1988
Untitled (Larry Bell, 1988)
Larry Bell (1939) je izradio Untitled. Datira iz 1988. Dimenzije su 305 × 152 cm.
- 1988
- 305 × 152 cm
Untitled, ukratko
- Naslov
- Untitled
- umjetnik
- Larry Bell (1939)
- Rođen/a u
- Chicago, United States
- Datum
- 1988
- Dimenzije
- 305 × 152 cm
Slike visoke rezolucije djela Untitled
Zaštićeno autorskim pravima: ove datoteke služe za osobnu referencu, a ne kao licenca za ponovno objavljivanje.
Larry Bell, Untitled (1988).
Odgovori na pitanja o Untitled
U kojoj je godini nastalo djelo "Untitled" autora Larry Bell?
Djelo "Untitled" autora Larry Bell nastalo je 1988. godine.
Koje su dimenzije izvornog djela "Untitled" autora Larry Bell?
Dimenzije izvornog djela "Untitled" autora Larry Bell su 305 x 152 cm.
Je li "Untitled" autora Larry Bell u javnom vlasništvu?
Što se tiče autorskih prava, "Untitled" je u i dalje je zaštićeno autorskim pravima.
Tko je stvorio "Untitled"?
Autor djela "Untitled" je Larry Bell. Rad je katalogiziran pod imenom Larry Bell.
Koliko je godina imao/la Larry Bell u vrijeme stvaranja djela "Untitled"?
Larry Bell je imao/la 49 godina u trenutku stvaranja djela "Untitled" u 1988 godini. Dob je izračunata na temelju godine umjetnikovog rođenja, 1939.
O umjetniku, Larry Bell
1939, United States
Larry Bell
Larry Bell: Sculpting Perception Larry Bell, a name synonymous with light, space, and the evocative interplay between art and environment, is a pivotal figure in contemporary American sculpture. Born in Chicago in 1939 and currently residing in Taos, New Mexico, and Venice, California, his career spanning over four decades has been marked by an unwavering exploration of perceptual experience – how we see, how we interact with objects, and the subtle shifts in our awareness that occur when confronted with carefully crafted illusions. Bell’s work isn't simply about creating beautiful forms; it’s a deliberate invitation to question the nature of reality itself. From his early studies at the Chouinard Art Institute in Los Angeles during the late 1950s, under the tutelage of luminaries like Robert Irwin and Emerson Woelffer, Bell began to develop a fascination with abstraction and the relationship between form and space.