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The bell cricket (Chapter 38)

Dimenzije
33.0 x 22.0 cm

Istražite zadivljujući ukiyo-e print utagawa kunisada ii! Slikom glumaca, ljepotica i scena iz japanske književnosti otkrijte njegovo naslijeđe u umjetnosti razdoblja edo.

Giclée / Umjetnički otisak

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Standardne dimenzije
po mjeri
CM
INCH

Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

širina
visina

Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.

Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (5 Studeni)

Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
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Ukupna cijena

€ 72

The bell cricket (Chapter 38)

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 72

Osnovne informacije

  • Location: Private Collection
  • Notable elements or techniques: Gold leaf embellishment
  • Artist: Utagawa Kunisada II
  • Year: 1857
  • Movement: Japanese Art
  • Dimensions: 33 x 22 cm

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
What is the primary subject matter depicted in Utagawa Kunisada II’s painting "The Bell Cricket (Chapter 38)\?
Pitanje 2:
Which artistic technique is prominently employed in this print?
Pitanje 3:
What does the presence of a bottle symbolize within the composition?
Pitanje 4:
Kunisada II’s style is heavily influenced by his teacher Toyokuni III (Kunisada I). How does this influence manifest in Kunisada II's work?
Pitanje 5:
The painting’s atmosphere suggests what overarching theme?

The Bell Cricket (Chapter 38): A Symphony of Harmony in Edo Period Printmaking

Utagawa Kunisada II’s “The Bell Cricket” (Chapter 38), created in 1857, transcends mere visual representation; it embodies the spirit of its time—the waning Edo period and a fascination with literary themes. Published by Tsutaya Kichizo during this transitional era, this Oban tate-e print exemplifies Kunisada II’s masterful command of ukiyo-e technique and delves into profound psychological considerations. The image depicts three women engaged in conversation amidst a serene garden setting—a deliberate choice reflecting the influence of Murasaki Shikibu's seminal novel “The Tale of Genji,” which served as inspiration for this series.
  • Subject Matter: The scene captures a moment of quiet contemplation, portraying women enjoying companionship and engaging in animated discussion. A bottle sits prominently on the left side of the composition, adding to the visual richness and subtly hinting at themes of intimacy and reflection.
  • Style & Technique: Kunisada II’s signature style—characterized by meticulous detail and vibrant color palettes—is evident throughout. The print utilizes woodblock printing with ink and gold leaf, a technique perfected during the Edo period, resulting in stunning tonal gradations and luminous highlights that capture the ethereal quality of candlelight illuminating the garden.
  • Historical Context: “The Bell Cricket” emerged as part of a larger series exploring themes from “The Tale of Genji,” a cornerstone of Japanese literature. This series reflects the anxieties and aspirations of the era, grappling with notions of beauty, morality, and societal expectations—particularly concerning women’s roles in society.
  • Symbolism: The bell cricket itself symbolizes good fortune and renewal, aligning perfectly with the narrative's exploration of hope amidst adversity. The careful arrangement of figures and objects contributes to a harmonious composition that conveys a sense of tranquility and understated elegance.
Provenance: Mrs G.F. Williams – This print holds significant historical value, originating from the collection of an esteemed connoisseur who appreciated Kunisada II’s artistic legacy. Its condition—described as “Very fine colors” with “Full size”—further underscores its exceptional quality and preservation.

Exploring Kunisada II's Artistic Legacy

Kunisada II, a student of Toyokuni III (Kunisada I), skillfully honed his craft while simultaneously upholding the traditions of his master. Despite not achieving the same level of fame as his predecessor, Kunisada II’s prolific output—spanning over 40 series—solidifies his position as one of Japan's most celebrated ukiyo-e artists. His enduring influence can be seen in subsequent generations of printmakers and continues to inspire contemporary artists seeking inspiration from Edo period aesthetics. The meticulous attention to detail and masterful use of color exemplify the pinnacle of Japanese woodblock printing artistry.

A Reproduction Worth Admiring

A hand-painted reproduction of “The Bell Cricket” offers a captivating glimpse into Kunisada II’s artistic vision—a testament to his skill and an opportunity to bring this iconic image into your home. Utilizing the finest materials—premium paper, ink, and gold leaf—the reproduction faithfully captures the original print's luminosity and textural richness. It serves as more than just decoration; it’s a connection to Japanese art history and a celebration of timeless beauty.

Pitanja i odgovori

Pripada li "The bell cricket (Chapter 38)" kojoj periodi umjetnikove karijere Utagawa Kunisada Ii?

"The bell cricket (Chapter 38)" predstavlja Mature Edo umjetnika Utagawa Kunisada Ii.

Preporučena veličina ispisa za "The bell cricket (Chapter 38)" je?

Preporučena veličina tiska za "The bell cricket (Chapter 38)" je Large. Dostupne su i druge veličine istih proporcija.

Može li se "The bell cricket (Chapter 38)" pogledati u proširenoj stvarnosti (AR)?

Djelo "The bell cricket (Chapter 38)" autora Utagawa Kunisada Ii možete isprobati na vlastitom zidu pomoću stranice Pregled u proširenoj stvarnosti, koristeći proširenu stvarnost na kompatibilnom uređaju.


Biografija umjetnika

**raniji život i obuka**

utagawa kunisada ii, poznat i kao toyokuni iv, bio je znameniti japanski umjetnik ukiyo-e drvoreza koji je rođen u gradu edo, u Japanu, 1823. godine. Kao skroman učenik velikog utagawa kunisada i, svoje je rane radove često potpisivao imenom kunimasa iii. Tek oko 1850. ili 1851. godine, usvojio je ime kunisada ii, što je označilo njegov preuzeti nasljeđe i vodstvo unutar čuvene utagawa škole.

**umjetnički stil i značajna djela**

Njegova impresivna kolekcija drvoreza obuhvaća preko četrdeset serija, koje najčešće slave dramatičnost glumaca (yakusha-e), ali također prikazuju portrete žena vrhunske ljepote, ilustracije književnih scena, erotične motive i druge fascinantne teme. Jedno od njegovih najslavnijih remek-djela je priča o osam herojskih pasa (hakkendun inu no sōshi no uchi) iz 1852. godine, inspirirana epskim djelom kyokutei bakina, poznatim kao klan satomi i osam pasa (nansō satomi hakkenden).

**naslijeđe i kasniji život**

Iako je vodio utagawa školu i radovao se u stilu svog učitelja, kunisada ii nikada nije dosegnuo istu razinu svjetske slave. Njegova popularnost počela je opadati tijekom meiji perioda (1868.–1912.), a čini se da je prestao stvarati drvoreze nakon 1874. godine. Preminuo je 20. srpnja 1880. godine i sahranjen u banshōin kōunji hramu, ostavivši za sobom budističko posthumno ime sankōin hōkokujutei shinji.

**značajne spominjanja na OriginalUniqueArt.com**

**ključne točke u životu kunisada ii**

**dodatno čitanje na OriginalUniqueArt.com**

Utagawa Kunisada Ii

Utagawa Kunisada Ii

1823 - 1880 , Japan

Osnovne informacije

  • Artistic Movement Or Style: Ukiyo-e (yakusha-e)
  • Artists Or Movements Influenced By This Artist: ['Utagawa škola']
  • Artists Who Influenced This Artist: ['Utagawa Kunisada I']
  • Date Of Birth: 1823.
  • Date Of Death: 1880.
  • Full Name: Utagawa Kunisada II
  • Nationality: Japanski
  • Notable Artworks:
    • Hakkendun Inu no Sōshi no Uchi
    • Glumac iz Osake Kataoka Gado kao An no Heibei
  • Place Of Birth: Tokyo, Japan