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The Trial

John Samuel Tunnard’s ‘The Trial,’ painted in 1944, delves into psychological exploration with layered perspectives and evocative motifs. Inspired by modernist fabric design and jazz, this artwork reflects a contemplative mood amidst the anxieties of WWII.

Discover John Samuel Tunnard (1900-1971): a key English modernist painter influenced by Surrealism. Explore his landscapes, portraits & textile designs at OriginalUniqueArt.

Djelo prikazano na ovoj stranici zaštićeno je autorskim pravima, što znači da zakonski ne možemo izraditi niti prodati identičnu reprodukciju. Ova se zaštita provodi u skladu s međunarodnim sporazumima kao što su Bernska konvencija i nacionalnim zakonima, uključujući i one koji su utvrđeni u Američki zakon o autorskom pravu – Title 17.

Ova metoda u potpunosti je usklađena s autorskim pravima jer ne uključuje kopiranje ili dupliciranje zaštićenih umjetničkih djela. Umjesto toga, riječ je o kreativnoj reinterpretaciji – novoj slici koja je dobila utjecaj na izvornik, ali nije identična njemu.

Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu proizvodnju i fleksibilne opcije završne obrade. ( Naručite ručno oslikano reprodukciju Prebacite na digitalnu prodaju slika)

Corner sample of the P118B picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: ližani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: ližani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: ližani polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: ližani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: ližani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: ližani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8

Standardne dimenzije
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INCH

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Besplatna ekspresna dostava širom svijeta
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Ukupna cijena

€ 70

The Trial

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 70

Brzi pregled

  • Notable elements or techniques: Perspective play; Void motifs; Ochre-yellow figure.
  • Artist: John Samuel Tunnard
  • Medium: Oil on Canvas
  • Influences: Marine life"; "Jazz music"; "Fabric design
  • Subject or theme: Psychological exploration; Dreamscape.
  • Title: The Trial

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
What artistic movement is John Tunnard’s painting ‘The Trial’ primarily associated with?
Pitanje 2:
Where was John Tunnard's early career exhibition showcasing his work held?
Pitanje 3:
What is a prominent motif within Tunnard's painting 'The Trial', reflecting his broader artistic interests?
Pitanje 4:
Which influential figure inspired Tunnard’s exploration of perspective and its impact on conveying mood in ‘The Trial’?
Pitanje 5:
What was John Tunnard's role during World War II, contributing to his artistic inspiration?
After studying textile design at the Royal College of Art, John Tunnard began his career as a designer and fabric-buyer for John Lewis in London. In the 1930’s, he moved with his wife to Cornwall, establishing a silk block-printing business. It was while he was in Cornwall that Tunnard turned towards painting. Identified as an English Surrealist, his paintings were shown alongside Yves Tanguy, Paul Nash, Graham Sutherland and John Piper. He was widely regarded and exhibited during his life, with an early career exhibition at Peggy Guggenheim’s ‘Guggenheim Jeune’ gallery in London, (open between 1938-9). He would produce two major works for the 1951 Festival of Britain – a painting, The Return (1951) and a mural for the Regatta Restaurant. Influences on his work include Modern fabric design, an interest in marine life, free-association music (Tunnard was a keen jazz player), and the natural world, (he also collected rare insects for the Natural History Museum while it was still a part of the British Museum).A play on perspective gives this painting its macabre ‘down the rabbit hole’ ambience. This painting leads its viewer into a world of multiple planes, lines and voids. Peering into its visual machine, one’s investigations are quickly interrupted by a disappearing line, or a strike that crosses one’s view or bends one’s vision along a new route. The viewer’s eye experiences a kind of paroxysm while looking at this painting. A darting effect is produced that leaves us confused as to the ‘real’ nature of the pattern itself. Whatever was first understood becomes distorted and we are left with such questions as: where is the front? where is at the back? what indeed, is happening here?A number of motifs within this work are common across Tunnard’s practice at this time. The ochre-yellow figure to the right recurs in the work Ghost painted in the same year, and the sharp base-point of tentatively poised shapes are present in other paintings at this time. Voids, doorways, red colour accents, white scores across the composition and generally a dark, nocturnal palate, are all present throughout a body of work that Tunnard painted across the final years of the Second World War.A conscientious objector, Tunnard spent most of the war as a coastguard on the Cornish coast. In this role, his regular view would have been towards occupied France and across an embattled mass of sky and sea. An active stage of war, this coastal strip was the southernmost ‘front’ of Great Britain. A distorted political space, The Channel, much like this painting, was ideologically abstracted by opposing forces that brawled across it.The sea meets the sky in this painting, which recasts an agitated and sombre character of war. As a critic of The Times was to later write about Tunnard’s work during this period, his:‘imagery seems to spring directly from the war, from a time when deserted airships beneath the moon and skies scored with the smoke-trails of aerial battles brought a sudden anticipatory glimpse of the space-age. Mr Tunnard’s obsession with the dynamics of flight, and his visions of an upper ether patterned and articulated by them were never… documentary records, but more like romantic pictorial science-fiction.’ © Gemma Sharp 20101. Imagery derived from War. Mr John Tunnard’s Paintings’. The Times, 7th December 1959. p14.

Pitanja i odgovori

Koja faza razvoja umjetnika John Samuel Tunnard nalazi se u djelu "The Trial"?

"The Trial" predstavlja Mature Period umjetnika John Samuel Tunnard.

Nalazi li se "The Trial" autora John Samuel Tunnard u domovini umjetnika?

Ne – umjetničko djelo se nalazi u inozemstvu. Djelo "The Trial" nalazi se u državi Ujedinjeno Kraljevstvo, dok je John Samuel Tunnard rođen/a u državi United Kingdom.

Kako mogu pogledati "The Trial" autora John Samuel Tunnard u obliku prezentacije?

Dostupna je i prezentacija slika: stranica Diaporama za djelo "The Trial" autora John Samuel Tunnard.


Biografija umjetnika

John Samuel Tunnard: A Life in Modern British Art

Early Life and Education

John Samuel Tunnard (1900-1971) was an English modernist painter and designer. Born in Sandwich, Kent, he initially studied design at the Royal College of Art from 1919 to 1923. This foundational training would prove crucial throughout his artistic career, influencing both his painting style and his later ventures into textile design.

Early Career & Textile Design

During the 1920s, Tunnard worked in various textile design roles in Manchester. This period provided him with practical experience and an understanding of pattern, color, and form – elements that would later become prominent features of his paintings. In 1926, he married Mary May Robertson, a partnership that would significantly shape both their personal and professional lives.

Artistic Development & Influences

By 1928, Tunnard began to focus seriously on painting. He taught design at the Central School of Arts and Crafts in London from 1929 onwards, further solidifying his engagement with artistic principles and pedagogy. His work during this time demonstrates a growing interest in modernist aesthetics. Tunnard’s style was notably influenced by Surrealism, although he never formally joined the movement. He participated in several surrealist exhibitions throughout the 1930s, including one at the Gordon Fraser Gallery in Cambridge.

Cornwall and a New Artistic Direction

In 1933, Tunnard and his wife moved to Cadgwith, Cornwall. There, they established a business producing printed silks, allowing them to combine their artistic talents with entrepreneurial endeavors. The Cornish landscape profoundly impacted Tunnard’s art, inspiring many of his later landscapes and providing a new source of visual motifs.

Major Works & Artistic Style

Tunnard's oeuvre encompasses both paintings – including notable landscapes and portraits – and textile designs. His painting style is characterized by its lyrical abstraction, dreamlike qualities, and vibrant color palettes. He often blended representational elements with abstract forms, creating a unique visual language that reflects his surrealist leanings.

  • His landscapes frequently depict the Cornish coastline, rendered in bold colors and fluid shapes.
  • His portraits explore psychological depth through expressive brushwork and unconventional compositions.
  • His textile designs showcase innovative patterns and color combinations, demonstrating his versatility as an artist.

Exhibitions & Recognition

Tunnard exhibited widely throughout his career. He showed work at the Royal Academy and with the London Group (which he joined in 1934). His participation in surrealist exhibitions further cemented his position within the British avant-garde.

Legacy & Historical Significance

John Samuel Tunnard is now considered one of the most important English modernist painters. His work represents a unique synthesis of Surrealism, abstraction, and landscape painting. Examples of his art can be found in prominent collections such as the National Galleries of Scotland. He contributed significantly to the development of modern British art, bridging the gap between traditional representation and abstract expression.

John Samuel Tunnard

John Samuel Tunnard

1900 - 1971 , United Kingdom

Brzi pregled

  • Name: John Samuel Tunnard
  • Movement: Modernism, Surrealism
  • Birth Date: 1900
  • Death Date: 1971
  • Birth Place: Sandwich, United Kingdom
  • Nationality: British
  • Date Of Birth: 1900
  • Date Of Death: 1971
  • Influenced By: Surrealism
  • Notable Works: Landscapes, Portraits, Textile Designs
  • Place Of Birth: Sandwich, United Kingdom