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StatisztikaWall City
- 450.0 x 300.0 cm
Összes részlet megjelenítése
Az ezen az oldalon megjelenített műalkotások szerzői jogi védelem alatt állnak, ami azt jelenti, hogy törvényileg nem készíthetünk és nem adhatunk el belőlük pontos másolatokat. Ez a védelem olyan nemzetközi megállapodások alapján érvényesül, mint például a Berni Egyezmény és a nemzeti jogszabályok által, beleértve azokat is, amelyeket meghatározott Az USA szerzői jogi törvénye – 17. cím.
Ez a módszer teljes mértékben megfelel a szerzői jogi szabályozásnak, mivel nem tartalmazza a védett műalkotás másolását vagy duplikálását. Ehelyett ez egy kreatív újinterpretáció – egy új festmény, amely az eredetivel való összefüggései miatt hatással van rá, de nem az az.
Giclée / Műnyomat
Múzeumi minőségű giclée vagy vászonnyomat, gyors gyártással és rugalmas finomítási lehetőségekkel. (
Kézzel festett másolat rendelése Áttérés digitális képre)
Válasszon előre meghatározott méreteink közül, amelyek megfelelnek a műalkotás eredeti arányainak.
Írja be a keretének vagy a falának megfelelő szélességet és magasságot. A nyomatot csak le lehet vágni, soha nem tehető nagyobbá, mint az eredeti kép, így egy eltérő alakú méretnél a kép egy része elveszik. Mielőtt bármit kinyatintanánk, küldünk egy digitális próbamodellt jóváhagyásra. Az oldalon látható kép nem tartalmazza a valós levágást — ezt csak a próbamodell mutatja meg.
Világszerte történő kiszállítás területére mindössze 2 hét alatt, a szokásos 4-5 hét helyett. (3 november)
Ingyenes globális expressz szállítás
Prémium minőségű len vászon
Teljes körű szállítási biztosítás
Vámvisszatérítési Garancia
Hiteles színarányosság garancia
100 napos visszaküldési lehetőség (csak hibás termékek esetén)
100% pénzvisszatérítési garancia
Több darab vásárlásakor kedvezmény
Az üvegkeretes opció csak 110 cm alatti méretben érhető el
Wall City
Giclée / Műnyomat
Reprodukció mérete
-
Összesített ár
Ft 26538
Miguel Navarro’s “Wall City”: A Monument to Urban Anonymity
In the year 2000, Miguel Navarro presented "Wall City" (Ciudad muralla) at the Fondazione Giorgio Cini in Venice, a monumental installation that continues to resonate with its stark beauty and unsettling implications. This sprawling cityscape, initially conceived as a collection of approximately 1,000 zinc elements and subsequently expanded to over 4,000, stands as a powerful meditation on urban existence – a place where the individual dissolves into the vastness of the constructed environment. Measuring up to 500 square meters in scale, with towers reaching an imposing 4.5 meters, "Wall City" demands attention and invites contemplation about the nature of modern society.
- A Genesis in Venice: The work’s creation coincided with the seventh International Architecture Exhibition, highlighting Navarro's engagement with contemporary architectural discourse.
- Scale and Presence: Its substantial size – capable of occupying a space up to 500 square meters – immediately establishes "Wall City" as an immersive experience, forcing viewers to confront its scale directly.
Form and Materiality: Geometry and Reflection
"Wall City" is fundamentally defined by its geometric precision. Navarro meticulously assembled hundreds of rectangular and cylindrical elements from zinc (or a similar metallic material), creating a rigorously ordered cityscape. The sharp, angular lines and repetitive forms evoke the principles of minimalism while simultaneously generating a sense of controlled chaos – mirroring, perhaps, the complexities of urban life itself. The reflective surfaces of the metal contribute significantly to the artwork’s impact, capturing and distorting light in a way that adds depth and realism, almost as if the city were perpetually caught in a state of shimmering reflection.
- Zinc's Significance: The choice of zinc – valued for its durability and reflective qualities – is crucial to the artwork’s aesthetic and conceptual impact.
- Tactile Impression: The texture, described as metallic and reflective with subtle variations in surface finish, invites a tactile engagement, even through a photograph.
Symbolism and Interpretation
Beyond its formal qualities, "Wall City" is laden with symbolic weight. The absence of human figures within the vast cityscape amplifies this effect, transforming it into an imagined metropolis – deserted, anonymous, and perhaps even oppressive. The repetitive nature of the elements suggests a uniformity or lack of individuality characteristic of modern urban environments. Navarro’s work can be interpreted as a critique of societal structures, prompting questions about identity, connection, and the potential for isolation within densely populated areas. It's a powerful visual statement on the relationship between individuals and their surroundings.
Historical Context and Artistic Influences
Created in 2000, "Wall City" reflects Miguel Navarro’s broader artistic trajectory – one deeply rooted in postmodernism, minimalism, and avant-garde principles. Influenced by artists like Donald Judd and Sol LeWitt, Navarro's work shares a commitment to geometric abstraction and the exploration of spatial relationships. His earlier sculpture “fraternitat,” a prominent piece located in Barcelona’s Parc del Fòrum, further demonstrates his mastery of these techniques and his ability to create impactful public artworks. Navarro’s versatility – encompassing sculpture, painting, and poetry – underscores his commitment to pushing the boundaries of contemporary artistic expression.
Kérdések és válaszok
Hogyan tekinthetem meg előre a(z) „Wall City”, Miguel Navarro alkotása reprodukcióját?
A „Wall City”, Miguel Navarro alkotása reprodukciójának megtekintéséhez nyissa meg a mű Előnézet oldalát.
Milyen technikával készült és milyen méretű „Wall City”, Miguel Navarro alkotása?
A „Wall City”, Miguel Navarro alkotása technikája Installation Art, méretei pedig a dokumentált 450 x 300 cm.
Mekkora a fényerke „Wall City”, Miguel Navarro alkotása alkotásnak?
A "Wall City" színei Bright Balance fényerőt mutatnak.
A művész életrajza
The Versatile Vision of Miguel Navarro
Born on September 29, 1945, in the Spanish town of Mislata, Miguel Navarro stands as a profound figure in the landscape of contemporary Spanish art. His creative journey is not merely a career but a multi-faceted exploration of form, space, and language. As an artist who refuses to be confined by a single medium, Navarro has masterfully navigated the realms of sculpture, painting, and contemporary poetry. This rare versatility allows him to weave a complex narrative across different disciplines, creating a cohesive artistic universe that resonates with both the tactile weight of bronze and the ethereal rhythm of verse. His education at the prestigious San Carlos School of Fine Arts in Valencia provided the foundational rigor that would later allow him to experiment with the boundaries of modern aesthetics.
The evolution of Navarro’s practice is marked by a significant transition in the early 1970s. While he began his professional path in the 1960s as a painter, capturing the nuances of color and light on canvas, it was in 1972 that he made the pivotal decision to dedicate himself exclusively to the art of sculpture. This shift allowed him to engage more intimately with volume, mass, and the physical presence of objects in space. His stylistic language emerged from a sophisticated blend of postmodernism, minimalism, and avant-garde influences. By stripping away unnecessary ornamentation and focusing on the essential geometry of form, Navarro created works that speak to the quiet strength of minimalism while maintaining the intellectual complexity characteristic of postmodern thought.
A Legacy Carved in Stone and Memory
Navarro’s significance in the Spanish art scene is perhaps most poignantly felt through his ability to imbue physical structures with deep historical and social meaning. His work often serves as a bridge between the abstract and the commemorative. One of his most profound achievements is the sculpture Fraternitat, located in the Parc del Fòrum in Barcelona. This monumental piece acts as a solemn homage to the victims of the Camp de la Bota, those assassinated by nationalists during the Spanish Civil War. Through this work, Navarro transcends the purely aesthetic, using his sculptural mastery to ensure that collective memory is preserved within the public consciousness.
The prestige of his contributions is reflected in the esteemed institutions that house his creations. His art has been showcased in some of the world's most renowned galleries, including:
- The Guggenheim Museum in Bilbao, Spain, a testament to his standing in the global contemporary art dialogue.
- The Reina Sofía Museum in Madrid, placing him alongside the giants of modern and contemporary Spanish history.
- Museo de Arte de Orizaba in Veracruz, Mexico, demonstrating the international reach and enduring appeal of his sculptural vision.
Beyond the physical permanence of his sculptures, Navarro’s identity as a poet adds a layer of lyrical depth to his entire body of work. This intersection of the visual and the literary creates a holistic experience for the viewer, where the silence of a minimalist sculpture is echoed by the rhythmic cadence of his poetry. As a primary reference point for contemporary Valencian and Spanish art, Miguel Navarro continues to inspire, reminding us that true artistry lies in the ability to find harmony between the tangible world and the boundless reaches of human emotion.
Miguel Navarro
1945 - , Spain
Rövid információk
- Full Name: Miguel Navarro
- Nationality: Spanish
- Date Of Birth: 1945
- Place Of Birth: Mislata, Spain
- Notable Artworks:
- Fraternitat
- Wall City
- Artistic Movement Or Style: Eclectic (Postmodernism, Minimalism)
- Artists Who Influenced This Artist: ['Minimalism']
- Artists Or Movements Influenced By This Artist: ['Postmodernism']
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