Portret Orcagna

13 najpoznatijih djela umjetnika Orcagna, galerijska selekcija

Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 13 djela Orcagna u našem katalogu

Ukratko

Od svih originala koje je Orcagna ostavio, najpoznatiji je Saint John the Baptist (1355) u kolekciji muzeja Yale University Art Gallery, New Haven. Samo iza njih slijede The Calling of St. Matthew (1367) i Throne of Grace (1400). Naš katalog sadrži 13 djela umjetnika Orcagna; galerija je čuvala onih 13 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1315 – 1368, Florence Najviše djela: Cappella Strozzi

Top 10 djela umjetnika Orcagna: izbor galerije

Izbor umjetnika Orcagna se nastavlja, od 11 do 13

Motivi koji su privukli pažnju Orcagna

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Orcagna

5 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Orcagna Slike iz ovog popisa
Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Saint John the Baptist
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 1 Throne of Grace
Palača Vecchio, FirencaPalača Vecchio Firenca 1 The Expulsion of the Duke of Athens
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

Orcagna desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Orcagna

Po kojem je djelu Orcagna najpoznatiji/a?Otkrijte odgovor

Saint John the Baptist (1355), Yale University Art Gallery, New Haven. Nakon njih slijede The Calling of St. Matthew (1367) i Throne of Grace (1400).

Koliko je godina Orcagna imao/la kada je nastalo djelo Saint John the Baptist?Otkrijte odgovor

40 godina: Saint John the Baptist datira iz 1355, a Orcagna je rođen/a 1315.

Koja su deset najpoznatijih djela umjetnika Orcagna?Otkrijte odgovor

Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) i The Expulsion of the Duke of Athens. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Orcagna?Otkrijte odgovor

Naš katalog sadrži 13 djela umjetnika Orcagna, datiranih od 1343 do 1367.

U kojim se muzejima nalaze remek-djela umjetnika Orcagna?Otkrijte odgovor

Većinom u Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) i Narodni muzej u Varšavi (Varšava). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Orcagna naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1350s: 8 od 13 djela na ovoj stranici nastalo je tada, od čega je Saint John the Baptist Saint John the Baptist.

Koja su prva i posljednja poznata originalna djela umjetnika Orcagna?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz The Expulsion of the Duke of Athens (1343), a najnovije iz The Calling of St. Matthew (1367).

Koji se radovi umjetnika Orcagna nalaze u muzeju Cappella Strozzi?Otkrijte odgovor

View of the Chapel i The Strozzi Altarpiece: Cappella Strozzi, Florence posjeduje 2 djela s ove stranice.

Mogu li naručiti reprodukciju slike autora Orcagna?Otkrijte odgovor

Da, kao reprodukcija: original ostaje u svom muzeju, ali svaku sliku s ove stranice može se za vas ručno naslikati, po narudžbi, jednu po jednu, iz rubrike same slike.

Orcagna: život i djelo

Andrea di Cione: The Architect of Florentine Vision

The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

The Grandeur of Orvieto: Mosaic Master

Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

The Sculptural Triumph: Orsanmichele’s Tabernacle

Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

A Legacy of Innovation

Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

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