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Self-portrait with stand

Méretek
72.0 x 102.0 cm

Experience Hodler's striking 1879 self-portrait capturing Symbolist introspection; own this masterwork of Swiss art today.

Fedezd fel Hodler szimbolikus világtáját! Kiemelkedő tájak, mély érzelmek és egyedi 'paralélizmusa'. Kezeld meg a mesterműveket kézzel festett reprodukciókkal!

Giclée / Műnyomat

Múzeumi minőségű giclée vagy vászonnyomat, gyors gyártással és rugalmas finomítási lehetőségekkel. ( Kézzel festett másolat rendelése Áttérés digitális képre)

Corner sample of the P118B picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118B Ft10
Corner sample of the P118H picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118H Ft10
Corner sample of the P118W picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P118W Ft10
Corner sample of the P438Z picture frame: formázott polisztirol, 5.5 cm wide and 3.5 cm thick
P438Z Ft10
Corner sample of the P508JH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P508JH Ft12
Corner sample of the P508YH picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P508YH Ft12
Corner sample of the P805H picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
P805H Ft10
Corner sample of the P805Z picture frame: formázott polisztirol, 5 cm wide and 3.5 cm thick
P805Z Ft10
Corner sample of the P919BZ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919BZ Ft10
Corner sample of the P919G picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919G Ft10
Corner sample of the P919XJ picture frame: formázott polisztirol, 7 cm wide and 3.5 cm thick
P919XJ Ft10
Corner sample of the P959ZH picture frame: formázott polisztirol, 5 cm wide and 3 cm thick
P959ZH Ft10
Corner sample of the P968JZ picture frame: formázott polisztirol, 6 cm wide and 4 cm thick
P968JZ Ft12
Corner sample of the W106C picture frame: tömörfa, 5 cm wide and 3 cm thick
W106C Ft8
Corner sample of the W218G picture frame: tömörfa, 5 cm wide and 3 cm thick
W218G Ft10
Corner sample of the W218JH picture frame: tömörfa, 5 cm wide and 3 cm thick
W218JH Ft8
Corner sample of the W218Y picture frame: tömörfa, 5 cm wide and 3 cm thick
W218Y Ft10
Corner sample of the W307PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
W307PJ Ft10
Corner sample of the W316G picture frame: tömörfa, 6 cm wide and 3 cm thick
W316G Ft10
Corner sample of the W316PJ picture frame: tömörfa, 6 cm wide and 3 cm thick
W316PJ Ft8
Corner sample of the W316Y picture frame: tömörfa, 6 cm wide and 3 cm thick
W316Y Ft10
Corner sample of the W398PJ picture frame: tömörfa, 5 cm wide and 3 cm thick
W398PJ Ft8
Corner sample of the W4111J picture frame: tömörfa, 6.5 cm wide and 3.5 cm thick
W4111J Ft10
Corner sample of the W500HY picture frame: tömörfa, 7 cm wide and 5 cm thick
W500HY Ft15
Corner sample of the W500JH picture frame: tömörfa, 7 cm wide and 5 cm thick
W500JH Ft15
Corner sample of the W692G picture frame: tömörfa, 8 cm wide and 4 cm thick
W692G Ft12
Corner sample of the W849H picture frame: tömörfa, 5 cm wide and 3 cm thick
W849H Ft8
Corner sample of the W940BG picture frame: tömörfa, 7.5 cm wide and 4.5 cm thick
W940BG Ft15
Corner sample of the W953PJ picture frame: tömörfa, 6 cm wide and 3.5 cm thick
W953PJ Ft8

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Összesített ár

Ft 26396

Self-portrait with stand

Giclée / Műnyomat

Reprodukció mérete

-

Összesített ár

Ft 26396

Gyors információk

  • Title: Self-portrait with stand
  • Artistic style: Symbolism
  • Artist: Ferdinand Hodler

A Glimpse into Introspection: Hodler's Self-Portrait with Stand

To stand before Ferdinand Hodler’s Self-portrait with stand is to encounter a moment suspended between public presentation and private contemplation. This striking work, dating from 1879, captures the artist not merely as a likeness, but as a study in poised masculinity and burgeoning artistic self-awareness. The subject, impeccably dressed in a suit and tie, adopts a formal bearing, suggesting an occasion of importance or perhaps simply the necessary facade required by society. Yet, it is within this carefully constructed exterior that Hodler invites us to look deeper, past the polished surface toward the profound currents of the soul.

The Symbolist Gaze and Emotional Resonance

Hodler’s work is deeply rooted in the potent current of Symbolism, a movement fascinated by the unseen realities—the emotions, the myths, and the inner landscape of the human spirit. In this self-portrait, that symbolism manifests through the subject's gaze. He appears to be looking just off-camera, suggesting an engagement with something beyond the frame, perhaps the viewer’s own reflection or a memory only he possesses. The black and white quality of the photograph itself enhances this sense of timeless drama, emphasizing the stark interplay between light and shadow across his features and attire. It is a portrait that whispers rather than shouts, demanding quiet attention from the admirer.

Technique and Formal Mastery

The technical execution speaks to Hodler’s formidable skill, honed through years of dedication to painting. While the original medium lends itself to rich texture, the photograph highlights the masterful handling of tonal contrast—the deep shadows anchoring the figure against the backdrop, and the subtle gradations of light defining the planes of his face. The composition is classically balanced, yet imbued with a modern psychological tension. For those considering bringing this piece into your curated space, understanding this balance between formal structure and emotional depth is key; it functions beautifully as a sophisticated focal point.

Historical Context: A Portrait in Transition

Painted in 1879, this work sits at a fascinating juncture in art history. Hodler was navigating the transition from academic training toward the more emotionally charged language of Symbolism. His early life experiences—marked by profound loss—are often reflected in his art, lending an undercurrent of melancholy contemplation to even his most outwardly composed subjects. This self-portrait is therefore not just a record of appearance; it is a document of an artist solidifying his unique voice against the backdrop of late 19th-century artistic upheaval.

Bringing Artistry Home

Owning a reproduction of this piece allows one to connect intimately with Hodler’s journey. It offers more than mere decoration; it provides a sophisticated narrative anchor for any room, whether in a formal drawing-room or a thoughtfully designed study. The enduring power of Self-portrait with stand lies in its ability to prompt dialogue—not about the man depicted, but about introspection itself. It is an artwork that rewards prolonged viewing, inviting the collector and designer alike to pause, reflect, and absorb the quiet drama captured by the Swiss master.

Kérdések és válaszok

Ki a "Self-portrait with stand" szerzője, és mely művészeti irányból származik?

A "Self-portrait with stand" mögött Ferdinand Hodler és a Symbolism irányzat áll.

Mi a(z) domináns színtónus „Self-portrait with stand”, Ferdinand Hodler alkotása-nél?

A Warm Sunset Tones árnyalat áthatárolja a „Self-portrait with stand”, Ferdinand Hodler alkotása alkotást.

Mennyire harmonikusak „Self-portrait with stand”, Ferdinand Hodler alkotása színei?

A „Self-portrait with stand”, Ferdinand Hodler alkotása színei Balanced Harmony harmóniát mutatnak be. A harmónia azt írja le, hogyan kapcsolódnak egymáshoz a színek.


A művész életrajza

A Life Etched in Symbolism: The World of Ferdinand Hodler

Ferdinand Hodler, a name inextricably linked to the landscape of Swiss painting and the evocative language of symbolism, emerged from modest beginnings to become one of the most significant artists of the late 19th and early 20th centuries. Born in Bern, Switzerland, in 1853, his life was profoundly shaped by early loss – a recurring theme that would deeply inform his artistic vision. The untimely deaths of his father and two younger brothers before he reached adolescence cast a long shadow, instilling within him a contemplative awareness of mortality and the fleeting nature of existence. These experiences, interwoven with an acute sensitivity to the beauty and power of the natural world, became central tenets of his evolving oeuvre. Initially apprenticed to decorative painters, Hodler’s innate talent quickly transcended mere craftsmanship; he yearned for formal training and artistic exploration beyond the constraints of commercial work. This ambition led him to Geneva in 1871, where he immersed himself in study, attending science lectures alongside diligently copying masterpieces at the city's museum – a rigorous education that laid the foundation for his future innovations.

From Realism to ‘Parallelism’: Forging a Unique Vision

Hodler’s artistic journey was characterized by constant evolution and an unwavering pursuit of expressive power. His early works reflected the prevailing realist style of the time – portraits, landscapes, and genre scenes executed with meticulous detail. However, he soon found himself constrained by these conventions, seeking a means to convey deeper emotional truths and philosophical ideas. This quest led him towards Symbolism, a movement that rejected naturalistic representation in favor of subjective experience and evocative imagery. Yet Hodler didn’t simply adopt the tenets of Symbolism; instead, he forged his own unique path, developing what he termed “parallelism.” This distinctive style involved arranging figures and forms in rhythmic, almost geometric patterns, creating a sense of both harmony and tension – a visual representation of interconnectedness. It was an attempt to depict not just *what* he saw, but *how* he felt – the underlying emotional currents that connected all things. The Night, completed in 1890, proved to be a pivotal work, marking his definitive turn towards symbolist imagery and sparking considerable controversy with its depiction of recumbent figures suggestive of death and repose. Despite initial criticism, the painting garnered attention in Paris, establishing Hodler’s reputation beyond Switzerland's borders and signaling the arrival of a truly original voice.

Landmarks in Paint: Key Works and Their Significance

Throughout his prolific career, Hodler produced a remarkable body of work that continues to resonate with audiences today. The Day, completed in 1893, stands as one of his most ambitious and celebrated achievements – a monumental historical painting showcasing his mastery of composition and symbolism. Housed at the Kunsthaus Zürich, this artwork is a powerful meditation on life, death, and renewal, rendered with an arresting blend of realism and visionary intensity. The sheer scale and emotional weight of The Day cemented Hodler’s position as a leading figure in European art. Other notable works include numerous depictions of the Swiss Alps, imbued with a sense of awe-inspiring grandeur, and portraits that reveal his profound understanding of human psychology. He frequently revisited themes of loss and mourning, perhaps reflecting his own childhood traumas, but always infused them with a sense of dignity and resilience. His paintings weren’t merely representations; they were emotional landscapes, inviting viewers to contemplate the fundamental questions of existence. Works like Truth II (1897) demonstrate Hodler's ability to blend classical forms with modern sensibilities, creating images that are both timeless and strikingly contemporary – a testament to his innovative spirit.

Influences and Historical Context

Hodler’s artistic development was shaped by a confluence of influences. His early training under Ferdinand Sommer instilled in him the fundamentals of landscape painting, while his study of works by Holbein, Titian, and Velázquez exposed him to classical techniques and compositional principles. However, it was his encounter with Symbolism that truly liberated his imagination. He drew inspiration from poets like Stéphane Mallarmé and Arthur Rimbaud, embracing their exploration of dreams, myths, and the subconscious. Hodler’s work also resonated with broader cultural currents of the late 19th and early 20th centuries – a period marked by rapid social change, scientific advancements, and a growing sense of existential anxiety. His paintings offered a visual language for grappling with these complex issues, providing solace and insight in an increasingly uncertain world. The rise of Expressionism in the early 20th century can be seen as a direct consequence of Hodler’s pioneering work in exploring subjective emotion and distorted forms.

A Lasting Legacy

Ferdinand Hodler's influence extended far beyond the borders of Switzerland. His innovative use of symbolism and his development of “parallelism” paved the way for Expressionism, with its emphasis on subjective emotion and distorted forms. Artists who followed in his footsteps recognized him as a precursor to their own explorations of inner experience. Hodler’s work also resonated with broader cultural currents of the late 19th and early 20th centuries – a period marked by rapid social change, scientific advancements, and a growing sense of existential anxiety. His paintings offered a visual language for grappling with these complex issues, providing solace and insight in an increasingly uncertain world. Today, Hodler’s works are held in major museums across Europe and beyond, ensuring that his artistic vision continues to inspire and challenge generations of viewers. He remains a towering figure in Swiss art history, celebrated not only for his technical skill but also for his profound emotional depth and unwavering commitment to exploring the mysteries of the human condition.
Ferdinand Hodler

Ferdinand Hodler

1853 - 1918 , Svájc

Rövid információk

  • Artistic Movement Or Style: Szimbolizmus, Parallélizmusa
  • Artists Or Movements Influenced By This Artist: ['Expressionizmus']
  • Artists Who Influenced This Artist:
    • Courbet
    • Gauguin
  • Date Of Birth: 1853. március 14.
  • Date Of Death: 1918. május 19.
  • Full Name: Ferdinand Hodler
  • Nationality: Svajci
  • Notable Artworks:
    • A Éjjel
    • A Nap
    • Igazság II
  • Place Of Birth: Bern, Svájc
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