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David (detail)

Witness the power of Bernini's 'David'! This iconic marble sculpture captures the hero’s intensity & determination, showcasing Baroque artistry at its finest. A masterpiece of Roman history.

Bernini: A reneszánszi szobrászat és építészet nagykövete, a barokk művészet meghatározó alakja. Kiemelkedő alkotásai a Szent Terézia Ecstázisában, a Baldacchino-ban és a római piazzák tervezésében mutatják meg egyedülálló tudását.

Giclée / Műnyomat

Múzeumi minőségű giclée vagy vászonnyomat, gyors gyártással és rugalmas finomítási lehetőségekkel. ( Kézzel festett másolat vásárlása Áttérés digitális képre)

Corner sample of the P118B picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118B Ft10
Corner sample of the P118H picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118H Ft10
Corner sample of the P118W picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118W Ft10
Corner sample of the P438Z picture frame: formázott polisztirol, 5.5 cm wide and 3.5 cm thick
P438Z Ft10
Corner sample of the P508JH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P508JH Ft12
Corner sample of the P508YH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P508YH Ft12
Corner sample of the P805H picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
P805H Ft10
Corner sample of the P805Z picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
P805Z Ft10
Corner sample of the P919BZ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919BZ Ft10
Corner sample of the P919G picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919G Ft10
Corner sample of the P919XJ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919XJ Ft10
Corner sample of the P959ZH picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P959ZH Ft10
Corner sample of the P968JZ picture frame: formázott polisztirol, 6 cm wide and 4 cm thick
P968JZ Ft12
Corner sample of the W106C picture frame: tömörfa, 5 cm wide and 3 cm thick
W106C Ft8
Corner sample of the W218G picture frame: tömörfa, 5 cm wide and 3 cm thick
W218G Ft10
Corner sample of the W218JH picture frame: tömörfa, 5 cm wide and 3 cm thick
W218JH Ft8
Corner sample of the W218Y picture frame: tömörfa, 5 cm wide and 3 cm thick
W218Y Ft10
Corner sample of the W307PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
W307PJ Ft10
Corner sample of the W316G picture frame: tömörfa, 6 cm wide and 3 cm thick
W316G Ft10
Corner sample of the W316PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
W316PJ Ft8
Corner sample of the W316Y picture frame: tömörfa, 6 cm wide and 3 cm thick
W316Y Ft10
Corner sample of the W398PJ picture frame: tömörfa, 5 cm wide and 3 cm thick
W398PJ Ft8
Corner sample of the W4111J picture frame: tömörfa, 6.5 cm wide and 3.5 cm thick
W4111J Ft10
Corner sample of the W500HY picture frame: tömörfa, 7 cm wide and 5 cm thick
W500HY Ft15
Corner sample of the W500JH picture frame: tömörfa, 7 cm wide and 5 cm thick
W500JH Ft15
Corner sample of the W692G picture frame: tömörfa, 8 cm wide and 4 cm thick
W692G Ft12
Corner sample of the W849H picture frame: tömörfa, 5 cm wide and 3 cm thick
W849H Ft8
Corner sample of the W940BG picture frame: tömörfa, 7.5 cm wide and 4.5 cm thick
W940BG Ft15
Corner sample of the W953PJ picture frame: tömörfa, 6 cm wide and 3.5 cm thick
W953PJ Ft8

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Összesített ár

Ft 25718

David (detail)

Giclée / Műnyomat

Reprodukció méretei

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Összesített ár

Ft 25718

Rövid tények

  • Artistic style: Sculptural realism
  • Artist: Gian Lorenzo Bernini
  • Movement: Baroque
  • Location: Galleria Borghese, Rome
  • Year: 1623

The Genesis of a Hero: Bernini’s David

Gian Lorenzo Bernini's 1623 sculpture, “David,” residing within the opulent Galleria Borghese in Rome, isn’t merely a depiction of the biblical hero; it’s a visceral embodiment of youthful defiance and impending triumph. Commissioned by Cardinal Scipione Borghese, a fervent admirer of classical antiquity, this masterpiece transcends simple narrative illustration, becoming a profound meditation on courage, vulnerability, and the very essence of human potential. Bernini, already establishing himself as the leading sculptor of his age, seized upon the story of David and Goliath not just to recreate a biblical scene but to capture an intensely personal moment – the decisive seconds before action, pregnant with anticipation.

Gian Lorenzo Bernini Self Portrait

A Masterclass in Marble: Technique and Innovation

Bernini’s genius lies not just in his subject matter but in the revolutionary techniques he employed to render it. Carved from a single block of Carrara marble, “David” exemplifies Bernini's mastery of *subdolitas*, a term describing a delicate, almost hesitant grace that was highly prized during the Baroque period. The surface is astonishingly smooth, achieved through an intricate process of grinding and polishing – a testament to Bernini’s relentless dedication and his understanding of marble’s inherent qualities. Notice how he captures the subtle texture of David's hair, the delicate veins in his hands, and the tautness of his muscles. Crucially, Bernini didn’t simply sculpt a static figure; he imbued it with dynamic movement. The slight tilt of his head, the furrowed brow, and the outstretched hand all suggest an internal struggle – a moment of intense concentration before unleashing a decisive blow. This sense of kinetic energy was groundbreaking for its time, moving away from the more rigid poses favored in earlier Renaissance sculpture.

  • Subdolitas: Bernini’s signature style emphasizing delicate grace and movement.
  • Carrara Marble: The finest white marble sourced from Italy, prized for its purity and workability.
  • Dynamic Composition: Bernini captures a fleeting moment of intense anticipation, conveying the hero's inner turmoil.

Symbolism and Context: A Renaissance Vision

“David” is deeply rooted in the classical ideals of heroism and civic virtue that were prevalent during the Renaissance. The story of David slaying Goliath served as a potent metaphor for the triumph of the underdog, the defense of justice against tyranny, and the importance of courage in the face of overwhelming odds. Bernini cleverly incorporates these themes into his sculpture. David’s youthful appearance symbolizes innocence and potential, while the giant Goliath represents established power and corruption. The sling, held loosely in David's hand, is not a weapon of brute force but a symbol of faith and strategic intelligence – highlighting the importance of wit over strength. Furthermore, the setting within the Borghese Gallery itself—a lavishly decorated villa reflecting the wealth and influence of Cardinal Borghese—underscores the sculpture’s role as a display of power and patronage.

Emotional Resonance: A Timeless Appeal

Despite being created over four centuries ago, “David” continues to resonate deeply with viewers. Bernini masterfully captures not just the physical likeness of the biblical hero but also his emotional state – a potent blend of determination, vulnerability, and quiet confidence. The sculpture invites us to contemplate our own struggles against adversity, reminding us that even in moments of uncertainty, courage and faith can prevail. It’s a testament to Bernini's ability to transform a historical narrative into a profoundly human experience, securing his place as one of the greatest sculptors of all time. The reproduction captures this essence beautifully, offering a window into the heart of Baroque artistry.

Gyakran Ismételt Kérdések

Milyen érzést közvetít a „David (detail)”, Gian Lorenzo Bernini alkotása?

A „David (detail)”, Gian Lorenzo Bernini alkotása hangulatát Calm érzetet közvetít, érzelmi tónusa pedig Reflective.

Melyik tér harmonizál a „David (detail)”, Gian Lorenzo Bernini alkotása színeivel?

A „David (detail)”, Gian Lorenzo Bernini alkotása Earthy színei tökéletesen illeszkednek a javasolt helyiséghez: egy Living Room.

Mikor készült a(z) „David (detail)”, Gian Lorenzo Bernini alkotása?

A „David (detail)”, Gian Lorenzo Bernini alkotása alkotása 1623-ben készült.


A művész életrajza

A Roman Genius: The Life and Legacy of Gian Lorenzo Bernini

Gian Lorenzo Bernini, a name synonymous with the pinnacle of Baroque artistry, was born in Naples in 1598, a city brimming with classical echoes that would profoundly shape his artistic vision. His father, Pietro Bernini, a respected sculptor himself, provided the initial foundation for young Gian Lorenzo’s burgeoning talent – a workshop filled with marble dust and the ghosts of ancient forms. This early immersion wasn't merely technical training; it was an intimate encounter with the legacy of Greece and Rome, a lineage that would become inextricably woven into Bernini’s own creative DNA. He arrived in Rome as a young man, a city pulsating with papal patronage and artistic ambition, and quickly established himself as a force to be reckoned with.

Sculpting Emotion: The Birth of Baroque Drama

Bernini didn't simply sculpt figures; he breathed life into stone, imbuing his creations with an unprecedented level of psychological depth and dramatic narrative. He rejected the static beauty favored by the Renaissance, embracing instead movement, theatricality, and a raw, visceral emotionalism that defined the Baroque period. His works weren’t mere representations; they were invitations to experience – to feel the weight of history, the intensity of faith, the thrill of transformation. Key to his distinctive style was an extraordinary ability to capture fleeting expressions, conveying complex emotions through subtle shifts in posture and gesture. Consider *The Ecstasy of Saint Teresa*, housed within the Cornaro Chapel at Santa Maria della Vittoria – a swirling vortex of marble, bronze, and light that seems to pull the viewer into a realm of divine ecstasy. The dynamism of *Apollo and Daphne*, with its frozen moment of metamorphosis, or the heroic intensity of *David* all exemplify this revolutionary approach. Bernini’s genius lay in his ability to translate abstract concepts – faith, love, power – into tangible, emotionally resonant forms.

Beyond Sculpture: Architecture and Urban Visions

Bernini's artistic ambition extended far beyond the confines of the studio. He was a remarkably versatile architect and urban planner, fundamentally reshaping the landscape of Rome with his bold designs and innovative solutions. His architectural projects weren’t conceived in isolation; they were integral components of a larger vision – a desire to create harmonious spaces that blended seamlessly with his sculptural work. The monumental Baldacchino above the high altar of St. Peter's Basilica stands as the ultimate testament to this holistic approach, a soaring bronze canopy that dominates the space and draws the eye upwards in awe. He also played a pivotal role in redesigning several Roman piazzas, transforming them into vibrant public spaces – Piazza Navona being perhaps the most striking example with its dramatic Fountain of Four Rivers. His work on St. Peter’s Basilica, including the expansive colonnade that embraces visitors as they approach, dramatically altered the basilica's appearance and created a grand ceremonial space befitting the heart of Christendom.

A Lasting Influence: Bernini’s Historical Significance

Gian Lorenzo Bernini’s impact on Western art is immeasurable. His innovative approach to sculpture established the Baroque style as a dominant force for over a century, influencing generations of artists with his dramatic compositions and technical virtuosity. He didn't merely imitate classical forms; he synthesized them with a new sense of dynamism and emotional intensity, creating something entirely original. His integration of sculpture, architecture, and painting into unified artistic experiences set a new standard for artistic expression, demonstrating the power of art to engage all the senses and evoke profound emotions. As Howard Hibbard eloquently noted, Bernini’s impact was so significant that he stands as “the greatest sculptor of the 17th century.” His works continue to inspire awe and admiration, solidifying his place as one of history's most important artists – a true *uomo universale* whose legacy continues to resonate today.

Family & Further Achievements

  • Pietro Bernini: Gian Lorenzo’s father, a sculptor who provided early training and guidance.
  • Cardinal Scipione Borghese: An early patron whose commissions allowed Bernini to develop his signature style.
  • Pope Urban VIII: Bernini's most significant patron, providing extensive opportunities for architectural and sculptural projects in Rome.
  • Architectural Projects: Beyond St. Peter’s Basilica, Bernini designed churches like Sant’Andrea al Quirinale and contributed to the design of Palazzo Barberini.
  • Theatrical Designs: He was also a playwright and stage designer, creating elaborate sets and machinery for theatrical productions.
Gian Lorenzo Bernini

Gian Lorenzo Bernini

1598 - 1680 , Olaszország

Gyors információk

  • Artistic Movement Or Style: Barokk
  • Artists Or Movements Influenced By This Artist:
    • Barokk szobrászat
    • Európai művészet
  • Artists Who Influenced This Artist:
    • Pietro Bernini
    • Michelangelo
  • Date Of Birth: 1598. 7. december
  • Date Of Death: 1680. 11. 28.
  • Full Name: Gian Lorenzo Bernini
  • Nationality: Olasz
  • Notable Artworks:
    • Apollón és Daphné
    • A Szent Terézia Ecstázisát
    • David
    • A Quattro Fiume szoborcsoportja
  • Place Of Birth: Nápoly, Olaszország
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