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Two-door cabinet,

  • Dimensioni81.0 x 132.0 cm

Émile-Jacques Ruhlmann: Maestro dell'Art Déco francese. Scopri i suoi mobili iconici, ispirati alla Venezia del suo tempo e caratterizzati da materiali pregiati come ebano e avorio, simbolo di eleganza senza pari nel periodo degli anni '20. Un artista che ha rivoluzionato l'interior design!

Giclée / Stampe d'arte

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Prezzo totale

$ 80

reproduction

Two-door cabinet,

Giclée / Stampe d'arte

Dimensioni della riproduzione

-

Prezzo totale

$ 80

Descrizione del pezzo

After his studies, and a brief period working with architect Pierre Patout, Jacques-Émile Ruhlmann succeeded to his father’s decorating business, one that purveyed wallpaper, painted finishes and mirrors, to the luxury market of Paris. Gradually Ruhlmann expanded this business to accommodate all the decorative furnishings and accessories required of a classic French interior. While not a trained cabinetmaker, Ruhlmann’s particular interest, however, was the design of the furniture that he deemed appropriate to the interiors he created. Here he drew upon the great French cabinetmaking traditions of the eighteenth-century, with their use of exotic and precious materials, and exacting craftsmanship, all of which he recast in a more modern idiom. These elements are exemplified by this small two-door cabinet. It is a form of furniture that is called a chiffonnier in French, and is derived from eighteenth-century precedents. Like so much of the fine cabinetwork of the Louis XV period that it alludes to, its gently swelling surfaces are veneered with exotic woods, in this instance macassar ebony inlaid in a losange pattern with ivory on a mahogany carcass. Where an eighteenthcentury cabinet-maker would have fitted bronze mounts on the feet, the swelling corners and the handles, Ruhlmann has here used ivory. The interior of the cabinet is fitted with shelves and a removable unit of three small drawers. This cabinet is referred to as the Cabanel model, no. 1527, named after the couturière Fernande Cabanel who was probably Ruhlmann’s first client for this model, one that he initially designed about 1920-1921. Other examples of this model, with slight variations in detail and dimensions, were made for other clients, such as the example veneered in amaranth wood in the Brooklyn Museum of Art that was made in1923. Much of the furniture associated with Ruhlmann was initially produced by the best independent cabinetmakers in Paris until 1925, when he was able to establish his own furniture workrooms at 14, Rue d’ Ouessant. This particular example bears the stamp of the workrooms of Chanaux & Pelletier. Adolphe Chanaux later workedwith designer Jean-Michel Frank (1895 – 1941). Ruhlmann’s furniture and interior designs are considered to epitomize the finest in the Art Deco style. He achieved great success with the furniture and interiors he designed for the Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in Paris in 1925. After Ruhlmann died in 1933, his nephew Alfred Porteneuve completed existing orders of Ruhlmann & Laurent, and he subsequently established a business under his own name in 1934.

Biografia dell'artista

Émile-Jacques Ruhlmann: Architect of Parisian Elegance

Émile-Jacques Ruhlmann (1879 – 1933) stands as a titan amongst French furniture designers and interior decorators, an undisputed champion of the Art Deco movement. More than simply crafting beautiful objects; he sculpted entire spaces—homes imbued with a singular vision of opulent modernity that continues to inspire collectors and artists today. Born in Paris into a family steeped in craftsmanship – his father was a respected constructor – Ruhlmann’s artistic journey began early, absorbing influences from both Art Nouveau’s flowing lines and Arts & Crafts’ celebration of natural materials. This formative period instilled within him a profound respect for meticulous detail and an unwavering commitment to pushing creative boundaries.

Early Career and Collaborations: Foundations of Innovation

Following his father's passing in 1907, Ruhlmann inherited the family business and swiftly established a second atelier alongside Pierre Laurent, fostering a partnership that would propel their collective creativity. Together, they embarked on ambitious projects, designing furniture alongside painters and paper hangers—a collaborative spirit that characterized much of Ruhlmann’s oeuvre. This early experience honed his technical skills and exposed him to diverse artistic perspectives, shaping the aesthetic sensibilities that would define his later masterpieces. The meticulous attention to detail characteristic of this period foreshadowed the uncompromising dedication to perfection he would bring to his monumental creations.

The Art Deco Revelation: Venetian Inspiration and Exotic Materials

Ruhlmann’s breakthrough arrived during World War I when he was profoundly affected by the grandeur of Venetian design. He responded with furniture characterized by geometric forms—bold lines and simplified shapes—and an astonishing array of materials sourced from across the globe. Ebony, rosewood, sharkskin, ivory – these weren’t merely decorative elements; they were statements of wealth and sophistication, painstakingly chosen to convey a sense of timeless elegance. The creation process itself was laborious, demanding up to eight months for each piece, reflecting Ruhlmann’s unwavering belief in uncompromising standards of excellence. He sought inspiration from the opulent palaces of Venice, translating their grandeur into furniture that celebrated geometric precision and luxurious materials.

Iconic Creations: Defining the Art Deco Aesthetic

Ruhlmann’s legacy rests upon several unforgettable creations that epitomize the Art Deco style. The “Cabinet” (1928), crafted from ivory and incorporating intricate geometric patterns, exemplifies his mastery of form and material—a testament to Venetian influence and unparalleled craftsmanship. Similarly, his monumental desk for André Tardieu, President of the French State Council, featured a pivoting lamp and supports designed with meticulous precision, demonstrating Ruhlmann’s ability to integrate functional design with artistic vision. His work garnered international acclaim at the Paris International Exhibition of Modern Decorative and Industrial Arts in 1925, cementing his position as a pioneer of Art Deco aesthetics.

Influence and Remembrance: A Lasting Legacy

Ruhlmann's impact extended beyond individual pieces; he profoundly influenced subsequent generations of designers and architects, including Raymond Delamarre. His designs are preserved in prestigious museums such as the Musée Antoine Lécuyer and the Musée Maurice Denis, showcasing a remarkable collection of French Post-Impressionist paintings alongside his furniture—a poignant reminder of an era defined by artistic fervor and unparalleled beauty. You can explore more about Émile-Jacques Ruhlmann’s work at https://OriginalUniqueArt.com where his designs are showcased.
Émile-Jacques Ruhlmann

Émile-Jacques Ruhlmann

1879 - 1933 , Francia

Informazioni rapide

  • Artistic Movement Or Style: Art Deco
  • Artists Or Movements Influenced By This Artist: ['Raymond Delamarre']
  • Artists Who Influenced This Artist: ['Jean Jacques Henner']
  • Date Of Birth: 1879 Parigi Francia
  • Date Of Death: 1933 Parigi Francia
  • Full Name: Émile-Jacques Ruhlmann
  • Nationality: Francese
  • Notable Artworks:
    • Canapé
    • Cabinet
  • Place Of Birth: Parigi Francia