettivi. Solo il mockup mostrerà accuratamente la composizione finale.
Sebbene siano disponibili dimensioni personalizzate, consigliamo di selezionare una dimensione dall'elenco predefinito per preservare le proporzioni originali.

Esempi di personalizzazione: sostituire il volto con una foto del cliente; aggiungere un animale domestico (ad esempio, sostituire un gatto con un cane); inserire un messaggio nascosto nello sfondo; cambiare il paesaggio o gli elementi dello sfondo.
Dopo l'ordine, il team di OriginalUniqueArt.com contatterà il cliente via e-mail per le istruzioni e fornirà un'anteprima del mockup

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Prezzo totale

$ 300

reproduction

Casket: Old Testament Subjects

Tecnica di riproduzione

Dimensioni della riproduzione

-

Prezzo totale

$ 300

Descrizione dell'opera

This casket is composed of fourteen enameled plaques painted in grisaille and lightly tinted with rose, yellow, blues, and purples. The Old Testament scenes depicted include on the front the stories of Tubal-cain and his half-brother Jubal working at an anvil while their sister Naamah strums a gittern (see detail); three angels comforting Daniel in the lions’ den as the prophet Habakkuk brings him food; Moses’ spies carrying grapes from the Promised Land; and Lot plied with wine by his daughters. These plaques, and those on the sides and top of the casket, were almost certainly painted in Pierre Reymond’s workshop in the 1540s; however, a different enam­eler made the four plaques on the back. The fourteen plaques were most likely mounted together on this casket in the nineteenth century.Source: Vignon, Charlotte. The Frick Collection Decorative Arts Handbook. New York: The Frick Collection/Scala, 2015.

Biografia dell'artista

Pierre Raymond

Pierre Raymond (c. 1513 – after 1584) emerged from the vibrant artistic landscape of Limoges, France, a city renowned for its enamel production during the Renaissance. His life’s work centered around mastering this intricate craft—a skill that would propel him to prominence and leave an indelible mark on French decorative arts. Raymond established himself as proprietor of a sizable workshop in Limoges, attracting talented apprentices who aided in the creation of breathtaking tableware adorned with captivating mythological narratives. These weren't merely ornamental objects; they represented a profound engagement with classical iconography and humanist ideals—a hallmark of the era. Among his most celebrated creations was undoubtedly the monumental enamelled altarpiece commissioned by Anne de Montmorency for the chapel of his château d’Écouen, a project that solidified Raymond’s reputation as one of the foremost enamelists of his time. This masterpiece exemplifies not only technical brilliance but also artistic vision—a testament to Raymond's ability to transform complex ideas into stunning visual representations. The stylistic characteristics of Raymond’s oeuvre are defined by meticulous detail and an unwavering devotion to mythological themes. His technique involved layering vitreous enamels onto metal surfaces, painstakingly applying glazes and pigments to achieve remarkable luminosity and chromatic depth. This method elevated enamelware beyond mere decoration, transforming it into a medium capable of conveying profound spiritual and intellectual concepts—a distinction that distinguished Raymond’s work from its contemporaries. He skillfully employed grisaille (black-and-white) palettes, often drawing inspiration from prints and engravings, reflecting the broader artistic trends of the period. Raymond's influence extended beyond his immediate workshop; he fostered a tradition of excellence within Limoges enamel production, shaping the aesthetic sensibilities of subsequent generations of artisans. Museums across France—including OriginalUniqueArt’s curated collection—house examples of Raymond’s tableware and altarpiece, ensuring that his legacy continues to inspire admiration for its beauty and sophistication. His contribution to Renaissance art is undeniable, securing his place as a pivotal figure in the history of French decorative arts.
  • Aline e Pierre - Renoir’s poignant portrayal of maternal tenderness, bathed in soft pastel hues—a quintessential Impressionist depiction of domestic harmony.
  • Scenes from the Life of Joseph – Raymond's tableware showcased a masterful use of grisaille, mirroring the artistic conventions prevalent during his time.
  • REYMOND, Pierre - Biography – A pioneer in enamel technique, Raymond’s workshop fostered a tradition of excellence within Limoges enamel production.
Discover more about other artists and museums on OriginalUniqueArt!
pierre reymond

pierre reymond

1513 - 1584 , Francia

Informazioni rapide

  • Artistic Movement Or Style: Enameling
  • Artists Or Movements Influenced By This Artist: ['Renaissance Art Francia']
  • Date Of Birth: Limoges, France (1513)
  • Full Name: Pierre Raymond
  • Nationality: Francese
  • Notable Artworks:
    • Il Cavallo
    • Ewer: The Gathering of Manna; The Destruction of Pharoah
    • Plaque: The Agony in the Garden
  • Place Of Birth: Limoges, Francia