Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 86 djela Jan Baptist Weenix u našem katalogu
Ukratko
Od svih originala koje je Jan Baptist Weenix ostavio, najpoznatiji je Tobit, asleep under a vine, is blinded (1642) u kolekciji muzeja Museum Boijmans Van Beuningen, Rotterdam. Samo iza njih slijede Italian landscape with shelter and antiques ruins (1658) i Still Life with a Dead Swan (1651). Naš katalog sadrži 86 djela umjetnika Jan Baptist Weenix; galerija je čuvala onih 78 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
A single man reclines in the heavy shade of a vine. He is Tobit, lost to a deep, unsuspecting sleep. The air around him feels thick, weighted by the muted tones of ochre and forest green. Sunlight does not flood this scene; instead, it pierces through the foliage in sharp, controlled beams, illuminating the textures of his slumped posture and the coarse fabric of his clothing. He rests amidst a…
The oil on panel painting titled Italian landscape with shelter and antiques ruins was executed by the artist Jan Baptist Weenix in 1658. This landscape painting depicts a specific pastoral setting within an Italianate environment. The scene is populated by a group of peasants and various livestock, including sheep and goats. These figures are situated near a rustic cottage and several ancient architectural ruins that occupy the landscape.
The painting Still Life with a Dead Swan by Jan Baptist Weenix captures a heavy, silent moment of the hunt. Created about 1651, the work presents a collection of fallen game as a trophy of the chase. A white swan rests at the center, its pale plumage a stark contrast to the darker forms surrounding it. This central figure is accompanied by a turkey, two partridges, and a small finch,…
In this work, titled Tobit Sleeping Under the Vine, we encounter a significant piece by the Dutch Golden Age painter Jan Baptist Weenix. Created around 1642, the painting belongs to the Baroque period, a time when the interplay of light and shadow began to define the dramatic tension of Northern European art. Weenix, born in Amsterdam, Netherlands, brought a disciplined approach to his subjects, often blending meticulous observation with a…
The air feels heavy with the scent of damp stone and the rhythmic, metallic scrape of steel against stone. Under a vast, expansive sky, a group of figures gathers within the skeletal remains of a classical ruin. A man leans into his work, operating a grinding wheel that cuts through the quietude of the scene. Beside him, a woman sits in repose, while a small child stands close by, watching…
Hunters Near Ruins is an oil on canvas painting by Jan Baptist Weenix. The work is dated 1648. This piece belongs to the Dutch Golden Age, a period during which the artist developed a specific approach to landscape and human figures.
In this 1647 oil painting, Jan Baptist Weenix captures the French philosopher René Descartes. The subject appears in a medium close-up, his presence defined by a heavy, somber stillness. He is an elderly man, his face marked by the weight of thought and the passage of years. A bright white collar cuts through the darkness of his attire, framing a pale countenance that emerges from a deep, umber shadow.
The composition relies on strong vertical elements, primarily through imposing columns and a central, highly ornate pedestal topped with a large urn. These structures anchor the scene, providing a sense of scale against the scattered human figures in the foreground and middle ground. Through a use of deep recession, the perspective draws the eye past a colonnade toward a distant, hazy horizon where the masts of ships are visible.
The scene unfolds in 1648, a moment captured in the oil on canvas known as Harbour with Antique Ruins. This work belongs to the hand of Jan Baptist Weenix, an artist who brings the weight of history into a living, breathing maritime setting. The painting presents a world where the weathered stone of classical antiquity meets the constant, rhythmic movement of a working harbor. It is a vision of a…
In "The Angel Raphael Leaving Tobias's Family" by Jan Baptist Weenix, a divine departure unfolds with sudden, celestial energy. The scene captures the exact moment the Angel Raphael ascends toward the heavens, leaving the family below in a state of profound awe and reverence. A powerful diagonal movement pulls the eye from the lower left foreground upward toward the upper left, where the angelic figure climbs into a swirling formation…
vegetable-sellers at the house-door, 5 figures1646
12
caravane near the shore1646
13
Mother and Child1647
14
Circumcision of Moses' son1640 · Narodni muzej u Varšavi
15
Still Life with Game, Hunter and Two Dogs1652 · Bavarske državne slikopisne zbirke
16
Butterfly Dog and Dead Bird1649 · Museum Mayer van den Bergh
17
Pleasure boating1650
18
The Sleeping Shepherdess1658 · National Gallery of Ireland
19
Roman Tinker1656 · Städel Museum
20
The love letter1650 · National Museum of Art, Architecture and Design
21
Italian Harbour1651 · Ermitaž
22
Italian Peasants among Ruins1650 · Detroit Institute of Arts
23
Sleeping girl1656 · Bavarske državne slikopisne zbirke
24
Rest on the Flight into Egypt1657 · Museum Boijmans Van Beuningen
25
Merry Company on a Ferry1649 · Museum Gouda
26
Battle at the foot of the mountain.1650 · Narodni muzej u Varšavi
27
Christina Lepper de Kempenaer and Her Children1653
28
Italian port scene, 16491649 · Centraal Museum
29
Italian Landscape with Horsemen by a Spring1657 · Centraal Museum
30
Before the walls of Rome1650 · National Museum in Wrocław
31
Portrait of a man with a letter1650 · Agnes Etherington Art Center
32
A Landscape with a Ford1660 · Regionalna galerija u Libericu
33
In the Campagna1669 · National Gallery of Ireland
34
Dead Fowl Being Eaten by a Cat1653 · Städel Museum
35
Departure of an Oriental Entourage1647 · Louvre
36
Display of Dead Game1641 · Petit Palais
37
Dead Game1641
38
River Landscape with a Ferry1650 · Montreal Museum of Fine Arts
39
Still Life with Dead Game and Poultry1656 · Centraal Museum
40
Still Life with Fowl1650 · Museum of Fine Arts Ghent (MSK)
41
Marine with a Venetian Bucintoro1650 · Staatliche Kunsthalle Karlsruhe
42
The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 16591659 · Rijksmuseum
43
After the Hunt, Jan Baptist Weenix, c. 16561656 · Rijksmuseum
44
Still Life with White Mouse1680 · Ernest Zmeták Art Gallery
45
Still Life with GameHarvard Art Museums
46
The Ford in the River1647 · Ermitaž
47
Harbor View with Rider in Oriental Dress,Groninger Museum
48
The Holy Women at the TombNational Gallery of Ireland
49
An Italian SeaportKraljevski muzej fine umjetnosti u Antverpenu
50
Architectural interior with foreign shippers, ruins and a shipyard beyond
51
Study of a sheep
52
A pig's carcase
53
The Tinker and His Dog
54
Landscape with Peasants and Animals
55
Dead Partridge1650 · Mauritshuis
56
Goat Lying Down, Jan Baptist Weenix, 1645 - 16601660 · Rijksmuseum
57
A Dog and a Cat near a partially disembowelled Deer, Jan Baptist Weenix, 1645 - 16601660 · Rijksmuseum
58
Still Life with Dead Poultry, Lidded Pitcher and PassglasBavarske državne slikopisne zbirke
59
Game-pieceNational Gallery of Ireland
60
Dead game and hunting tackle in landscape
61
Hound with a Joint of Meat and a Cat Looking on
62
Bouquet of flowersGemäldegalerie
63
Shipping in Harbour
64
Herons and Lapwings
65
Still Life of Dead Game in a Landscape with a Huntsman
66
An italian port scene
67
Shepherds and Flocks among Classical Ruins
68
A Coast Scene with Classical RuinsWallace Collection
69
Still Life with Dead Game
70
Hounds and an Owl with Dead Birds and Sculptures in a Landscape
71
Still Life with Dead Birds
72
Family in a Mediterranean Seaport
73
Figures near a SeaportScottish National Gallery
74
A Huntsman cutting up a Dead Deer, with Two DeerhoundsNational Gallery
75
Ancient RuinsSzépművészeti Múzeum
76
Figures among ruinsThe Kremer Collection
77
Ancient Ruins (detail)Szépművészeti Múzeum
78
Girl as Shepherdess1650 · Musée de Picardie
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Jan Baptist Weenix | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 4 | The Scissors Grinder, Still Life with Game, Hunter and Two Dogs, Sleeping girl |
 Centraal Museum |
Utrecht | 4 | Portrait of René Descartes, Italian port scene, 1649, Italian Landscape with Horsemen by a Spring |
 National Gallery of Ireland |
Dublin | 4 | The Sleeping Shepherdess, In the Campagna, The Holy Women at the Tomb |
 Rijksmuseum |
Amsterdam | 4 | The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659, After the Hunt, Jan Baptist Weenix, c. 1656, Goat Lying Down, Jan Baptist Weenix, 1645 - 1660 |
 Museum Boijmans Van Beuningen |
Rotterdam | 2 | Tobit, asleep under a vine, is blinded, Rest on the Flight into Egypt |
 Mauritshuis |
Haag | 2 | Italian landscape with shelter and antiques ruins, Dead Partridge |
 Detroit Institute of Arts |
Detroit | 2 | Still Life with a Dead Swan, Italian Peasants among Ruins |
 Nationalmuseum |
Stockholm | 2 | Harbour with Antique Ruins, The Angel Raphael Leaving Tobias's Family |
Od 1640 do 1659, Jan Baptist Weenix je stvarao tijekom 20 godina: ovaj izbor prati tu dugogodišnju karijeru godinu po godinu, kroz njegova najfinija originalna djela.
Odaberite godinu kako biste vidjeli originalna djela.
The composition is defined by a sharp diagonal movement, tracing a path from the upper left toward a figure positioned on the ground. A descending figure, draped in billowing white and cream fabric, moves through a dark, receding background. Below, a man dressed in red reaches upward with outstretched arms. The scene is rendered in oil on canvas, utilizing a palette of deep browns, ochres, and umbers. Light emanates from…
In this work, titled Tobit Sleeping Under the Vine, we encounter a significant piece by the Dutch Golden Age painter Jan Baptist Weenix. Created around 1642, the painting belongs to the Baroque period, a time when the interplay of light and shadow began to define the dramatic tension of Northern European art. Weenix, born in Amsterdam, Netherlands, brought a disciplined approach to his subjects, often blending meticulous observation with a…
Još od 1641
A single man reclines in the heavy shade of a vine. He is Tobit, lost to a deep, unsuspecting sleep. The air around him feels thick, weighted by the muted tones of ochre and forest green. Sunlight does not flood this scene; instead, it pierces through the foliage in sharp, controlled beams, illuminating the textures of his slumped posture and the coarse fabric of his clothing. He rests amidst a…
The oil on canvas titled vegetable-sellers at the house-door, 5 figures was painted by Jan Baptist Weenix. This work dates to about 1646. It captures a quiet moment of human gathering near a stone threshold.
Još od 1646
In this 1647 oil painting, Jan Baptist Weenix captures the French philosopher René Descartes. The subject appears in a medium close-up, his presence defined by a heavy, somber stillness. He is an elderly man, his face marked by the weight of thought and the passage of years. A bright white collar cuts through the darkness of his attire, framing a pale countenance that emerges from a deep, umber shadow.
Još od 1647
Hunters Near Ruins is an oil on canvas painting by Jan Baptist Weenix. The work is dated 1648. This piece belongs to the Dutch Golden Age, a period during which the artist developed a specific approach to landscape and human figures.
Još od 1648
Butterfly Dog and Dead Bird is a painting by Jan Baptist Weenix. Created about 1649, the work captures a quiet moment of mortality. The artist, Jan Baptist Weenix, was born in 1621 near the harbor of Amsterdam. He was the son of an architect, a lineage that perhaps informed his sense of structure and form.
Još od 1649
The scene unfolds in Pleasure boating, a work by the Dutch Golden Age painter Jan Baptist Weenix. Born in 1621, the artist brings a sense of life to this maritime setting. The composition captures a moment of leisure near a shoreline, where figures gather around a small boat. In the distance, a large tower and architectural ruins rise against the horizon, grounding the activity in a landscape that feels both…
Još od 1650
The painting Still Life with a Dead Swan by Jan Baptist Weenix captures a heavy, silent moment of the hunt. Created about 1651, the work presents a collection of fallen game as a trophy of the chase. A white swan rests at the center, its pale plumage a stark contrast to the darker forms surrounding it. This central figure is accompanied by a turkey, two partridges, and a small finch,…
Još od 1651
The air feels heavy with the scent of damp earth and the metallic tang of the hunt. In this somber, Baroque-style scene, a sudden stillness has fallen over the landscape, leaving only the echoes of a recent chase. A large white bird, perhaps a swan or a goose, lies at the center of the composition, its wings spread wide in a final, frozen gesture of flight. The pale plumage catches…
The scene unfolds through the oil on canvas of Christina Lepper de Kempenaer and Her Children, a work that captures a quiet moment of familial presence. Jan Baptist Weenix brings this group to life, anchoring the figures within a structured space that feels both intimate and grand. The painting measures 93.4 x 121.3 cm, a scale that allows the viewer to feel the proximity of the subjects and the weight…
In "Roman Tinker" by Jan Baptist Weenix, a solitary figure occupies a rustic, outdoor setting that feels suspended in a quiet moment. The composition follows an asymmetrical arrangement, drawing the eye away from the immediate foreground toward a sprawling landscape. A young man, identified as a tinker, sits in the lower right foreground, his presence anchoring the scene. Near him, various pots rest upon the uneven ground, suggesting a life…
Još od 1656
A serene and pastoral scene unfolds within a Baroque landscape, capturing a moment of respite during a period of travel. A woman sits amidst the undulating hills, cradling an infant in her arms, while a man mounted on a donkey waits nearby. The composition is anchored by a large, dark, textured tree on the left, which frames the central figures and directs the eye toward the receding landscape. Sheep and…
Još od 1657
The oil on panel painting titled Italian landscape with shelter and antiques ruins was executed by the artist Jan Baptist Weenix in 1658. This landscape painting depicts a specific pastoral setting within an Italianate environment. The scene is populated by a group of peasants and various livestock, including sheep and goats. These figures are situated near a rustic cottage and several ancient architectural ruins that occupy the landscape.
Još od 1658
In The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659, the artist Jan Baptist Weenix captures a moment of diplomatic transit. The scene focuses on Ambassador Joan Cunaeus and his secretary Cornelis Speelman. They move through a courtyard, part of a larger mission to stimulate trade in silk and horses within Persia. The air of the meeting feels heavy with the weight of commerce and…
Tobit, asleep under a vine, is blinded (1642), Museum Boijmans Van Beuningen, Rotterdam. Nakon njih slijede Italian landscape with shelter and antiques ruins (1658) i Still Life with a Dead Swan (1651).
21 godina: Tobit, asleep under a vine, is blinded datira iz 1642, a Jan Baptist Weenix je rođen/a 1621.
Tobit, asleep under a vine, is blinded, Italian landscape with shelter and antiques ruins, Still Life with a Dead Swan, Tobit Sleeping Under the Vine, The Scissors Grinder, Hunters Near Ruins, Portrait of René Descartes, Monument at a Harbour, Harbour with Antique Ruins i The Angel Raphael Leaving Tobias's Family. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 86 djela umjetnika Jan Baptist Weenix, datiranih od 1640 do 1659.
Većinom u Bavarske državne slikopisne zbirke (München), Centraal Museum (Utrecht) i National Gallery of Ireland (Dublin). Gornja tablica muzeja navodi sve njih.
U 1650: 11 od 78 djela na ovoj stranici nastalo je tada, od čega je Pleasure boating Pleasure boating.
Na ovoj stranici najstarije djelo je iz Circumcision of Moses' son (1640), a najnovije iz The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659 (1659).
Landscape (18), Ruins (17) i Sky (13), kroz svih 78 djela na ovoj stranici.
Oil On Canvas, za 30 od 78 djela na ovoj stranici.
Dutch golden age i Baroque, sudeći po originalima na ovoj stranici.
The Scissors Grinder, Still Life with Game, Hunter and Two Dogs i Sleeping girl: Bavarske državne slikopisne zbirke, München posjeduje 4 djela s ove stranice.
Jan Baptist Weenix izdvaja se kao jedinstvena figura unutar holandskog zlatnog doba, slavljen zbog svoje prepoznatljive mješavine pedantnog opažanja i maštovite vizije. Iako je njegov umjetnički opus bio relativno skroman u usporedbi s contemporaryima poput Rembrandta ili Vermeera, Weenixov doprinos povijesti holandske umjetnosti neosporan je—osobito njegovo revolucionarno istraživanje talijanskih krajolika prožetih ljudskim likovima, čime je uspostavio stilski presedan koji će odjekivati kroz generacije. Rođen u Amsterdamu blizu užurbanog luke 1621. godine, Weenix je potjecao iz obitelji arhitekata, što je vjerojatno oblikovalo njegove formativne godine usred intelektualnog i strukturnog fervora tog doba.
Unatoč osobnim izazovima—prema zapisima, patio je od poteškoća u govoru zbog medicinskog stanja—Weenix je posjedovao strastnu ljubav prema književnosti i umjetnosti, koju je potaknula majka koja je proaktivno organizirala njegov šegrtovanje kod Jana Mickera, Rembrandtaovog šogora. Ovo rano eğitim ugradio mu je discipliniran pristup crtanju i promatranju koji će postati zaštitni znak njegovog djela. Svoje vještine dalje je usavršavao u Utrechtu pod vodstvom Abrahama Bloemaerta, a zatim se vratio u Amsterdam kako bi studirao kod Claes Cornelisa Moeyaerta, čvrsto utemeljivši svoje znanje u aktualnim umjetničkim strujama Nizozemske.
Trajektorija Weenixove karijere izrazito je promijenjena njegovim putovanjima, a najznačajnije bilo ono u Rim 1643. godine uz Nicolaesa Pieterszoona Berchema. Ovo putovanje omogućilo mu je susret s živopisnim intelektualnim i umjetničkim okruženjem ceha Bentvueghels, iskustvo koje ga je potaknulo prema širem stilskom rasponu. U Rimu je priabrao italijanski stil, karakteriziran toplom, zlatnom svjetlošću i klasičnim krajolicima koji su se prekrasno kontrastirali s hladnijim, ozbiljnijim tonovima tradicionalnog holandskog slikarstva. Ovo razdoblje rimskog utjecaja omogućilo mu je da ovlada umjetnošću "italijanskog krajolika", gdje je sirova ljepota južne Europe ponovno zamišljena kroz prizmu sjevernoeuropskog pogleda.
Njegov rad u tom razdoblju često je spajao veličinu klasičnih okruženja s intimnim, ljudskim elementima. Bilo da je prikazivao luke koje su šaputale o pomorskoj trgovini ili prostrane vidike koji su evocirali osjećaj bezvremenskosti, Weenix je posjedovao jedinstvenu sposobnost dočaravanja atmosfere nekog mjesta. Njegovo majstorstvo nije bilo ograničeno samo na prostrane horizonte; bio je podjednako vješt u hvatanju tihe, često visceralne stvarnosti života kroz svoje velike mrtve prirode. Njegovi prikazi ulovljenog plesa i životinja obilježeni su zapanjujućim realizmom, gdje je svaka tekstura—od grubog krzna lovačkog psa do nježnog sjaja perja—izvedena s nevjerojatnom preciznošću.
Značaj Jana Baptista Weenixa leži u njegovoj sposobnosti da premosti jaz između sirovog realizma holandske tradicije i idealizirane ljepote italijanskog pokreta. Njegova svestranost omogućila mu je kretanje kroz raznolike teme, od dramatične napetosti pronađene u djelima poput Nakon lova do tihe, gotovo mračne intenziteta njegovih studija životinja. Kroz njegove četkice, promatrač je pozvan u svijet u kojem su granice između promatranog prirodnog svijeta i zamišljene klasične prošlosti predivno zamagljene.
Dok razmišljamo o njegovom životu i radu, nekoliko ključnih elemenata definira njegov trajni značaj:
Iako je njegov život bio relativno kratak, završen 1661. godine, otisak koji je ostavio Jan Baptist Weenix i dalje je vidljiv u evoluciji slikarstva krajolika. Poučio je buduće generacije kako gledati u horizont ne samo kao granicu, već kao platno za svjetlost, povijest i ljudske emocije.
