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Detalji o umjetničkom djelu
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Preuzmi umjetničko djelo
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StatistikaUntitled
Prikaži više
Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.
Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.
Giclée / Umjetnički otisak
Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. (
Kupi ručno oslikano djelo Prebacite na digitalnu sliku)
Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.
Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.
Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (2 Studeni)
Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Jamstvo vjernosti boja
Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda
Opcija stakla dostupna je samo za dimenzije manje od 110 cm
Untitled
Giclée / Umjetnički otisak
Veličina reprodukcije
-
Ukupna cijena
€ 71
A Labyrinth of Perception: Exploring Space with Monika Elisabeth de Vries Gohlke
Monika Elisabeth de Vries Gohlke’s Untitled (2003) is not merely an installation; it's a carefully orchestrated invitation to question the very nature of space and perception. Within the stark confines of a white-walled gallery, the artwork presents a mesmerizing complexity – a dense arrangement of stacked and staggered wooden boxes in shades of dark blue and light brown that immediately evoke a sense of disorientation. This deliberate manipulation of form, achieved through meticulous construction and placement, speaks to a core concern within contemporary conceptual art: how we construct our understanding of reality.
- Geometric Deconstruction: The artwork’s foundation lies in the masterful deployment of geometric forms – cubes, rectangles, and stairs – arranged in a manner that subtly disrupts traditional Euclidean perspective. This non-Euclidean arrangement isn't simply chaotic; it’s a calculated provocation, designed to challenge our ingrained assumptions about spatial relationships.
- Materiality as Narrative: The choice of materials—primarily plywood for the boxes and a dark blue carpet—adds another layer of meaning. The rough texture of the wood contrasts with the smooth surface of the carpet, creating a tactile experience that further enhances the sense of unease and invites closer examination.
The Staircase: Ascent or Entrapment?
Dominating one side of the composition is a steep staircase constructed from matching boxes. This element immediately draws the eye upwards, yet its placement within the labyrinthine arrangement introduces an unsettling ambiguity. Is it a symbol of ascent – a journey towards enlightenment or progress? Or does it represent something more sinister: entrapment, an endless loop, a descent into confusion?
The artist’s subtle use of symbolism invites multiple interpretations, reflecting the artwork's core theme of questioning established norms and challenging our preconceived notions. The soft, diffused lighting further amplifies this effect, casting long shadows that deepen the sense of mystery and disorientation.
Contextualizing the Disorientation
Created in 2003, Untitled reflects a broader artistic trend towards conceptual art, which emerged as a reaction against representational painting and the dominance of purely intellectual approaches to art. Influenced by artists like Francesco Clemente (whose work similarly explored mythology and subconscious imagery), de Vries Gohlke’s installation aligns with the *Transavanguardia* movement's emphasis on raw emotion and personal experience. The flattened perspective, combined with the fragmented arrangement of the boxes, contributes to a feeling of unease and disorientation – a deliberate strategy that forces the viewer to actively engage with the artwork rather than passively observe it.
Emotional Resonance and Artistic Value
Untitled is more than just an aesthetically pleasing object; it’s a powerful statement about the subjective nature of perception. Its evocative atmosphere, combined with its technical precision, makes it a compelling piece for collectors and interior designers seeking to inject a sense of intrigue and intellectual stimulation into their spaces. The artwork's exploration of spatial ambiguity and symbolic representation ensures that it will continue to provoke thought and inspire contemplation for years to come.
Pitanja i odgovori
Koja je tehnika korištena za "Untitled" i kada je djelo nastalo?
"Untitled" je nastalo 2003 godine koristeći tehniku Wood. Materijal i datum opisuju kako i kada je original izrađen.
O kakvom se umjetničkom djelu radi kod "Untitled"?
U katalogu je djelo "Untitled" autora Monika Elisabeth De Vries Gohlke klasificirano kao Sculpture. Ova kategorija pomaže u pronalaženju sličnih radova.
Mogu li pregledati "Untitled" autora Monika Elisabeth De Vries Gohlke prije narudžbe?
Pregled djela "Untitled" autora Monika Elisabeth De Vries Gohlke možete pogledati na stranici Pregled u prostoru za to umjetničko djelo.
Biografija umjetnika
A Botanical Journey Through Line and Light
Born in Bremen, Germany, Monika Elisabeth De Vries Gohlke has cultivated a career that breathes life into the delicate intricacies of the natural world. Her journey from her German roots to the vibrant artistic landscape of New York City is one defined by a profound connection to organic forms. While her early education immersed her in the prevailing currents of Abstract Expressionism, Pop Art, and Minimalism, these movements served more as a backdrop than a destination. Instead, she found her true calling in the quiet, meticulous study of flora, embarking on a dedicated botanical art career in 1985 that would eventually lead her to become a fellow of the Brooklyn Botanic Garden Florilegium Society.
The essence of Gohlke’s work lies in her ability to translate the ephemeral beauty of a leaf or a blossom into enduring print and pigment. Her technical repertoire is as diverse as the gardens she explores, ranging from the soft, fluid grace of watercolors to the complex, tactile depths of etching and aquatint. She possesses a masterful command over the copper plate, utilizing techniques such as scratching, scraping, burnishing, and spit-biting to capture the very soul of her subjects. Often, she enhances these prints with the delicate application of Chine-collé, adding a layer of refined texture that mirrors the organic complexity of the plants themselves.
The Art of Observation and Botanical Precision
For Gohlke, the process of creation is an intimate dialogue with nature. She often finds her inspiration within the lush confines of public and private gardens, or during winter descents into the warmth of conservatories. Her work is not merely a representation of plants but an emotional response to their existence. Whether she is capturing the dramatic silhouette of a Magnolia ashei or the heavy, sun-drenched weight of a Ponderosa citrus fruit, her art seeks to preserve the "divine magic" found in every leaf and thorn. This dedication to botanical accuracy and aesthetic beauty has earned her a place in some of the world's most prestigious institutions.
Her achievements are reflected in the esteemed collections that house her work, including:
- The Metropolitan Museum of Art
- The Hunt Institute for Botanical Documentation, Pittsburgh
- The New York Public Library
- The Library of Congress, Washington, D.C.
- The New York Historical Society
- The Brooklyn Botanic Garden
Through her meticulous etchings and paintings, Monika Elisabeth De Vries Gohlke continues to bridge the gap between scientific observation and fine art, inviting viewers to pause and witness the exquisite, often overlooked wonders of the botanical realm.
Monika Elisabeth De Vries Gohlke
1952 - , Germany
Osnovne informacije
- Full Name: Monika Elisabeth De Vries Gohlke
- Notable Artworks:
- Untitled
- Caiman
- Pumpkin (Detail)
- Magnolia ashei
- Ponderosa
- Place Of Birth: Bremen, Germany
- Date Of Birth: 1952
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