H. Suite (XI)
Sculpture
Sculpture
Contemporary Realism
1993
Modern
205.0 x 250.0 cm
Culturgest - Fundação Caixa Geral de Depósitos
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H. Suite (XI)
Tehnika reprodukcije
Veličina reprodukcije
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Ukupna cijena
$ 300
Opis umjetničkog djela
Pedro Cabrita Reis’s “H. Suite (XI)” – A Dialogue Between Geometry and Memory
The sculpture "H. Suite (XI)" by Pedro Cabrita Reis stands as a testament to the artist's profound engagement with architectural form and his exploration of memory’s enduring influence on perception. Created in 1993, commissioned by the Colecção da Caixa Geral de Depósitos, this monumental piece transcends mere materiality; it embodies a conceptual framework rooted in Reis’s meticulous observation of space and his fascination with the vestiges of time—a preoccupation that characterizes much of his oeuvre. Measuring 205 x 250 cm, the sculpture isn't simply an object to be viewed but rather an invitation to contemplate its relationship with the viewer and its connection to broader artistic traditions.- Material Composition: Reis employed wood—specifically cedar—combined with glass panes and strategically positioned lamps. This deliberate selection of materials speaks volumes about his aesthetic sensibilities, prioritizing solidity and transparency simultaneously. The cedar’s inherent grain pattern provides textural contrast against the luminous glow emanating from the glass domes, creating a visual interplay that mimics the layering of experience.
- Architectural Influence: “H. Suite (XI)” draws heavily from Reis's earlier work, notably “Das mãos dos construtores” (1992), which consisted of immense pipelines converging into enclosed brick dwellings—a project deeply influenced by Brutalist architecture and its exploration of raw materiality. This architectural lineage informs the sculpture’s geometric precision and its restrained palette, reflecting a desire to distill complex ideas into simplified forms.
- Symbolic Resonance: The sculpture's title itself – “H.” – is deliberately ambiguous, referencing both the Hebrew letter Hei (ה) signifying “life” and the artist’s own initials. This subtle nod to personal identity underscores Reis’s belief that art should grapple with fundamental questions about existence and consciousness. Furthermore, the glass domes symbolize illumination—both literal and metaphorical—representing a quest for understanding and confronting hidden truths.

Opcija stakla dostupna je samo za dimenzije manje od 110 cm
