Portret Jan de Jong

5 najpoznatijih djela umjetnika Jan de Jong, galerijska selekcija

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 5 djela Jan de Jong u našem katalogu

Ukratko

Od svih originala koje je Jan de Jong ostavio, najpoznatiji je The Barracks at the Oostplein in Rotterdam (1886). Samo iza njih slijede Naked Figure (Boy) in a Forest (1890) i cityscape at Vierleeuwenbrug (1890). Naš katalog sadrži 5 djela umjetnika Jan de Jong; galerija je čuvala onih 5 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1864 – 1901, Rotterdam Najviše djela: Museum Boijmans Van Beuningen

Top 10 djela umjetnika Jan de Jong: izbor galerije

Muzeji koji čuvaju originalna djela umjetnika Jan de Jong

2 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Jan de Jong Slike iz ovog popisa
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 3 Naked Figure (Boy) in a Forest, Cherries in a Tin Mug, Alley
Museum Rotterdam, RotterdamMuseum Rotterdam Rotterdam 1 cityscape at Vierleeuwenbrug

Jan de Jong iz godine u godinu: originalna djela koja definiraju svaku od njih

Radovi umjetnika Jan de Jong iz ovog izbora pokrivaju samo 5 godina, od 1886 do 1890: kratka karijera prikazana ovdje godinu po godinu.

Djela po godinama

Odaberite godinu kako biste vidjeli originalna djela.

Pitanja kolekcionara o slikama umjetnika Jan de Jong

Po kojem je djelu Jan de Jong najpoznatiji/a?Otkrijte odgovor

The Barracks at the Oostplein in Rotterdam (1886). Sljedeći su Naked Figure (Boy) in a Forest (1890) i cityscape at Vierleeuwenbrug (1890).

Koliko je godina Jan de Jong imao/la kada je nastalo djelo The Barracks at the Oostplein in Rotterdam?Otkrijte odgovor

22 godina: The Barracks at the Oostplein in Rotterdam datira iz 1886, a Jan de Jong je rođen/a 1864.

Koliko je slika ostavio/la Jan de Jong?Otkrijte odgovor

Naš katalog sadrži 5 djela umjetnika Jan de Jong, datiranih od 1886 do 1890.

U kojim se muzejima nalaze remek-djela umjetnika Jan de Jong?Otkrijte odgovor

Većinom u Museum Boijmans Van Beuningen (Rotterdam) i Museum Rotterdam (Rotterdam). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Jan de Jong naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1890: 4 od 5 djela na ovoj stranici nastalo je tada, od čega je Naked Figure (Boy) in a Forest Naked Figure (Boy) in a Forest.

Koja su prva i posljednja poznata originalna djela umjetnika Jan de Jong?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz The Barracks at the Oostplein in Rotterdam (1886), a najnovije iz Naked Figure (Boy) in a Forest (1890).

Koji se radovi umjetnika Jan de Jong nalaze u muzeju Museum Boijmans Van Beuningen?Otkrijte odgovor

Naked Figure (Boy) in a Forest, Cherries in a Tin Mug i Alley: Museum Boijmans Van Beuningen, Rotterdam posjeduje 3 djela s ove stranice.

Jan de Jong: život i djelo

A Life in Rotterdam

Born in Rotterdam on 31 December 1864, Jan de Jong lived a life closely tied to the pulse of the Dutch city. Known also as Johannes de Jong, he spent his formative years and his final days within the same urban landscape. His presence in the visual arts was marked by a quiet dedication to his craft, working through the late nineteenth century until his death in Rotterdam on 28 May 1901.

His work was a reflection of the era's technical possibilities, utilizing various mediums to capture the world around him. He was a painter who moved between different materials, showing a versatility that allowed him to express himself through:

The Hand of the Artist

The pieces left behind by de Jong reveal a man comfortable with the tactile nature of his tools. Whether working on canvas or paper, his approach was grounded in the physical reality of his chosen mediums. His output included a variety of works that have since been catalogued by collectors and auction houses, reflecting a steady hand and a commitment to the visual arts.

His technical range allowed him to experiment with the fluidity of watercolor and the opacity of gouache, alongside the traditional weight of oil on canvas. This ability to shift between the delicate and the substantial suggests a painter who understood how light and texture could change the mood of a scene. Though his life was cut short, the works he completed remain as direct records of his skill and his time in the Netherlands.