The Good Samaritan
Giclée / Műnyomat
Múzeumi minőségű giclée vagy vászonnyomat, gyors gyártással és rugalmas finomítási lehetőségekkel. ( Kézzel festett másolat rendelése
Áttérés digitális képre)
P118B Ft10
P118H Ft10
P118W Ft10
P438Z Ft10
P508JH Ft12
P508YH Ft12
P805H Ft10
P805Z Ft10
P919BZ Ft10
P919G Ft10
P919XJ Ft10
P959ZH Ft10
P968JZ Ft12
W106C Ft8
W218G Ft10
W218JH Ft8
W218Y Ft10
W307PJ Ft10
W316G Ft10
W316PJ Ft8
W316Y Ft10
W398PJ Ft8
W4111J Ft10
W500HY Ft15
W500JH Ft15
W692G Ft12
W849H Ft8
W940BG Ft15
W953PJ Ft8
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Világszerte történő kiszállítás területére mindössze 2 hét alatt, a szokásos 4-5 hét helyett. (27 október)
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Prémium minőségű len vászon
Teljes körű szállítási biztosítás
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The Good Samaritan
Giclée / Műnyomat
Reprodukció mérete
-
Összesített ár
Ft 25827
A Vision Steeped in Sorrow and Sublime Beauty
Ferdinand Hodler's "The Good Samaritan," completed in 1885, stands as a cornerstone of Swiss Symbolist painting—a testament to an artist profoundly marked by personal tragedy yet capable of distilling universal themes into breathtaking visual form. Born in Bern, Switzerland, Hodler’s formative years were irrevocably altered by the premature deaths of his father and two younger brothers. These early experiences of loss instilled within him a lifelong preoccupation with mortality, a motif that would recur throughout his oeuvre and inform the distinctive, soulful aesthetic sensibilities found in this masterpiece. To gaze upon this work is to encounter an artist who has transformed private grief into a public meditation on the resilience of the human spirit.
The painting itself embodies the core tenets of Symbolism, rejecting the literal, photographic representation favored by many of his contemporaries in favor of evocative suggestion. Hodler eschewed the fleeting light of Impressionism, prioritizing instead a meticulously crafted style characterized by flattened planes and a muted, contemplative color palette. He employed a technique known as “Tonemalerei,” or tonal painting, wherein he layered thin washes of pigment to create subtle gradations of tone. This masterful manipulation of light and shadow lends the scene an ethereal, almost otherworldly quality, where the boundaries between the physical world and the spiritual realm begin to blur.
The Sacred Rhythm of Compassion
At the heart of the composition lies a profound human drama: a solitary figure tending to another wounded man. This direct reference to the biblical parable of the Good Samaritan is rendered with striking, unconventional beauty. Hodler’s central figures are depicted in an almost sculptural manner; their forms are simplified and idealized, conveying a sense of serene dignity amidst palpable suffering. The inclusion of two sheep in the background—one on the left and another toward the right—adds a layer of quiet symbolism, perhaps representing innocence or purity, which stands in poignant contrast to the human struggle unfolding in the foreground.
For the discerning collector or interior designer, this piece offers more than mere decoration; it provides an emotional anchor for a space. The painting’s ability to evoke compassion and care makes it a powerful addition to any curated collection. Its subdued tones and rhythmic composition allow it to integrate seamlessly into sophisticated environments, offering a moment of quiet reflection. Whether placed in a grand gallery or a private study, "The Good Samaritan" serves as a timeless reminder of our shared responsibility toward one another, making it an investment in both art and profound human sentiment.
Kérdések és válaszok
Hol találhatók statisztikák a(z) „The Good Samaritan”, Ferdinand Hodler alkotása kapcsán?
A „The Good Samaritan”, Ferdinand Hodler alkotása Statisztikák oldala a nyilvános látogatási statisztikákat mutatja be: az alkotás havi látogatottságát, összehasonlításban a művész legnézettebb alkotásaival, valamint a látogatók származási helyét.
Milyen érzést közvetít a „The Good Samaritan”, Ferdinand Hodler alkotása?
A „The Good Samaritan”, Ferdinand Hodler alkotása hangulata Ethereal, érzelmi tónusa pedig Melancholic.
Milyen technikával készült a „The Good Samaritan”, Ferdinand Hodler alkotása?
A „The Good Samaritan”, Ferdinand Hodler alkotása technikája Oil. A reprodukciók célja ezen technika megjelenítésének hiteles återadása.
A művész életrajza
A Life Etched in Symbolism: The World of Ferdinand Hodler
Ferdinand Hodler, a name inextricably linked to the landscape of Swiss painting and the evocative language of symbolism, emerged from modest beginnings to become one of the most significant artists of the late 19th and early 20th centuries. Born in Bern, Switzerland, in 1853, his life was profoundly shaped by early loss – a recurring theme that would deeply inform his artistic vision. The untimely deaths of his father and two younger brothers before he reached adolescence cast a long shadow, instilling within him a contemplative awareness of mortality and the fleeting nature of existence. These experiences, interwoven with an acute sensitivity to the beauty and power of the natural world, became central tenets of his evolving oeuvre. Initially apprenticed to decorative painters, Hodler’s innate talent quickly transcended mere craftsmanship; he yearned for formal training and artistic exploration beyond the constraints of commercial work. This ambition led him to Geneva in 1871, where he immersed himself in study, attending science lectures alongside diligently copying masterpieces at the city's museum – a rigorous education that laid the foundation for his future innovations.From Realism to ‘Parallelism’: Forging a Unique Vision
Hodler’s artistic journey was characterized by constant evolution and an unwavering pursuit of expressive power. His early works reflected the prevailing realist style of the time – portraits, landscapes, and genre scenes executed with meticulous detail. However, he soon found himself constrained by these conventions, seeking a means to convey deeper emotional truths and philosophical ideas. This quest led him towards Symbolism, a movement that rejected naturalistic representation in favor of subjective experience and evocative imagery. Yet Hodler didn’t simply adopt the tenets of Symbolism; instead, he forged his own unique path, developing what he termed “parallelism.” This distinctive style involved arranging figures and forms in rhythmic, almost geometric patterns, creating a sense of both harmony and tension – a visual representation of interconnectedness. It was an attempt to depict not just *what* he saw, but *how* he felt – the underlying emotional currents that connected all things. The Night, completed in 1890, proved to be a pivotal work, marking his definitive turn towards symbolist imagery and sparking considerable controversy with its depiction of recumbent figures suggestive of death and repose. Despite initial criticism, the painting garnered attention in Paris, establishing Hodler’s reputation beyond Switzerland's borders and signaling the arrival of a truly original voice.Landmarks in Paint: Key Works and Their Significance
Throughout his prolific career, Hodler produced a remarkable body of work that continues to resonate with audiences today. The Day, completed in 1893, stands as one of his most ambitious and celebrated achievements – a monumental historical painting showcasing his mastery of composition and symbolism. Housed at the Kunsthaus Zürich, this artwork is a powerful meditation on life, death, and renewal, rendered with an arresting blend of realism and visionary intensity. The sheer scale and emotional weight of The Day cemented Hodler’s position as a leading figure in European art. Other notable works include numerous depictions of the Swiss Alps, imbued with a sense of awe-inspiring grandeur, and portraits that reveal his profound understanding of human psychology. He frequently revisited themes of loss and mourning, perhaps reflecting his own childhood traumas, but always infused them with a sense of dignity and resilience. His paintings weren’t merely representations; they were emotional landscapes, inviting viewers to contemplate the fundamental questions of existence. Works like Truth II (1897) demonstrate Hodler's ability to blend classical forms with modern sensibilities, creating images that are both timeless and strikingly contemporary – a testament to his innovative spirit.Influences and Historical Context
Hodler’s artistic development was shaped by a confluence of influences. His early training under Ferdinand Sommer instilled in him the fundamentals of landscape painting, while his study of works by Holbein, Titian, and Velázquez exposed him to classical techniques and compositional principles. However, it was his encounter with Symbolism that truly liberated his imagination. He drew inspiration from poets like Stéphane Mallarmé and Arthur Rimbaud, embracing their exploration of dreams, myths, and the subconscious. Hodler’s work also resonated with broader cultural currents of the late 19th and early 20th centuries – a period marked by rapid social change, scientific advancements, and a growing sense of existential anxiety. His paintings offered a visual language for grappling with these complex issues, providing solace and insight in an increasingly uncertain world. The rise of Expressionism in the early 20th century can be seen as a direct consequence of Hodler’s pioneering work in exploring subjective emotion and distorted forms.A Lasting Legacy
Ferdinand Hodler's influence extended far beyond the borders of Switzerland. His innovative use of symbolism and his development of “parallelism” paved the way for Expressionism, with its emphasis on subjective emotion and distorted forms. Artists who followed in his footsteps recognized him as a precursor to their own explorations of inner experience. Hodler’s work also resonated with broader cultural currents of the late 19th and early 20th centuries – a period marked by rapid social change, scientific advancements, and a growing sense of existential anxiety. His paintings offered a visual language for grappling with these complex issues, providing solace and insight in an increasingly uncertain world. Today, Hodler’s works are held in major museums across Europe and beyond, ensuring that his artistic vision continues to inspire and challenge generations of viewers. He remains a towering figure in Swiss art history, celebrated not only for his technical skill but also for his profound emotional depth and unwavering commitment to exploring the mysteries of the human condition.Ferdinand Hodler
1853 - 1918 , Svájc
Rövid információk
- Artistic Movement Or Style: Szimbolizmus, Parallélizmusa
- Artists Or Movements Influenced By This Artist: ['Expressionizmus']
- Artists Who Influenced This Artist:
- Courbet
- Gauguin
- Date Of Birth: 1853. március 14.
- Date Of Death: 1918. május 19.
- Full Name: Ferdinand Hodler
- Nationality: Svajci
- Notable Artworks:
- A Éjjel
- A Nap
- Igazság II
- Place Of Birth: Bern, Svájc

Az üvegkeretes opció csak 110 cm alatti méretben érhető el
