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H. Suite (XI)

Pedro Cabrita Reis’s ‘H. Suite (XI)’ is a monumental cedar and glass sculpture exploring geometry and memory, reflecting Brutalist influences and featuring three strategically placed lights. Discover this captivating piece by Reis – perfect for art lovers.

Otkrijte očaravajuću umjetnost Pedra Cabrite Reisa! Ovaj portugalski umjetnik majstorski spaja slikarstvo, skulpturu i fotografiju kako bi istražio prostor, sjećanje i svjetlost. Istražite njegova djela s Vedenskog bienala i više.

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Ukupna cijena

$ 300

reproduction

H. Suite (XI)

Tehnika reprodukcije

Veličina reprodukcije

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Ukupna cijena

$ 300

Osnovne informacije

  • Year: 1993
  • Subject or theme: Archaeology of memory; connection to past
  • Location: Colecção da Caixa Geral de Depósitos
  • Artistic style: Vernacular
  • Notable elements or techniques: Counterpoising of elements; monumental scale
  • Artist: Pedro Cabrita Reis
  • Medium: Wood, glass and lamps

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
What is the primary material used in Pedro Cabrita Reis’s sculpture ‘H. Suite (XI)’?
Pitanje 2:
‘H. Suite (XI)’ was commissioned by which institution?
Pitanje 3:
Pedro Cabrita Reis’s work explores themes of memory and construction. How does this manifest in ‘H. Suite (XI)’?
Pitanje 4:
What is notable about the scale of ‘H. Suite (XI)’ compared to other sculptures by Cabrita Reis?
Pitanje 5:
The sculpture ‘H. Suite (XI)’ is linked to another artwork by Cabrita Reis titled ‘Das mãos dos construtores’. What does this connection signify?

Opis umjetničkog djela

Pedro Cabrita Reis’s “H. Suite (XI)” – A Dialogue Between Geometry and Memory

The sculpture "H. Suite (XI)" by Pedro Cabrita Reis stands as a testament to the artist's profound engagement with architectural form and his exploration of memory’s enduring influence on perception. Created in 1993, commissioned by the Colecção da Caixa Geral de Depósitos, this monumental piece transcends mere materiality; it embodies a conceptual framework rooted in Reis’s meticulous observation of space and his fascination with the vestiges of time—a preoccupation that characterizes much of his oeuvre. Measuring 205 x 250 cm, the sculpture isn't simply an object to be viewed but rather an invitation to contemplate its relationship with the viewer and its connection to broader artistic traditions.
  • Material Composition: Reis employed wood—specifically cedar—combined with glass panes and strategically positioned lamps. This deliberate selection of materials speaks volumes about his aesthetic sensibilities, prioritizing solidity and transparency simultaneously. The cedar’s inherent grain pattern provides textural contrast against the luminous glow emanating from the glass domes, creating a visual interplay that mimics the layering of experience.
  • Architectural Influence: “H. Suite (XI)” draws heavily from Reis's earlier work, notably “Das mãos dos construtores” (1992), which consisted of immense pipelines converging into enclosed brick dwellings—a project deeply influenced by Brutalist architecture and its exploration of raw materiality. This architectural lineage informs the sculpture’s geometric precision and its restrained palette, reflecting a desire to distill complex ideas into simplified forms.
  • Symbolic Resonance: The sculpture's title itself – “H.” – is deliberately ambiguous, referencing both the Hebrew letter Hei (ה) signifying “life” and the artist’s own initials. This subtle nod to personal identity underscores Reis’s belief that art should grapple with fundamental questions about existence and consciousness. Furthermore, the glass domes symbolize illumination—both literal and metaphorical—representing a quest for understanding and confronting hidden truths.

Technique and Craftsmanship – Precision Meets Organic Texture

Reis's meticulous craftsmanship is evident in every aspect of “H. Suite (XI).” The cedar wood was painstakingly shaped to create interlocking structures that resemble fragmented architectural elements—a technique reminiscent of Constructivist sculpture, where geometric forms were employed to convey social ideals. However, Reis avoids a purely mechanistic approach, incorporating subtle irregularities and variations in texture that imbue the sculpture with an organic quality. These imperfections serve as reminders that even seemingly rational constructions are shaped by unpredictable forces—mirroring the artist’s preoccupation with capturing fleeting moments of perception. The careful positioning of the lamps enhances this textural contrast, casting diffused light onto the cedar surfaces and emphasizing their natural grain.

Historical Context – Reis's Engagement With Artistic Legacy

Pedro Cabrita Reis’s artistic trajectory is marked by a continuous dialogue with architectural history and artistic movements from the mid-20th century. His fascination with Brutalist architecture—characterized by its monumental scale, exposed concrete, and rejection of ornamentation—is palpable in “H. Suite (XI).” This stylistic choice reflects Reis's conviction that art should confront grand narratives about humanity’s relationship to space and materiality. Simultaneously, he engages with the legacy of Constructivism, prioritizing geometric abstraction as a means of conveying conceptual ideas—a strategy evident in his earlier sculptures and publications.

Emotional Impact – A Meditation on Time and Perception

Ultimately, “H. Suite (XI)” transcends its formal qualities to evoke a profound emotional response. The sculpture’s stillness invites contemplation—encouraging viewers to consider the passage of time and the ways in which memory shapes our understanding of the world. Its luminous glass domes symbolize hope—a beacon illuminating the darkness of uncertainty and prompting us to confront existential questions. Like Reis's other works, “H. Suite (XI)” speaks to a deep sensitivity to human experience—capturing the elusive beauty of fleeting moments and acknowledging the enduring power of artistic expression to grapple with complex themes.