Portret Suze Robertson

45 najpoznatijih djela umjetnika Suze Robertson, galerijska selekcija

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 48 djela Suze Robertson u našem katalogu

Ukratko

Od svih originala koje je Suze Robertson ostavio, najpoznatiji je Portrait of a young girl ('Greta') (1922) u kolekciji muzeja Museum Boijmans Van Beuningen, Rotterdam. Samo iza njih slijede Self-portrait of Suze Robertson (1855-1922) (1890) i Portrait of a young woman (1898). Naš katalog sadrži 48 djela umjetnika Suze Robertson; galerija je čuvala onih 45 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1855 – 1922, The Hague Najviše djela: Groninger Museum

Top 10 djela umjetnika Suze Robertson: izbor galerije

1
Portrait of a young girl ('Greta') (1922) od Suze Robertson

Portrait of a young girl ('Greta')

1922 · Oil On Panel · Museum Boijmans Van Beuningen, Rotterdam

The gaze of a young girl meets the viewer in Portrait of a young girl ('Greta'), a work painted by Suze Robertson in 1922. This portrait captures a young woman whose presence fills the space with a quiet, heavy intensity. She does not merely sit for a likeness; she exists in a moment of profound internal movement. Her expression remains enigmatic, a puzzle of shifting emotions that refuses to be…

3
Portrait of a young woman (1898) od Suze Robertson

Portrait of a young woman

1898 · Oil On Panel · Rijksmuseum, Amsterdam

This work is the Portrait of a young woman by Suze Robertson. Created about 1898, the painting offers an intimate view of the subject, presented as a bust with the head turned toward the right. It is a quiet, focused study that captures a sense of stillness in the sitter's posture.

4
Old mother (1896) od Suze Robertson

Old mother

1896 · Oil · Groninger Museum, Groningen

A somber, atmospheric oil painting captures an elderly woman in a dimly lit interior. Seated in profile, she turns slightly toward the viewer while her gaze remains cast downward. The composition centers on her quietude, utilizing a palette of deep browns, blacks, ochre, and muted umbers to establish a sense of melancholy. Light enters from an unseen source, perhaps a window, illuminating the texture of her headscarf and the folds…

5
The Wood Breaker (1900) od Suze Robertson

The Wood Breaker

1900 · Oil On Canvas

A solitary figure leans into the heavy labor of the wood breaker. The body is a study in tension, bent against the resistance of the timber. Dark, earthy tones of deep brown and black swallow the shadows, leaving only a sharp, bright patch of white fabric on the shoulder to catch the light. This light falls upon a textured wall, creating a shallow space where the air feels thick with…

6
Lena (1923) od Suze Robertson

Lena

1923 · Oil On Canvas · Dordrechts Museum, Dordrecht

In this 1923 oil painting, we find ourselves in a quiet, heavy moment of introspection. A nude female figure sits upon a rugged, rocky ledge, her body turned away from us in a profile that suggests a deep, internal retreat. She gazes downward toward a dark, still body of water, her posture conveying a sense of vulnerability and quietude. The composition is vertical, drawing the eye from the pale, fleshy…

7
Girl asleep (1889) od Suze Robertson

Girl asleep

1889 · Oil On Canvas · Kunstmuseum Den Haag, Den Haag

Girl asleep is an oil on canvas painting by Suze Robertson. Created about 1889, this work is classified as genre art. It belongs to the period of Dutch realism, capturing a quiet moment of repose.

Izbor umjetnika Suze Robertson se nastavlja, od 11 do 45

Motivi koji su privukli pažnju Suze Robertson

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Suze Robertson

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Suze Robertson Slike iz ovog popisa
Groninger Museum, GroningenGroninger Museum Groningen 6 Old mother, The artist's studio with mantelpiece, Corner of the artist's studio
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 3 Portrait of a young girl ('Greta'), Still Life (Plate with Lemons), Still Life with Apples
Kunstmuseum Den Haag, Den HaagKunstmuseum Den Haag Den Haag 2 Self-portrait of Suze Robertson (1855-1922), Girl asleep
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of a young woman, Boerenvrouw Aardappels Schillend
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Lena, Portrait of a Peasant Woman
Centraal Museum, UtrechtCentraal Museum Utrecht 2 Plate with Apples and a Bottle, Church in Katwijk
The Mesdag Collection, HaagThe Mesdag Collection Haag 1 The cart
Rijksmuseum Twenthe, EnschedeRijksmuseum Twenthe Enschede 1 Old woman at a clock

Suze Robertson desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Suze Robertson

Po kojem je djelu Suze Robertson najpoznatiji/a?Otkrijte odgovor

Portrait of a young girl ('Greta') (1922), Museum Boijmans Van Beuningen, Rotterdam. Nakon njih slijede Self-portrait of Suze Robertson (1855-1922) (1890) i Portrait of a young woman (1898).

Koliko je godina Suze Robertson imao/la kada je nastalo djelo Portrait of a young girl ('Greta')?Otkrijte odgovor

67 godina: Portrait of a young girl ('Greta') datira iz 1922, a Suze Robertson je rođen/a 1855.

Koja su deset najpoznatijih djela umjetnika Suze Robertson?Otkrijte odgovor

Portrait of a young girl ('Greta'), Self-portrait of Suze Robertson (1855-1922), Portrait of a young woman, Old mother, The Wood Breaker, Lena, Girl asleep, The cart, Plate with Apples and a Bottle i Still Life (Plate with Lemons). Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Suze Robertson?Otkrijte odgovor

Naš katalog sadrži 48 djela umjetnika Suze Robertson, datiranih od 1870 do 1922.

U kojim se muzejima nalaze remek-djela umjetnika Suze Robertson?Otkrijte odgovor

Većinom u Groninger Museum (Groningen), Museum Boijmans Van Beuningen (Rotterdam) i Kunstmuseum Den Haag (Den Haag). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Suze Robertson naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1890s: 8 od 45 djela na ovoj stranici nastalo je tada, od čega je Self-portrait of Suze Robertson (1855-1922) Self-portrait of Suze Robertson (1855-1922).

Koja su prva i posljednja poznata originalna djela umjetnika Suze Robertson?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Woman in a courtyard (1870), a najnovije iz Portrait of a young girl ('Greta') (1922).

Koje je motive Suze Robertson najčešće birao?Otkrijte odgovor

Woman (4), Dark tones (4) i Face (3), kroz svih 45 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Suze Robertson?Otkrijte odgovor

Oil On Canvas, za 4 od 45 djela na ovoj stranici.

Koji se radovi umjetnika Suze Robertson nalaze u muzeju Groninger Museum?Otkrijte odgovor

Old mother, The artist's studio with mantelpiece i Corner of the artist's studio: Groninger Museum, Groningen posjeduje 6 djela s ove stranice.

Suze Robertson: život i djelo

A Life Woven in Light and Shadow: The World of Suze Robertson

Suze Robertson, born in the bustling port city of The Hague in 1855, emerged as a significant voice within Dutch art during a period of profound social and artistic change. Her life story is one of quiet determination, navigating societal expectations to forge a path as a professional artist at a time when such aspirations were often discouraged for women. Orphaned young, Robertson was raised by her aunt and uncle, who recognized and nurtured the innate artistic talent that blossomed within her. This early support proved crucial, providing the foundation for formal studies beginning in 1874 at the Royal Academy of Art in The Hague, where she quickly distinguished herself, earning a bronze and two silver medals – testaments to her burgeoning skill and dedication. Further honing her craft at the Polytechnical School in Delft, Robertson laid the groundwork for a career that would challenge conventions and offer poignant glimpses into the lives of ordinary people.

Echoes of Van Gogh: Artistic Development and Style

Robertson’s artistic journey wasn't without its practical considerations. Initially supporting herself by teaching drawing to young women in Rotterdam, she continued her own development under the guidance of Petrus van der Velden, refining her technique while simultaneously exploring her unique vision. Her subject matter gravitated towards scenes of everyday life, particularly those depicting the realities of rural existence – farm interiors, laborers at work, and the quiet dignity of agricultural communities. It is within these depictions that a striking resonance with the early works of Vincent van Gogh becomes apparent. Both artists shared an empathy for the working class and a desire to portray their lives with honesty and respect; comparisons to *The Potato Eaters* are frequently drawn, suggesting a mutual admiration or at least a parallel sensibility. Robertson’s style is characterized by a realism tempered by emotional depth, employing evocative brushwork and a keen eye for capturing the nuances of light and shadow. She wasn't merely documenting life; she was interpreting it through a lens of compassion and understanding.

A Progressive Spirit: Controversy, Recognition, and Artistic Circles

Robertson’s commitment to artistic integrity extended beyond her subject matter. While teaching in Rotterdam, she boldly advocated for her students to be allowed to draw from nude models – a remarkably progressive stance that challenged the prevailing norms of the time. This willingness to push boundaries defined not only her pedagogical approach but also her broader outlook on life and art. Her marriage in 1892 to fellow painter Richard Bisschop marked a turning point, opening doors to prominent artistic circles like Pulchri Studio and Arti et Amicitiae. These affiliations provided platforms for exhibition and recognition, culminating in a bronze medal at the prestigious Exposition Universelle in 1900. However, it was a landmark sale in 1907 that truly cemented her reputation: at the opening of a new branch of the Larensche Kunsthandel in Amsterdam, her works fetched an unprecedented 10,000 guilders – a testament to her growing acclaim and the increasing appreciation for her unique artistic vision.

Legacy of the Amsterdamse Joffers

Suze Robertson continued painting with unwavering dedication until her death in The Hague in 1922. Her legacy extends beyond individual canvases; she is remembered as a key member of the *Amsterdamse Joffers* – a collective of female artists who defied societal constraints and made significant contributions to Dutch art during the late 19th and early 20th centuries. These women challenged conventional norms, forging their own paths in a male-dominated world and paving the way for future generations of female artists. Robertson’s realistic depictions of rural life offer invaluable insights into the social conditions and everyday experiences of her time, capturing a fleeting moment in history with sensitivity and skill. Her work continues to resonate today, appreciated not only for its technical mastery but also for its enduring humanism – a testament to an artist who dared to see beauty and dignity in the lives of ordinary people.

Major Works

Robertson’s art remains a powerful reminder of the importance of empathy, observation, and artistic courage.