Kupite ručno oslikano platno s motivom Who comes?

Who comes? is one of a series of works called ‘Days and Nights in August’, painted by Rupert Bunny between 1907 and 1911, which evoke a mood of intimacy and luxurious leisure; of perfume, poetry and distant music. The colours in Who comes? are few – white, black, brown, red, yellow – and they have been orchestrated so that small colour accents are played off against a basic theme. Warm sunlight, filtering through a boldly striped blind, colours the upper part of the picture, whereas in the half-light below the blind the flounced skirts shimmer translucently.Bunny’s chief model, posing for both figures in this painting, was his wife Jeanne. She was ‘a beautiful French woman and her husband delighted to paint her in the long, flounced and flowing dresses of the period. Once he said, with faint distaste: “When short skirts came in I no longer wanted to paint women”’.1The drapery has been painted in a way that has little relation to the bodies beneath. One reviewer in 1911 explained Bunny’s preference for loose drapery as a way of capturing or complementing the indefiniteness of nature, ‘leaving forms and outlines in a state of indecision and flux’.2 In contrast to the geometry of the striped blind, Bunny’s rendering of filmy cloth breaks the shapes so that the attention goes not to outlines and large areas but to surfaces and small accents. The effect is sensuous. Bunny was portraying a luxurious domesticity which, in the fashion terms of the day, was well represented by the tea-gown: ‘It gives a man a sort of luxurious feel of being an Oriental Pasha, as he lies in his chair, smoking the ever-present cigarette, to see himself surrounded by graceful houris clad in gauze and gorgeous draperies shimmering’.3Marcel Proust wrote at length on the same theme in A la recherche du temps perdu (1913–27) and, like Bunny, he lamented the passing of this excessively feminine style with the coming of the First World War.Mary Eagle41 Lucy Swanton, ‘Memoir of Rupert Bunny’, typescript, [Sydney]: Newcastle Region Art Gallery, 1968.2 Melbourne Argus, 24 July 1911, p.7.3 ‘Lamia’ in London Country Life, 28 September 1907.4 Mary Eagle, The Art of Rupert Bunny, Canberra: Australian National Gallery, 1991, p.64.Text © National Gallery of Australia, Canberra 2010From: Anne Gray (ed), Australian art in the National Gallery of Australia, National Gallery of Australia, Canberra, 2002

Pitanja i odgovori

Je li Rupert Charles Wulsten Bunny, autor djela "Who comes?", poznat i pod drugim imenima?

Ostala imena zabilježena za Rupert Charles Wulsten Bunny, autora djela "Who comes?", uključuju Bunny.

Gdje mogu vidjeti pregled za "Who comes?"?

Stranica Pregled u prostoru za "Who comes?" omogućuje vam pregled umjetničkog djela prije narudžbe.

Može li se "Who comes?" pogledati u proširenoj stvarnosti (AR)?

Djelo "Who comes?" autora Rupert Charles Wulsten Bunny možete isprobati na vlastitom zidu pomoću stranice Pregled u proširenoj stvarnosti, koristeći proširenu stvarnost na kompatibilnom uređaju.

Biografija umjetnika

Rano djetinjstvo i edukacija

Rupert Charles Wulsten Bunny, australijski slikar, rođen je u St Kildi, u regiji Victoria, 1864. godine. Svoje umjetničko obrazovanje stekao je kroz tradicionalnu i akademsku školu pod vodstvom Calderona i Laurensa. Ta čvrsta temeljna edukacija kasnije će mu poslužiti kao neprocjenjiv oslonac u uspješnoj karijeri ekspatrijata umjetnika u Parizuในช่วง fin de siècle perioda.

Postignuća i priznanja

Bunnyjevu umjetničku vještinu rano je prepoznalo šire društvo, što je potvrđeno počasnom spomenom na Pariskom salonu 1890. za njegovu sliku Tritoni. Svoje je ime dodatno učvrstio osvajanjem bronze medalje na Svjetskoj izložbi u Parizu 1900. za djelo Pokop svete Katarine Aleksandrijske. Francuska država stekla je čak 13 njegovih djela, uključujući ona koja se danas čuvaju u Musée du Luxembourg i drugim regionalnim kolekcijama.

Umjetnički stil i teme

Umjetničke kritičare Bunny je ostavio kao „luksuzni kolorist i splenjdidno eruditan slikar idealnih tema“. Njegovo stvaralaštvo često prikazuje skupine ženskih figura koje se odmaraju, sanjaju ili se oblače i rasklapače pored prostranstava vode, što dočarava njegov jedinstveni spoj simbolizma i estetizma.

Istaknuta djela:
Endormies (Nacionalna galerija Victorije, Melbourne, Australija)
Sea Idyll (Nacionalna galerija Victorije, Melbourne, Australija)
Pastoral (Nacionalna galerija Australije, Canberra, Australija)

Nasljeđe i online prisutnost

Danas se Bunnyjeva djela mogu pronaći u brojnim muzejima i na digitalnim platformama. Za one koji žele istražiti još njegovog umjetničkog stvaralaštva, [https://OriginalUniqueArt.com/@/rupert-charles-wulsten-bunny](https://OriginalUniqueArt.com/@/rupert-charles-wulsten-bunny) nudi opsežnu kolekciju njegovih slika, uključujući Endormies, Sea Idyll i Pastoral. Ova djela također su dostupna za kupnju kao reprodukcije muzejske kvalitete putem /en/art/show/art-8xyffg-en/

Zaključak

Rupert Charles Wulsten Bunny, australijski slikar iz St Kilde u Victoriji, ostavio je neizbrisiv trag u svijetu umjetnosti svojim raskošnim i eruditnim stilom. Njegovo nasljeđe nastavlja inspirirati kroz djela koja su danas lako dostupna putem [https://OriginalUniqueArt.com](https://OriginalUniqueArt.com).

Rupert Charles Wulsten Bunny

1864 - 1947 , Australija

Srodni članci

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