1949
Composition (William Gear, 1949)
William Gear (1915–1997) je izradio Composition. Datira iz 1949. Dimenzije su 116 × 89 cm.
- 1949
- 116 × 89 cm
Composition, ukratko
- Naslov
- Composition
- umjetnik
- William Gear (1915–1997)
- Rođen/a u
- Methil, United Kingdom
- Datum
- 1949
- Dimenzije
- 116 × 89 cm
Slike visoke rezolucije djela Composition
Zaštićeno autorskim pravima: ove datoteke služe za osobnu referencu, a ne kao licenca za ponovno objavljivanje.
William Gear, Composition (1949).
Odgovori na pitanja o Composition
U kojoj je godini nastalo djelo "Composition" autora William Gear?
"Composition" autora William Gear nastalo je 1949.
Koje su dimenzije izvornog "Composition"?
Dimenzije izvornog djela "Composition" autora William Gear su 116 x 89 cm.
Je li "Composition" u javnom vlasništvu?
Što se tiče autorskih prava, "Composition" je u i dalje je zaštićeno autorskim pravima.
Tko je stvorio "Composition"?
Autorstvo djela "Composition" pripisuje se William Gear.
Koliko je godina William Gear imao/la kada je stvorio/la "Composition"?
Kada je "Composition" nastalo 1949. godine, William Gear – rođen/a 1915. – imao/la je 34 godina.
Zašto je status autorskih prava za "Composition" takav kakav jest?
Status autorskih prava za djelo "Composition" – i dalje je zaštićeno autorskim pravima – proizlazi iz godine smrti umjetnika, 1997.
O umjetniku, William Gear
1915–1997, United Kingdom
William Gear
A Life Immersed in Abstraction: The Journey of William Gear William Gear, born in Methil, Fife, Scotland in 1915, emerged as a pivotal figure in British abstract art, a painter whose career spanned decades and reflected the seismic shifts in artistic expression throughout the 20th century. His early life hinted at the creative path he would forge; winning the Dux Arts Medal at Buckhaven High School in 1932 signaled a burgeoning talent nurtured through formal study at Edinburgh College of Art from 1932 to 1936. There, amongst his peers – Wilhelmina Barns-Graham and Margaret Mellis – Gear began to lay the foundations for a style that would ultimately blend nature’s vibrancy with the dynamism of modernism. His postgraduate scholarship in 1936–37 at the University of Edinburgh, under the tutelage of Professor David Talbot Rice, further solidified his understanding of art history, providing a crucial intellectual framework for his artistic explorations.