Menü
Megtekintés AR előnézet Kézzel festett másolat rendelése Áttérés digitális képre Küldés
Részletek Útmutató Kedvencekhez ad Letöltés Hasonló darabok X-ray felvétel Diavetítés Q&A Statisztika

Vilnius

A striking modernist cityscape of Vilnius featuring vibrant red brick architecture by Lithuanian master Vincas Kisarauskas from 1965, offering a poignant glimpse into Soviet-era art for your private collection.

Discover Vincas Kisarauskas: Lithuanian modernist painter & graphic artist. Bold experiments, radical style, & poignant Vilnius scenes. A key figure in Soviet-era art.

Az ezen az oldalon megjelenített műalkotások szerzői jogi védelem alatt állnak, ami azt jelenti, hogy törvényileg nem készíthetünk és nem adhatunk el belőlük pontos másolatokat. Ez a védelem olyan nemzetközi megállapodások alapján érvényesül, mint például a Berni Egyezmény és a nemzeti jogszabályok által, beleértve azokat is, amelyeket meghatározott Az USA szerzői jogi törvénye – 17. cím.

Ez a módszer teljes mértékben megfelel a szerzői jogi szabályozásnak, mivel nem tartalmazza a védett műalkotás másolását vagy duplikálását. Ehelyett ez egy kreatív újinterpretáció – egy új festmény, amely az eredetivel való összefüggései miatt hatással van rá, de nem az az.

Giclée / Műnyomat

Múzeumi minőségű giclée vagy vászonnyomat, gyors gyártással és rugalmas finomítási lehetőségekkel. ( Kézzel festett másolat rendelése Áttérés digitális képre)

Corner sample of the P118B picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118B Ft10
Corner sample of the P118H picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118H Ft10
Corner sample of the P118W picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118W Ft10
Corner sample of the P438Z picture frame: formázott polisztirol, 5.5 cm wide and 3.5 cm thick
P438Z Ft10
Corner sample of the P508JH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P508JH Ft12
Corner sample of the P508YH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P508YH Ft12
Corner sample of the P805H picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
P805H Ft10
Corner sample of the P805Z picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
P805Z Ft10
Corner sample of the P919BZ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919BZ Ft10
Corner sample of the P919G picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919G Ft10
Corner sample of the P919XJ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919XJ Ft10
Corner sample of the P959ZH picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P959ZH Ft10
Corner sample of the P968JZ picture frame: formázott polisztirol, 6 cm wide and 4 cm thick
P968JZ Ft12
Corner sample of the W106C picture frame: tömörfa, 5 cm wide and 3 cm thick
W106C Ft8
Corner sample of the W218G picture frame: tömörfa, 5 cm wide and 3 cm thick
W218G Ft10
Corner sample of the W218JH picture frame: tömörfa, 5 cm wide and 3 cm thick
W218JH Ft8
Corner sample of the W218Y picture frame: tömörfa, 5 cm wide and 3 cm thick
W218Y Ft10
Corner sample of the W307PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
W307PJ Ft10
Corner sample of the W316G picture frame: tömörfa, 6 cm wide and 3 cm thick
W316G Ft10
Corner sample of the W316PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
W316PJ Ft8
Corner sample of the W316Y picture frame: tömörfa, 6 cm wide and 3 cm thick
W316Y Ft10
Corner sample of the W398PJ picture frame: tömörfa, 5 cm wide and 3 cm thick
W398PJ Ft8
Corner sample of the W4111J picture frame: tömörfa, 6.5 cm wide and 3.5 cm thick
W4111J Ft10
Corner sample of the W500HY picture frame: tömörfa, 7 cm wide and 5 cm thick
W500HY Ft15
Corner sample of the W500JH picture frame: tömörfa, 7 cm wide and 5 cm thick
W500JH Ft15
Corner sample of the W692G picture frame: tömörfa, 8 cm wide and 4 cm thick
W692G Ft12
Corner sample of the W849H picture frame: tömörfa, 5 cm wide and 3 cm thick
W849H Ft8
Corner sample of the W940BG picture frame: tömörfa, 7.5 cm wide and 4.5 cm thick
W940BG Ft15
Corner sample of the W953PJ picture frame: tömörfa, 6 cm wide and 3.5 cm thick
W953PJ Ft8

Standard méret
egyedi méretű
CM
INCH

Válasszon előre meghatározott méreteink közül, amelyek megfelelnek a műalkotás eredeti arányainak.

szélesség
magasság

Írja be a keretének vagy a falának megfelelő szélességet és magasságot. A nyomatot csak le lehet vágni, soha nem tehető nagyobbá, mint az eredeti kép, így egy eltérő alakú méretnél a kép egy része elveszik. Mielőtt bármit kinyatintanánk, küldünk egy digitális próbamodellt jóváhagyásra. Az oldalon látható kép nem tartalmazza a valós levágást — ezt csak a próbamodell mutatja meg.

Világszerte történő kiszállítás területére mindössze 2 hét alatt, a szokásos 4-5 hét helyett. (30 október)

Ingyenes globális expressz szállítás
Prémium minőségű len vászon
Teljes körű szállítási biztosítás
Vámvisszatérítési Garancia
Hiteles színarányosság garancia
100 napos visszaküldési lehetőség (csak hibás termékek esetén)
100% pénzvisszatérítési garancia
Több darab vásárlásakor kedvezmény

Összesített ár

Ft 26157

Vilnius

Giclée / Műnyomat

Reprodukció mérete

-

Összesített ár

Ft 26157


A művész életrajza

Vincas Kisarauskas: A Radical Voice in Soviet Lithuania

Born in Augiemanių, Lithuania, in 1934, Vincas Kisarauskas’s life and art were inextricably linked to the turbulent currents of Soviet-era Lithuania. He emerged as a pivotal figure in the country's burgeoning modernist scene – a bold experimenter who defied official constraints while simultaneously pushing the boundaries of artistic expression. Often described as one of the most progressive artists of his time, Kisarauskas’s work is characterized by its raw emotion, unsettling imagery, and a deliberate rejection of prevailing ideological norms. His legacy lies not just in the paintings he created but also in his courageous stance against censorship and his profound influence on subsequent generations of Lithuanian artists.

Early Years and Artistic Training

Kisarauskas’s artistic journey began with a practical grounding in ceramics at the Telšiai Trade School of Applied Arts. This early exposure to tactile materials and functional design subtly shaped his later approach, influencing his use of texture and form. He then transitioned to Vilnius Art Institute, initially studying textiles before transferring to the Painting Department in 1959. It was here that he truly began to develop his distinctive style – a potent blend of abstraction, expressionism, and a deeply personal vision. His graduation marked the beginning of a period where his work would be largely marginalized by the state’s rigid artistic controls.

A Style Defined by Disruption and Emotion

Kisarauskas's art is immediately arresting. He wasn’t interested in creating pleasant, easily digestible images; instead, he sought to confront viewers with uncomfortable truths about the human condition. His paintings are often characterized by fragmented figures, distorted perspectives, and a palpable sense of unease. He frequently employed stark contrasts between light and shadow, utilizing bold colors – particularly reds and blacks – to amplify the emotional intensity of his scenes. Kisarauskas’s work can be seen as a direct response to the psychological pressures of living under Soviet rule, reflecting the anxieties, frustrations, and suppressed desires of ordinary Lithuanians. He was a pioneer in combining painting with photography and assemblage, creating multi-layered works that challenged traditional artistic conventions.

Recognition After Censorship: A Late Flowering

For much of his career, Kisarauskas’s work remained largely unseen by the public. The Soviet authorities actively suppressed any art deemed “formalist” or subversive, and his innovative style was considered a threat to ideological orthodoxy. Despite this censorship, he continued to create prolifically, often working in secret and distributing his art through informal channels. It wasn't until after his death in 1988 in New York that his work began to receive wider recognition. The lifting of restrictions on artistic expression following the collapse of the Soviet Union allowed Kisarauskas’s legacy to finally emerge, solidifying his place as a key figure in Lithuanian modernism and a courageous voice against oppression.

Key Works and Lasting Influence

Several works stand out as particularly significant examples of Kisarauskas's artistic vision. “Christ at Emmaus” (1988), painted shortly before his death, is a powerful depiction of faith and suffering, rendered in a raw and emotionally charged style. "Illuminated Window III" (1987) showcases his exploration of light and shadow, while "April Space" (XX Century. V) reflects the anxieties of the era. His smaller-format works, including diary-like sketchbooks and ex-libris designs, offer a glimpse into his creative process and reveal a remarkable versatility. Kisarauskas’s influence extends beyond his own creations; he inspired countless artists in Lithuania to challenge conventions and explore new forms of expression. He remains a potent symbol of artistic freedom and a testament to the enduring power of art to resist oppression.

Useful Links:

Vincas Kisarauskas

Vincas Kisarauskas

1934 - 1988 , Lithuania

Rövid információk

  • Full Name: Vincas Kisarauskas
  • Nationality: Lithuanian
  • Date Of Birth: 1934
  • Date Of Death: 1988
  • Place Of Birth: Augiemanių, Lithuania
  • Notable Artworks:
    • Christ at Emmaus
    • Illuminated Window III
    • April Space
    • Tilting towards Zanavykai
    • Six Figures...
  • Artistic Movement Or Style: Radical Modernism
  • Artists Who Influenced This Artist: ['Abstract Expressionism']
  • Artists Or Movements Influenced By This Artist: ['Contemporary Lithuanian art']