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Iz perspektive galerije, najpoznatije djelo umjetnika William Blake Richmond je Andrew Lang, 1844 - 1912. Poet and writer (1885), čiji se original nalazi u muzeju Skotska nacionalna galerija portreta, Edinburgh. William Holman Hunt (1900) i Queen Alexandra (1844-1925) when Princess of Wales (1872) upotpunjuju triju koju svako oko prepoznaje. Od 14 djela umjetnika William Blake Richmond u našem katalogu, galerija u nastavku prikazuje 14 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
An Audience in Athens During Agamemnon by Aeschylus is a large-scale oil on canvas painted by William Blake Richmond about 1884. The work captures a vast assembly of figures gathered within the tiered stone architecture of an ancient Greek amphitheater. Sunlight washes over the semi-circular rows, illuminating the textures of draped fabric and the pale skin of the spectators. In the distance, the silhouette of an Acropolis-like structure rests against…
In the portrait Rachel Henty, Mrs E. Gleadowe Marshall by William Blake Richmond, the subject is presented in a three-quarter length view. She is positioned slightly off-center within the frame, facing toward the viewer's right. Despite this lateral orientation, her gaze is directed forward to meet the observer. Her greyish-white hair is styled upwards, emerging from the dark tones of her attire. The subject's hands are clasped in front of…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
In "The Slave" by William Blake Richmond, painted about 1886, we find ourselves in an intimate, dimly lit space. The composition is vertically oriented, drawing the eye upward toward the central figures. A woman occupies the primary focus, her form draped in a heavy dark cloak that rests over a light-colored gown. She gazes upward, her expression one of quiet longing or deep contemplation. Beside her, a nude toddler clings…
In "The Bath Of Venus" by William Blake Richmond, the scene unfolds within a lush, Mediterranean-style landscape. The composition centers upon a standing nude female figure, likely Venus, who is flanked by three attendants. They occupy the midground of a shallow perspective, their forms anchored against a backdrop of vertical, cypress-like trees. In the foreground, a basin of deep blue water provides a cool weight to the base of the…
We are looking at Hera in the House of Hephaistos, an oil on canvas created by the British artist William Blake Richmond. This particular work dates to 1902, a period when Richmond was already an established figure within the Royal Academy. The painting captures a quiet, mythological moment, rendered with a precision that speaks to his deep familiarity with the Old Masters he studied during his travels in Italy.
The oil portrait depicts an elderly woman, Lady Harriet Sarah Wantage, positioned in a three-quarter view. She gazes slightly away from the viewer, her expression remaining serene and serious. The subject's pale skin on her face and hands provides a sharp contrast to the deep blacks and dark browns of her garments. A white lace cuff is visible at her wrist, and she wears a pearl necklace alongside matching earrings.…
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora William Blake Richmond | Slike iz ovog popisa |
|---|---|---|---|
 National Portrait Gallery |
London | 3 | William Holman Hunt, William Holman Hunt, William Morris |
 Skotska nacionalna galerija portreta |
Edinburgh | 1 | Andrew Lang, 1844 - 1912. Poet and writer |
 Royal Collection |
London | 1 | Queen Alexandra (1844-1925) when Princess of Wales |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | An Audience in Athens During Agamemnon by Aeschylus |
 Ickworth |
Suffolk County | 1 | Rachel Henty, Mrs E. Gleadowe Marshall |
 Tyntesfield |
1 | Eustace Lyle Gibbs (1885 -1915) | |
 Indianapolis Museum of Art |
Indianapolis | 1 | Hera in the House of Hephaistos |
 Te Whare O Rehua Sarjeant Gallery |
1 | A Greek Water Carrier in Egypt |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
Andrew Lang, 1844 - 1912. Poet and writer (1885), Skotska nacionalna galerija portreta, Edinburgh. Nakon njih slijede William Holman Hunt (1900) i Queen Alexandra (1844-1925) when Princess of Wales (1872).
43 godina: Andrew Lang, 1844 - 1912. Poet and writer datira iz 1885, a William Blake Richmond je rođen/a 1842.
Andrew Lang, 1844 - 1912. Poet and writer, William Holman Hunt, Queen Alexandra (1844-1925) when Princess of Wales, An Audience in Athens During Agamemnon by Aeschylus, Rachel Henty, Mrs E. Gleadowe Marshall, Eustace Lyle Gibbs (1885 -1915), The Slave, The Bath Of Venus, Hera in the House of Hephaistos i Portrait of Lady Harriet Sarah Wantage (1837–1920). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 14 djela umjetnika William Blake Richmond, datiranih od 1872 do 1909.
Većinom u National Portrait Gallery (London), Skotska nacionalna galerija portreta (Edinburgh) i Royal Collection (London). Gornja tablica muzeja navodi sve njih.
U 1880s: 5 od 14 djela na ovoj stranici nastalo je tada, od čega je Andrew Lang, 1844 - 1912. Poet and writer Andrew Lang, 1844 - 1912. Poet and writer.
Na ovoj stranici najstarije djelo je iz Queen Alexandra (1844-1925) when Princess of Wales (1872), a najnovije iz Portrait of Lady Harriet Sarah Wantage (1837–1920) (1909).
Woman (6), Man (5) i Beard (3), kroz svih 14 djela na ovoj stranici.
Oil On Canvas, za 8 od 14 djela na ovoj stranici.
William Holman Hunt, William Holman Hunt i William Morris: National Portrait Gallery, London posjeduje 3 djela s ove stranice.
William Blake Richmond bio je britanski slikar, kipar i dizajner vitraja i mozaika. Rođen u Londonu, u Ujedinjenom Kraljevstvu, bio je sin portretista Georgea Richmonda i Julije Tatham. Njegovo umjetničko putovanje započelo je privatnim podučavanjem kod kuće, nakon čega je uslijedilo trogodišnje usavršavanje u crtanju i slikarstvu na Kraljevskoj akademiji umjetnosti, počevši od 1858. godine. Ključno razdoblje u njegovom razvoju dogodilo se tijekom šestosedmičnog putovanja Italijom, gdje je proučavao djela starih majstora kao što su Michelangelo, Tintoretto i Giotto.
Richmond je rano stekao priznanje kao portretist, izlažući svoje prvo veliko djelo u Kraljevskoj akademiji 1861. godine. Njegov talent doveo je do izbora za suradnika Kraljevske akademije 1888., a potom i za akademičara 1895. godine. Izvan portretiranja, bio je iznimno plodan dizajner monumentalnih ukrasa, od kojih su najznačajniji mozaici u kleru i apsidi katedrala sv. Pavla u Londonu.
Njegov rad u dizajnu mozaika odlikovao je živopisni pristup upotrebom nazubljenog, nepravilnog stakla postavljeno pod kutovima kako bi se uhvatila svjetlost. Ta tehnika, pod utjecajem bizantijskog i ranokristogramske estetike, uključivala je suradnju s staklarima James Powell and Sons kako bi se razvile nove boje i materijali. Te su inovacije proširile paletu dostupnu umjetnicima unutar pokreta Arts and Crafts. Njegovi dizajni vitraja, poput onih u crkvi sv. Marije u Strettonu, koristili su debelo, prugasto staklo kako bi oponašali blještavo sjajne efekte njegovih mozaika.
Osim vizualnih umjetnosti, Richmond je bio i kipar te zagovornik zaštite okoliša. Njegova značajna skulpturalna djela uključuju:
Nadalje, bio je rani zagovornik čistog zraka u Londonu, osnovavši 1898. godine Društvo za suzbijanje dima od ugljena kako bi se suzpostavio problem mraka uzrokovanog dimom.
