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Od svih originala koje je Henry Scott Tuke ostavio, najpoznatiji je The Critics (1927). Samo iza njih slijede Morning splendour (1921) i Summer Dreams (sketch). Naš katalog sadrži 204 djela umjetnika Henry Scott Tuke; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
In this 1927 work, we find ourselves on the shores of Falmouth, caught in a quiet, luminous afternoon. The scene is one of profound stillness, where the heat of the sun seems to settle heavily upon the sand. Two young men recline on the beach, their backs to us, anchored by the sheer weight of their relaxation. They gaze toward the horizon, lost in a shared moment of repose. From…
“Morning Splendour,” painted in 1921 by the esteemed English artist Henry Scott Tuke, is a captivating depiction of youthful exuberance and seaside tranquility. This artwork transports viewers to a sun-drenched coastal scene where figures engage in leisurely activities – swimming, rowing, and simply enjoying the warmth of the morning light. More than just a picturesque view, "Morning Splendour" embodies Tuke's signature style and offers a window into early 20th-century British…
Summer Dreams (sketch) is an oil on panel work by Henry Scott Tuke. This piece is categorized as a sketch, capturing a specific moment of repose. The artist, Henry Scott Tuke, was a British painter known for his figurative works and his ability to render the human form within natural settings.
Nude Boy on Rocks is an oil on canvas painting created by Henry Scott Tuke in 1907. The work depicts a single nude boy positioned upon rocks situated within a body of water. The subject is seated in a natural setting, appearing to look toward something located off-camera. This posture leaves the figure exposed to the elements of the coastal environment.
In the gentle embrace of Henry Scott Tuke’s 1920 masterpiece, "Green and Gold," the viewer is invited to step away from the frantic pace of modern life and into a realm of profound stillness. The painting presents a scene of quiet contemplation, centered around a solitary figure seated upon rugged rocks at the water's edge. With his back turned toward us, the man becomes an avatar for the viewer’s own…
The sea is never still, and here, the water churns in restless, muted blues and browns. A small fishing boat tosses upon the waves, caught in a moment of heavy labor under a thick, overcast sky. Onboard, a fisherman and a young boy move with the rhythmic necessity of those who live by the tides. They are focused on the task at hand, perhaps repairing equipment or securing the vessel…
Under the Western Sun is a painting by Henry Scott Tuke, created in 1917. The work captures a quiet moment on a beach near the ocean, where the light of the early 20th century settles upon the shore. Two naked men occupy the scene, their forms grounded by the salt and the sand. One man stands while holding a towel, while the other is seated nearby. They exist in a…
Henry Scott Tuke produced Nude Boy in 1881. This work emerged during a period when the artist was traveling through Italy, a journey that followed his formal training at the Slade School of Art in London. The piece reflects the early development of his technical approach to the human form and natural light.
The oil painting titled Dinner Time Ambrose Rouffignac in the Sail Loft was created by the artist Henry Scott Tuke. This work dates to 1883. The subject of the piece is a young boy positioned within a maritime setting. He is dressed in a blue sweater and brown pants, seated upon a wooden bench. The boy holds a small object in his hands while looking toward the viewer.
Created in 1914, A Holiday is a watercolour by Henry Scott Tuke. This work captures a sense of serenity within a seaside setting, focusing on the quietude of the coast. Through his delicate application of the medium, Tuke explores the subtle nuances of light and the natural environment.
Looking Out To Sea1885
12
Julie of Nantes (sketch)1884
13
The Bathing Cove
14
In Tow1893
15
Colin Goodwyn1903
16
Steering the Punt1909
17
A Bathing Group1914 · Royal Academy of Arts
18
Noonday Heat1902
19
Gleaming waters1910
20
In the meadow1906
21
On the Dunes1906
22
Portrait of Charlie Mitchell1909
23
Return from fishing1907
24
A Holiday1921
25
Lyndon Lodge
26
Lord Ronald Sutherland Gower1897 · National Portrait Gallery
27
Portrait of a Young Man with Open Collar1885 · Yale Center for British Art
28
The silk gown (also known as Portrait of Maria Tuke Sainsbury)1885
29
Sailors playing cards1890 · Bavarske državne slikopisne zbirke
30
The bathers1889 · Leeds Art Gallery
31
The Steering Lesson1892
32
William J. Martin1890
33
The Lighthouse
34
Two-Funnelled Steamer1895
35
Study for „August Blue“1893
36
The sun worshipper (In the morning sun)1904 · Dublin City Gallery The Hugh Lane
37
Keeping her off1900
38
Stowing the headsails1914
39
A Cadet (possibly T. E. Lawrence) at Newporth Beach, near Falmouth1921 · Clouds Hill
40
Companions1924 · Auckland Art Gallery Toi o Tāmaki
41
Lovers of the Sun1923
42
Windjammers lying at their moorings
43
A sailor's yarn1887 · Art Gallery of New South Wales
44
Mrs Florence Humphris1892 · Tate Gallery
45
The Fisherman
46
Hermes at The Pool (sketch)1900 · Royal Cornwall Polytechnic Society
47
From the Lido
48
Tobacco Caye. Brit. Honduras
49
Charlie Mitchell
50
Grey and Green
51
Venetian Sails
52
The Bather
53
Portrait of a Youth1877
54
Italian Landscape1881
55
A Morning Gossip1885
56
Fisher Boys, Falmouth1885
57
George Stacey Gibson1880
58
Portrait of an Italian Youth1881
59
Self Portrait1881
60
George Stacey Gibson1880
61
Elizabeth Gibson, née Tuke1880
62
The Misses Santley1880 · York Art Gallery
63
The Good Samaritan1879
64
James Paterson, Artist1883
65
Drinking1881
66
Nude Italian Boy1881
67
Liz1884
68
Ship Builders1883
69
Our Jack1886
70
Going aloft1886
71
Carnations1890
72
The Old Sea Dog1888
73
William J. Martin1890
74
William J. Martin1890
75
Jack Rolling1887
76
Denny Mending a Sail1890
77
Rounding the Manacle Buoy1888
78
Jack Rolling1888
79
Georgie and Richard1889
80
Taking a Spell1886
81
A Corfu Garden (study)1892
82
The Look Out1886
83
Jack Rolling1887 · Royal Cornwall Polytechnic Society
84
The Look Out1886
85
The Message1890
86
Head of a Boy1890
87
The Missionary Boat1894
88
William Hayler Bishop1898
89
Miss Muriel Lubbock1898
90
Two Children on Deck1894
91
Tying the sail1901
92
Seascape with Sailing Craft1904
93
Esther Maria Tuke (sketch)1903
94
Sketch for 'The Three Companions'1904
95
French Barque in Falmouth Bay1902
96
The Run Home1902
97
William Hawk1905
98
Sketch for 'Summer Evening'1900
99
Portrait of Georgia Fouracre1900
100
Sleeping Sailor1905
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Henry Scott Tuke | Slike iz ovog popisa |
|---|---|---|---|
 Royal Cornwall Polytechnic Society |
Falmouth | 4 | Hermes at The Pool (sketch), Jack Rolling |
 Royal Academy of Arts |
London | 2 | A Bathing Group |
 Penlee House |
Penzance | 1 | Dinner Time Ambrose Rouffignac in the Sail Loft |
 National Portrait Gallery |
London | 1 | Lord Ronald Sutherland Gower |
 Yale Center for British Art |
New Haven | 1 | Portrait of a Young Man with Open Collar |
 Bavarske državne slikopisne zbirke |
München | 1 | Sailors playing cards |
 Leeds Art Gallery |
Leeds | 1 | The bathers |
 Dublin City Gallery The Hugh Lane |
Dublin | 1 | The sun worshipper (In the morning sun) |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Henry Scott Tuke produced Nude Boy in 1881. This work emerged during a period when the artist was traveling through Italy, a journey that followed his formal training at the Slade School of Art in London. The piece reflects the early development of his technical approach to the human form and natural light.
We are looking at In Tow, a work from 1893 by Henry Scott Tuke. This piece captures a specific moment of maritime activity, rendered with the artist's characteristic focus on the relationship between the human form and the sea. It is a significant example of Tuke's engagement with the coastal life that defined his career.
Nude Boy on Rocks is an oil on canvas painting created by Henry Scott Tuke in 1907. The work depicts a single nude boy positioned upon rocks situated within a body of water. The subject is seated in a natural setting, appearing to look toward something located off-camera. This posture leaves the figure exposed to the elements of the coastal environment.
Under the Western Sun is a painting by Henry Scott Tuke, created in 1917. The work captures a quiet moment on a beach near the ocean, where the light of the early 20th century settles upon the shore. Two naked men occupy the scene, their forms grounded by the salt and the sand. One man stands while holding a towel, while the other is seated nearby. They exist in a…
In this 1927 work, we find ourselves on the shores of Falmouth, caught in a quiet, luminous afternoon. The scene is one of profound stillness, where the heat of the sun seems to settle heavily upon the sand. Two young men recline on the beach, their backs to us, anchored by the sheer weight of their relaxation. They gaze toward the horizon, lost in a shared moment of repose. From…
The Critics (1927). Sljedeći su Morning splendour (1921) i Summer Dreams (sketch).
69 godina: The Critics datira iz 1927, a Henry Scott Tuke je rođen/a 1858.
The Critics, Morning splendour, Summer Dreams (sketch), Nude Boy on Rocks, Green and Gold, Reefing the Mainsail (sketch), Under the Western Sun, Nude Boy, Dinner Time Ambrose Rouffignac in the Sail Loft i A Holiday. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 204 djela umjetnika Henry Scott Tuke, datiranih od 1877 do 1927.
Većinom u Royal Cornwall Polytechnic Society (Falmouth), Royal Academy of Arts (London) i Penlee House (Penzance). Gornja tablica muzeja navodi sve njih.
U 1880s: 33 od 100 djela na ovoj stranici nastalo je tada, od čega je Nude Boy Nude Boy.
Na ovoj stranici najstarije djelo je iz Portrait of a Youth (1877), a najnovije iz The Critics (1927).
Ocean (9), Water (9) i Boat (8), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 10 od 100 djela na ovoj stranici.
Impressionism, sudeći po originalima na ovoj stranici.
Hermes at The Pool (sketch) i Jack Rolling: Royal Cornwall Polytechnic Society, Falmouth posjeduje 2 djela s ove stranice.
Henry Scott Tuke rođen je 12. lipnja 1858. godine u Lawrence Streetu, u Yorku. Odrastao je u istaknutoj kvakerskoj obitelji, a njegov otac, Daniel Hack Tuke, bio je ugledni liječnik specijaliziran za psihijatriju. Od najranijih godina, Henry Scott Tuke je poticao na držanje kista u ruci te istraživanje svijeta kroz crtež i slikarstvo. Ti su rani sklonosti oblikovali njegov put davno prije nego što je započeo formalno obrazovanje.
Godine 1874., selidba u London odvela ga je u Slade School of Art. Tamo je studirao pod vodstvom Alphonsea Legrosa i Sir Edwarda Poyntera. Njegov boravak u školi Slade obilježio je stalan razvoj tehničkih vještina. Do 1877. godine osvojio je stipendiju, a to postignuće omogućilo mu je nastavak školovanja u Sladeu te, naposljetku, putovanje u Italiju 1880. godine.
Nakon početnog školovanja u Londonu, Henry Scott Tuke uputio se prema kontinentu, putujući u Italiju između 1880. i 1881. godine. To razdoblje studija pružilo je snažnu temeljnu postavku prije nego što je 1881. godine stigao u Pariz. U francuskoj je metropoli boravio sve do 1883. godine, u vrijeme kada je specifična atmosfera grada počela oblikovati njegov pristup svjetlosti i slikanju na otvorenom. Tijekom tih godina, usavršavao se pod vodstvom francuskog povijesnog slikara Jean-Paul Laurens.
Boraveći u Parizu, Henry Scott Tuke susreo je Jules Bastien-Lepage. Upravo je taj susret potaknuo njegovu želju da iznese platno i stalak iz ateljeja i uspostavi praksu en plein air. Taj preokret prema slikanju izravno iz prirode iz temelja je promijenio način na koji je promatrao svijet oko sebe. Tijekom tog parizkog razdoblja, Henry Scott Tuke susreo je i američkog slikara John Singer Sargent. Ti susreti i lekcije naučene u parizkim studijima pomogli su mu da izoštri svoju tehniku te dublje razumije u složenoj interakciji svjetlosti i njezinih subjekata.
Nakon vremena provedenog u Francuskoj, Henry Scott Tuke uputio se prema korniškom obalju kako bi se pridružio Newlyn školi. Ova skupina umjetnika preferirala je izravnost en plein air slikanja, nastojeći uhvatiti atmosferu obale u trenutku njezine najautentičnije manifestacije. Do 1885. godine, nastanio se u ribariškom uvalu Falmouth. Svjetlost i lokalni običaji tog mjesta postali su kulisa njegovog svakodnevnog života. Čak je kupio i ribarski brod koji je pretvorio u studio – prostran, slobodan prostor u kojem je mogao stvarati, udaljen od tradicionalnih ograničenja klasičnog, kopnenog ateljea.
More je bilo neprestana prisutnost u njegovom životu. U Falmouthu je upoznao običaj golog kupanja u moru, praksu koju je održavao sve do duboke starosti. Ta povezanost s vodom i fizička stvarnost obale oblikirali su njegovu okolinu i percepciju svijeta. Živeo je među ribarima, u mirisu slane vode i zraka, pronalazeći duboki osjećaj pripadnosti u krševitom i divljem krajoliku Cornwalla.
Henry Scott Tuke stvarao je s posebnim, dvostrukim ciljem koji se prepliće u svakom potezu kista. Spajao je opušten, svjetlostoljubiv potez impresionizma s discipliniranim, strukturiranim temeljima akademske tehnike. Takav pristup omogućio mu je da savršeno uhvati način na koji sunčana svjetlost pada na kožu ili vodu, a da pritom ne izgubi čvrstinu i formu svojih subjekata. Bio je figurativni slikar koji je duboko razumio težinu ljudskog tijela, no često je nastojao tu težinu rastvoriti u atmosferu otvorena prostora. Boravak u Parizu naučio ga je vrijednosti slikanja en plein air, navike koja će definirati njegove kasnije godine u Cornwallu.
Njegovo oko nije bilo ograničeno samo na platno. Kao fotograf, posjedovao je oštro razumijevanje svjetla i kompozicije koje je snažno utjecalo na njegove slike. Ta tehnička preciznost proširila se i na njegovo pomorsko stvaralaštvo. Bio je priznati pomorski umjetnik, sposoban vjerno prikazati specifične teksture jedrenjaka i neprestano kretanje mora. Bilo da se fokusirao na anatomiju mladića ili na opremu broda, njegovo je djelo uvijek ostavalo utemeljeno u izravnom promatranju fizičkog svijeta.
Način na koji je postupao s bojama često je odražavao promjenjive uvjete obale. Tražio je istinu u prirodnom svjetlu, često radeći na otvorenom kako bi uhvatio specifičnu prozirnost i jasnoću ljetnog popodneva. Taj fokus na svjetlost i ljudski oblik postao je njegov primarni način gledanja na svijet.
Tukeov pogled često je tražio ljudski oblik u njegovom najprirodnijem stanju. Većinu svog vremena provodio je slikajući nagu djecu i mlade muškarce, često ih smještajući unutar krševitih, usporenih pejzaža obale. Ove figure rijetko su bile pozirane za formalni portret; umjesto toga, zabilježeni su u trenutku plivanja ili ribanja, ponekad u samoći, a ponekad u malim grupama. Mnogi od tih subjekata pojavljuju se na brodovima ili uz samu obalu, dok njihova koža hvata svjetlost otvorenog zraka.
Njegova djela često dočaravaju osjećaj tihe aktivnosti. Možete pronaći mladića usred plivanja ili skupinu mornara kako se odmaraju blizu vode. Fokus ostaje na interakciji između tijela i elemenata—soli, sunca i mora. Jedna od njegovih najprepoznatljivijih slika, August Blue (oko 1893.–94.), prikazuje tu opsesiju svjetlom i mladiteljskom formom na način koji je definirao veći dio njegovog stvaralaštva.
Tražeći njegove radove, često se upućuje prema vodećim institucijama u Londonu. Tate Gallery čuva nekoliko njegovih remek-diela, dok National Portrait Gallery u svojoj kolekciji ima njegove portrete. Ove kolekcije pružaju jedinstven uvid u to kako je Henry Scott Tuke, kroz svoj specifični prizor, uspio uhvatiti svjetlost koja klizi preko kože i neprestani pokret mora.
U Cornwallu se njegova prisutnost osjeća kroz lokalne kolekcije koje odražavaju njegovu duboku povezanost s obalom. Penlee House u Penzanceu čuva djela koja svjedoče o njegovom boravku u toj regiji. Njegova umjetnost može se pronaći i u prostorima koje njegovo nasljeđe čuva Royal Cornwall Polytechnic Society u Falmouthu. Ti su lokacije ostavile njegove studije ljudskog tijela i pomorskog života blizu okruženja koja su ih inspirirala.
