Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 105 djela Willem Maris u našem katalogu
Ukratko
Eenden, Willem Maris, c. 1880 - c. 1904 (1904) je slika autora Willem Maris koja privlači najviše pogleda; original se nalazi u muzeju Rijksmuseum, Amsterdam. Nakon toga, pogled se usmjerava na The calves (1863) i Bulls on a Rocky Coast (1864). Među 105 djela umjetnika Willem Maris u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
The scene unfolds in a soft, damp corner of the Dutch landscape, where the boundary between water and earth feels perpetually moist. Two ducks move through the tall grass, their presence grounding the composition in a moment of natural stillness. Nearby, small chicks navigate the greenery, their tiny forms adding a sense of life and movement to the tranquil setting. A single bird perches on a branch at the center,…
The air feels heavy with moisture, a damp stillness that clings to the grass and settles over the landscape. In this pastoral scene, two calves occupy the center of the frame, their black and white forms providing a sharp contrast against the muted, earthy tones of the countryside. They stand amidst a landscape of weathered textures, where the coarse hair of the animals meets the rough, irregular bark of nearby…
The scene unfolds in Bulls on a Rocky Coast, a work painted by Willem Maris around 1864. This landscape captures a rugged moment along a sandy coastline, where the heavy presence of animals meets the vastness of the sky. The composition rests upon the quiet strength of the subjects as they navigate the uneven terrain of the shore.
In "Donkeys on the beach" by Willem Maris, a horizontally oriented landscape unfolds to reveal a quiet moment of rural coastal life. The scene begins in the foreground, where a grassy dune area dominates the view. Here, several donkeys gather, their forms grounding the composition amidst the undulating shapes of the dunes. The arrangement of these animals creates an immediate sense of presence, as if the viewer has just stumbled…
We are looking at Boys herding donkeys, a work by the Dutch painter Willem Maris. This piece dates to 1865, a period when the artist was refining his ability to capture the specific atmosphere of the Low Countries. It is a substantial canvas, measuring 90.3 x 138.0cm.
The air feels heavy with moisture, a silver-grey veil that clings to the meadow and softens the very edges of existence. In this quiet, rural moment, a figure tends to the cattle, their forms emerging from a soft, atmospheric background. The light does not merely strike the scene; it seems to seep through a thick, Atlantic cloud cover, casting a gentle radiance upon the backs of the animals. Everything is…
A single cow occupies the center of this landscape, its front legs submerged in the shallow, dark water of a ditch. In the background, the quiet labor of a second cow being milked suggests a rhythmic, pastoral existence. The scene is defined by the dampness of the Dutch countryside, where the boundary between earth and water is blurred by moisture and light. The composition relies on organic lines and the…
The air feels heavy with moisture, a damp stillness that clings to the grass and the heavy coats of the cattle. In this meadow, the light does not simply shine; it filters through a thick, overcast sky, casting a soft, silvery glow over the landscape. A single white cow stands in profile, its form partially swallowed by the deep shadows of dense foliage and dark trees that crowd the right…
The scene opens on a damp polder, where the earth meets the sky in a soft, silvered blur. Several cows are scattered across the meadow, their heavy bodies anchored in the lush, green grass. Some graze in the foreground, their forms solid and tactile, while others recede into the distance, becoming mere shapes against the horizon. A single horse stands toward the right, a quiet addition to the pastoral rhythm.…
The scene unfolds in Ducks Alighting On A Pool, a work that captures a fleeting moment of movement and stillness. Here, the artist Willem Maris invites us to witness the quiet rhythm of nature as waterfowl descend toward the water's surface. The composition centers on these birds, their wings perhaps still catching the light as they settle into the tranquil environment of the woods.
The ferry1859 · Dordrechts Museum
12
Study after nature1863 · The Mesdag Collection
13
White cow at the ditch1877 · Amsterdam Museum
14
Ducks at the edge of the ditch1877 · Rijksmuseum
15
Landscape with Cows1884 · Rijksmuseum Twenthe
16
Meadow Landscape1884 · Groninger Museum
17
Farmer's Wife with Cattle near a Small River (Summer Day)1880 · Museum Boijmans Van Beuningen
18
Under the willows1884 · Amsterdam Museum
19
Ducks bear the water1884 · Amsterdam Museum
20
Cows at evening1884 · Kunstmuseum Den Haag
21
Duck heaven1885 · Kunstmuseum Den Haag
22
Cattle at a watering place1885 · Museum Boijmans Van Beuningen
23
Rowboat in a ditch.1882 · Rijksmuseum
24
Early morning1883 · Museum Boijmans Van Beuningen
25
Cow1887
26
Cows at a Pond1891 · Dordrechts Museum
27
Ducks in the Grass near a Ditch1890 · Museum Boijmans Van Beuningen
28
Summer1897 · Dordrechts Museum
29
Meadow with cows1895 · Rijksmuseum
30
Cow at water's edge1895 · Rijksmuseum
31
Landscape with ditch and cattle1900 · Centraal Museum
32
Cows in a Soggy Meadow, Willem Maris, 1860 - 19001900 · Rijksmuseum
33
Koeien, Willem Maris, 1880 - 19041904 · Rijksmuseum
34
Landscape With Cattle
35
A Summer Day At A Canal Near The Hague
36
Eendjes, Willem Maris, c. 1880 - c. 19071907 · Rijksmuseum
37
Witte eend met kiekens, Willem Maris, 1880 - 19101910 · Rijksmuseum
38
White Cow, Willem Maris, c. 1880 - c. 19101910 · Rijksmuseum
39
A Farmer's Wife With Grazing Cows
40
A Family Of Ducks
41
Winterlandschap, Willem Maris, c. 18751875 · Rijksmuseum
42
Milking TimeSaint Louis Art Museum
43
Cows at a Watering PlaceMuseum of Fine Arts Ghent (MSK)
44
River Landscape with CattleMuzej likovnih umjetnosti
45
Cattle By The River
46
Cows Watering In A Polder Landscape
47
Dutch Landscape
48
Cows In A Dutch Polder Landscape
49
A Dutch River Scene With Sailing Boats
50
Calves at a PondKunstmuseum Den Haag
51
Cows In A Pasture With Two Windmills
52
A View Of A Dutch Canal
53
Cows Near The Waterfront
54
Cattle Grazing
55
The View
56
Cows By The Waters' Edge
57
A Watering Cow
58
Ducks, Spring
59
Cows At Pasture
60
Cows In The Summer Sun
61
Watering Cows In A Polder Landscape
62
A Dutch Landscape
63
Cattle Grazing at the Water's EdgeMinneapolis Institute of Art
64
Cows In A Polder Landscape
65
Cows Grazing On The Waterfront
66
A Summer Landscape With Cattle And Windmills
67
Watering The Cows
68
Ducks And Their Ducklings
69
Ducks And Ducklings On A Riverbank
70
Copy After P. Potter
71
Portrait Of A Woman
72
Cows In Dutch Polder Landscape
73
Company Of Fishermen
74
A Cow At Pasture
75
Ducks In A Meadow
76
Watering Cows
77
Tending The Cows
78
A Cow Near The Waterfront
79
Ducks By A Ditch
80
The Water's Edge
81
Landscape With Cattle
82
Cows In A Wooded Landscape
83
Cattle
84
Ducks
85
Chicken In A Stable
86
Ducks In A Pond
87
A Herdboy With Donkeys On Scheveningen Beach
88
Young Girl In A Landscape
89
Ducks On The Waterfront
90
Cattle In A Sunlit Glade
91
A Polder Landscape
92
Landscape With Cattle And WindmillsTe Whare O Rehua Sarjeant Gallery
93
Boy With A Pike
94
Milking Time
95
Portrait Of A Girl
96
Ducks In The Grass
97
Dead Bird
98
A Calf Drinking From A Pond
99
A Family Of Ducks By The Water
100
A Silver StreamScottish National Gallery
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Willem Maris | Slike iz ovog popisa |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 14 | Eenden, Willem Maris, c. 1880 - c. 1904, Cow beside a Ditch, Willem Maris, c. 1885 - c. 1895, Meadow with Cows |
 Kunstmuseum Den Haag |
Den Haag | 5 | Donkeys on the beach, Boys herding donkeys, Cows at evening |
 Amsterdam Museum |
Amsterdam | 4 | Feeding of the Calves, White cow at the ditch, Under the willows |
 Museum Boijmans Van Beuningen |
Rotterdam | 4 | Farmer's Wife with Cattle near a Small River (Summer Day), Cattle at a watering place, Early morning |
 Dordrechts Museum |
Dordrecht | 3 | The ferry, Cows at a Pond, Summer |
 The Mesdag Collection |
Haag | 2 | The calves, Study after nature |
 Groninger Museum |
Groningen | 2 | Bulls on a Rocky Coast, Meadow Landscape |
 National Gallery |
London | 1 | Ducks Alighting On A Pool |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The Ferry by Willem Maris presents a quiet, rural landscape captured about 1859. In this oil painting, the heavy weight of a vast, cloudy sky dominates the upper two-thirds of the frame. Below this expanse, the earth settles into a tranquil scene of pasture and water. The horizon is a soft boundary where the dampness of the meadow meets the stillness of the air.
The air feels heavy with moisture, a damp stillness that clings to the grass and settles over the landscape. In this pastoral scene, two calves occupy the center of the frame, their black and white forms providing a sharp contrast against the muted, earthy tones of the countryside. They stand amidst a landscape of weathered textures, where the coarse hair of the animals meets the rough, irregular bark of nearby…
The air feels heavy with moisture, a silver-grey veil that clings to the meadow and softens the very edges of existence. In this quiet, rural moment, a figure tends to the cattle, their forms emerging from a soft, atmospheric background. The light does not merely strike the scene; it seems to seep through a thick, Atlantic cloud cover, casting a gentle radiance upon the backs of the animals. Everything is…
A single cow occupies the center of this landscape, its front legs submerged in the shallow, dark water of a ditch. In the background, the quiet labor of a second cow being milked suggests a rhythmic, pastoral existence. The scene is defined by the dampness of the Dutch countryside, where the boundary between earth and water is blurred by moisture and light. The composition relies on organic lines and the…
The scene unfolds in a soft, damp corner of the Dutch landscape, where the boundary between water and earth feels perpetually moist. Two ducks move through the tall grass, their presence grounding the composition in a moment of natural stillness. Nearby, small chicks navigate the greenery, their tiny forms adding a sense of life and movement to the tranquil setting. A single bird perches on a branch at the center,…
A white duck with seven chicks by the ditch side.
Eenden, Willem Maris, c. 1880 - c. 1904 (1904), Rijksmuseum, Amsterdam. Nakon njih slijede The calves (1863) i Bulls on a Rocky Coast (1864).
60 godina: Eenden, Willem Maris, c. 1880 - c. 1904 datira iz 1904, a Willem Maris je rođen/a 1844.
Eenden, Willem Maris, c. 1880 - c. 1904, The calves, Bulls on a Rocky Coast, Donkeys on the beach, Boys herding donkeys, Feeding of the Calves, Cow beside a Ditch, Willem Maris, c. 1885 - c. 1895, Meadow with Cows, Cows On The Water's Edge In A Polderscape i Ducks Alighting On A Pool. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 105 djela umjetnika Willem Maris, datiranih od 1859 do 1910.
Većinom u Rijksmuseum (Amsterdam), Kunstmuseum Den Haag (Den Haag) i Amsterdam Museum (Amsterdam). Gornja tablica muzeja navodi sve njih.
U 1880s: 12 od 100 djela na ovoj stranici nastalo je tada, od čega je Feeding of the Calves Feeding of the Calves.
Na ovoj stranici najstarije djelo je iz The ferry (1859), a najnovije iz Witte eend met kiekens, Willem Maris, 1880 - 1910 (1910).
Animals (24), Landscape (16) i Grass (9), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 10 od 100 djela na ovoj stranici.
Hague school i Impressionism, sudeći po originalima na ovoj stranici.
Eenden, Willem Maris, c. 1880 - c. 1904, Cow beside a Ditch, Willem Maris, c. 1885 - c. 1895 i Meadow with Cows: Rijksmuseum, Amsterdam posjeduje 13 djela s ove stranice.
Zakoračiti u krajolik koji je naslikao Willem Maris znači ući u svijet u kojem sam zrak posjeduje težinu, vlagu i duboki osjećaj tišine. Rođen u Haagu 18. veljače 1844., Maris će s vremenom postati temelj Haagske škole, pokreta koji je slavio svjetlosne krajolike i prožimao ih neusporedivom osjetljivošću prema atmosferskim uvjetima. Dok su mnogi njegovi suvremenici nastojali dokumentirati krute detalje nizozemskog polja, Maris je tražio nešto daleko prolaznije. Proslavio je svoj umjetnički moto: „Ne slikam krave, već efekte svjetlosti.“ Ta je jedinstvena filozofija transformirala skromne teme njegovih platna—pašu stoku, vlažne livade i jorabine—u posrednike božanske, svjetlucave radijacije.
Marisova povezanost s prirodnim svijetom nije bila samo akademska; bila je duboko osobna i ukorijenjena u njegovim najranijim sjećanjima. Dug prije nego što je ovladao kistom, provodio je nebrojene sate promatrajući ritmove livade, sjedeći među stoku i prije i poslije školskih sati. Ta intimna bliskost s ponašanjem i anatomijom životinja pružila mu je instinktivnu osnovu koja će kasnije definirati njegov rad. Njegovo umjetničko putovanje dodatno je obogatilo obiteljsko stvaralaštvo, jer su njegovi braća, Jacob i Matthaijs Maris, također bili vješti slikari. Ta zajednička strast prema krajoliku potaknula je okruženje istraživanja i međusobnog vodstva koje je pomoglo oblikovati samu srž estetike Haagske škole.
Evolucija Marisove tehnike odražava duboko sazrijevanje vizije, krećući se od doslovnog prema liričnom. U ranim fazama svoje karijere, njegov je rad obilježen discipliniranim fokusom na precizno reproduziranje okoline. Tijekom tog razdoblja, primjenjivao je svoje akademsko znanje sa škole umjetnosti u Haagu kako bi proučavao anatomiju životinja s mukotrpnim detaljem, osiguravajući da svaki oblik i mišić njegovih subjekata bude prikazan točno. Tu eru pedantnog realizma značajno je utjecalo mentorstvo pod slikarem stoke Pieterom Stortenbekerom, koji je Marisu omogućio važne narudžbe koje su mu dopušle vježbati svoj zanat na otvorenom, usavršavajući sposobnost hvatanja sirove stvarnosti nizozemskih poldera.
Kako je njegovo vladanje medijem raslo, Maris je počeo nadilaziti samu reprezentaciju. Odmaknuo se od krutih tradicija svojih prethodnika, prihvaćajući hrabrije palete boja i koristeći suptilne gradacije kako bi dočarao promjenjive nijanse svjetlosti—što ga je uskladilo s usincujućim duhom impresionizma. Oko 1acije 1880., njegov je stil prošao kroz posljednju, nevjerojatnu transformaciju. Njegov je potez kistom postao opušteniji i ekspresivniji, koristeći impasto kako bi stvorio platna prepuna teksture. U tim kasnijim djelima granica između zemlje i neba često se rastapa u besprekornoj, srebrnjavoj magli, gdje svjetlost ne pada jednostavno na krajolik, već kao da izvire iz njega samog.
Povijesni značaj Willema Marisa leži u njegovoj sposobnosti pronalaska uzvišenog u običnom. Bio je majstor onoga što se često opisuje kao „siva svjetlost“—onog nijansiranog, monokromatskog spektra srebra, bisera i slate koji definira nizemsku atmosferu. Kroz njegov rad, vlažni, magloviti dijelovi Nizozemske uzdignuti su na razinu poetske veličine. Njegova djela ne dokumentiraju samo krajolik; ona prevode sam dah Nizozemske na platno, hvatajući način na koji svjetlost filtrira kroz teški atlantski oblačni pokrov kako bi osvijetlila vlažnu livadu ili mirni kanal.
Naposljetku, Marisov doprinos povijesti umjetnosti mjeri se njegovom sposobnošću izazivanja emocija kroz atmosferu. Njegovo naslijeđe ostaje utisnuto u način na koji doživljavamo ljepotu oblačnog neba i mirnu dostojanstvenost ruralnog života. Kroz njegove oči vidimo da:
