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Arlequin et clarinette

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po narudžbi od strane naših umjetnika. ( Prebacite na printove Prebacite na digitalnu sliku)

Opis kolekcionarskog predmeta

Jacques Lipchitz's 'Arlequin et clarinette' is a striking bronze sculpture embodying Cubist abstraction with its fragmented forms and dynamic composition, capturing a musician’s focused expression.

Biografija umjetnika

Istražite 'Seated Figure' Jacquesa Lipchitza, ključnu kubističku skulpturu iz 1917. Otkrijte njezinu geometrijsku apstrakciju i grubost teksture u ovom jedinstvenom kamenom remek-djelu.

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Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardne dimenzije
po mjeri
CM
INCH

Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

širina
visina

Unesite potrebnu širinu i visinu kako bi dimenzije odgovarale vašem okviru ili zidu. Budući da je riječ o ručno oslikanom djelu, umjetnik može malo proširiti rubove slike ili ih skratiti kako bi postigao drugačiji oblik — izbor je vaš. Prije početka slikanja poslat ćemo vam digitalni prikaz (mockup) radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni rezultat — samo digitalni prikaz to čini.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
White €1
Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
Blurside €1
Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
Extended €1
Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8
Corner sample of the H24-GOLD picture frame: rezbarano drvo s gessom, 10 cm wide and 6 cm thick
H24-GOLD €30
Corner sample of the H24-SILVER picture frame: rezbarano drvo s gessom, 10 cm wide and 6 cm thick
H24-SILVER €30
Corner sample of the H36-GOLD picture frame: rezbarano drvo s gessom, 15 cm wide and 6.5 cm thick
H36-GOLD €45
Corner sample of the H36-SILVER picture frame: rezbarano drvo s gessom, 15 cm wide and 6.5 cm thick
H36-SILVER €45

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Isporuka širom svijeta () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (2 Studeni). Bez kompromisa u kvaliteti.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Detalji gravirane brončane pločice

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Arlequin et clarinette

Tehnika reprodukcije

Veličina reprodukcije

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Odabrani vrhunski umjetnik

Više detalja, profinjenosti i dodatnog vremena za izradu

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Okvir za reprodukciju

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Za umjetnička djela ili reprodukcije veće od 105 cm (približno 41 inč) na bilo kojoj strani, okvir će biti isporučen u obliku rastavljenog seta za montažu. Ovaj način osigurava sigurnu dostavu i sprječava oštećenja tijekom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod za samostalnu izradu.
Set mora sastaviti i platno zategnuti iskusni profesionalni uokvirivač, koristeći drvno ljepilo (nije uključeno u set), kljeste za zatezanje platna i stege kako bi se održao pravilan kut letvica dok se ljepilo suši. Nepravilna montaža ili neravnomjerno zategnuto platno mogu trajno oštetiti umjetničko djelo, a takva oštećenja nisu pokrivena našim jamstvom.

  • Sve letvice od punog drveta su uključene, precizno izrezane po mjeri.

  • Montira se pomoću priloženih vijaka, uz dodatak ljepila za drvo za spojeve u kutovima, koje nije uključeno u set i koje vaš okviraš mora vlastito nabaviti.

  • Potrebni su profesionalni alati koji nisu uključeni: škripc za zatezanje platna (zatezač) i stezaljke za održavanje pravokonačnosti letvica tijekom sušenja ljepila.

Važno:
Za spojeve u kutovima potrebno je ljepilo za drvo, letvice se moraju pričvrstiti stezgama dok se ljepilo potpuno ne osuši, a za zatezanje platna na sastavljenom okviru potreban je alat za zatezanje platna. Nijedan od ovih alata nije uključen u set. Molimo vas da prije narudžbe ove veličine osigurate uslugu iskusnog profesionalnog uokvirivača.

Natpisna pločica

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Zaštitni lak

Sjajni lak (pojačava intenzitet boja, štiti od svjetlosti i vlage)

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Hitna dostava

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Uključeno u cijenu

Ukupna cijena

€ 267

Ukupna cijena € 267

Opcija stakla dostupna je samo za dimenzije manje od 110 cm

Included with every order

  • Besplatna ekspresna dostava širom svijeta
  • Visokokvalitetno laneno platno
  • Potpuno osiguranje dostave
  • Jamstvo povrata carine i uvoznih poreza
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A Dance of Geometry: Jacques Lipchitz’s “Arlequin et clarinette”

Jacques Lipchitz's "Arlequin et clarinette," a bronze sculpture born from the crucible of early 20th-century artistic revolution, is more than just a depiction of a musician; it’s a distilled essence of Cubist fragmentation and a poignant exploration of human form within an abstract landscape. Completed in 1919, this work stands as a pivotal moment in Lipchitz's career, marking a decisive shift from the representational concerns of his earlier years to a bolder embrace of geometric abstraction. The sculpture’s power lies not just in its formal innovation but also in the subtle emotional resonance it evokes – a sense of contained energy, focused concentration, and perhaps even a touch of melancholy.

The genesis of “Arlequin et clarinette” is deeply intertwined with the intellectual currents swirling through Paris at the time. Lipchitz, having arrived from Lithuania in 1909, found himself immersed in the vibrant artistic community surrounding Picasso, Braque, and Gris – all key figures in the development of Cubism. This environment profoundly shaped his approach to sculpture, pushing him to dismantle traditional notions of volume and perspective. The figure of the harlequin, a recurring motif in Commedia dell’arte traditions, provided an ideal subject for this experimentation: its inherently fragmented and theatrical nature lent itself perfectly to the Cubist aesthetic. Lipchitz wasn't simply recreating a portrait; he was dissecting and reassembling the figure, revealing its underlying structure through a process of geometric reduction.

Deconstructing Form: Technique and Materials

The sculpture’s remarkable solidity belies the complex techniques employed by Lipchitz. Crafted from bronze – a material he expertly manipulated to capture both texture and detail – “Arlequin et clarinette” exemplifies the lost-wax casting process, a method renowned for its ability to produce highly refined surfaces. Close examination reveals the meticulous application of chasing and tooling, techniques used to subtly refine the edges of the geometric planes that define the figure. These deliberate marks aren’t imperfections; they are integral to the sculpture's visual language, adding depth and emphasizing the interplay between light and shadow.

The choice of bronze itself is significant. Known for its durability and capacity to retain fine detail, it allowed Lipchitz to translate his abstract ideas into a tangible form. The muted color palette – primarily shades of brown and grey – further contributes to the sculpture’s contemplative mood. These tones are not merely decorative; they reflect the material's inherent qualities and create a sense of understated elegance.

Symbolism and Emotional Resonance

Beyond its formal innovations, “Arlequin et clarinette” is rich in symbolic meaning. The fragmented figure, with its sharply angled planes and simplified forms, can be interpreted as a representation of the complexities of modern life – a world fractured by rapid change and technological advancement. The harlequin’s instrument, the clarinet, adds another layer of interpretation, evoking themes of music, performance, and perhaps even alienation. The musician's posture—a slight tilt of the head, focused gaze—suggests both intense concentration and a certain detachment from the surrounding world.

Furthermore, the sculpture’s composition subtly hints at a dialogue between tradition and modernity. Lipchitz drew inspiration from the theatrical traditions of Commedia dell’arte, yet he transformed these familiar figures into abstract forms, reflecting the broader artistic movement's challenge to established conventions. The work embodies a tension between the recognizable and the unknown, inviting viewers to contemplate the nature of representation and the evolving role of art in society.

A Legacy of Innovation

"Arlequin et clarinette" stands as a testament to Jacques Lipchitz’s artistic vision and his pivotal role in shaping the course of 20th-century sculpture. Its geometric abstraction, masterful technique, and subtle symbolism continue to resonate with audiences today, solidifying its place as a landmark work of modern art. Reproductions of this captivating piece offer a unique opportunity to bring this dynamic exploration of form and emotion into any space, serving as both a conversation starter and a source of enduring inspiration.

Pitanja i odgovori

Postoji li prezentacija u obliku slajdova za "Arlequin et clarinette" autora Jacques Lipchitz?

Diaporama djela "Arlequin et clarinette" možete pogledati na stranici Galerija slika tog umjetničkog djela.

Jesu li boje djela "Arlequin et clarinette" autora Jacques Lipchitz zasićene ili prigušene?

"Arlequin et clarinette" autora Jacques Lipchitz prikazano je s Muted zasićenjem.

Mogu li vidjeti "Arlequin et clarinette" autora Jacques Lipchitz pod različitim svjetlima?

Stranica Rentgenska snimka djela "Arlequin et clarinette" autora Jacques Lipchitz interaktivni je preglednik koji vam omogućuje istraživanje jedanaest optičkih slojeva slike umjetninog djela, uključujući i prikaz u stilu rentgenskog snimka.

More about this painting

Prebacite na printove Prebacite na digitalnu sliku Pošalji
Detalji o umjetničkom djelu Vodič Dodaj u omiljene Preuzmi umjetničko djelo Slični predmeti Slide show Q&A Statistika

In numbers

  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Jacques Lipchitz

Jacques Lipchitz

1891 - 1973, Litvanija

Quick facts about Jacques Lipchitz

  • , "Place Of Birth: Druskininkai, Litva
  • Artistic Movement Or Style: Kubizam, Kristalni kubizam
  • Artists Who Influenced This Artist:
    • Pablo Picasso
    • Juan Gris
  • Date Of Birth: 1891.
  • Date Of Death: 1973.
  • Full Name: Jacques Lipchitz
  • Nationality: Litavsko-francusko-američki
  • Notable Artworks:
    • Akrobat na konju
    • Instruments de musique
    • Le guitariste
    • Pierrot
    • Arlekin s klarinetom
    • Čovjek s gitarom
    • Rođenje muz

Biografija umjetnika

Život isklesan promjenama: Put Jacquesa Lipchitza

Rođen kao Chaim Jacob Lipschitz 1891. godine u litvanskom gradu Druskininkai, umjetnički put Jacquesa Lipchitza dramatično su oblikovali preseljenja i inovacije. Njegovo rano djetinjstvo, ukorijenjeno u litvanskoj židovskoj obitelji u kojoj je otac radio kao građevinski izvođač, u početku ga je usmjerilo prema studijama inženjerstva. Međutim, bujanje kreativno srce, potpomognuto majčinom podrškom, pognalo ga je prema Parizu 1909. godine – gradu koji je tada pulsirao umjetničkom revolucijom. Upisao je École des Beaux-Arts i Académie Julian, uranjajući u živopisne zajednice Montmartrea i Montparnassea. Upravo je unutar tih krugova stekao prijateljstva s luminarima poput Juana Grisa, Pabla Picassa i Amedea Modiglianija – pri čemu je posljednji postao poznat po dirljivom dvostrukom portretu Lipchitza i njegove supruge Berthe. Te su rane veze bile presudne, postavljajući temelje za Lipchitzovo prihvaćanje kubizma, iako on izrazito prožet njegovom vlastitom senzibilitetnošću.

Kristalizacija forme: Lipchitz i kubistička skulptura

Lipchitz nije jednostavno prenio slikarstvo u tri dimenzije; on je skulpturirao kubizam. Iako pod dubokim utjecajem Picassoovih i Braqueovih razbijenih perspektiva, Lipchitz je zadržao iznimnu razinu figurativnosti u svom radu sve do otprilike 1915. ili 1916. godine. Njegove skulpture nisu bile potpuno apstraktne; one su nagovještavale prepoznatljive oblike, prožete osjećajem emocionalne težine. To je evoluiralo u ono što je postalo poznato kao „kristalni kubizam“, stil koji karakteriziraju fasetiranje i transparentnost – pokušaj kako bi se istovremeno uhvatili višestruki gledišta unutar jedne forme. Eksperimentirao je s razbijanjem prostora, stvarajući dinamične kompozicije koje su izgledale kao da svjetlucaju unutarnjom svjetlošću. Njegova samostalna izložba 1920. godine u Galeriji L'Effort Moderne Léoncea Rosenberga u Parizu učvrstila je njegov položaj vodeće figure pariske škole i predstavila ovaj jedinstveni skulpturalni jezik. Djela poput „Arlekina s klarinetom” exemplificiraju ovo razdoblje, prikazujući fragmentirane forme koje i dalje uspijevaju prenijeti osjećaj razigrane energije i ljudskog prisustva. On nije samo dekonstruirao formu; on ju je ponovno gradio prema novoj vizualnoj logici.

Progon i izum: Novi svijet, obnovljena vizija

Nadolazeća sjena Drugog svjetskog rata prisilila je na duboki prevrat u Lipchitzovom životu. Kako se nacistički režim učvršćivao u Francuskoj, a progon Židova intenzivirao, bio je prisiljen pobjeći iz domovine koju je prihvatio. Uz neprocjenjivu pomoć američkog novinara Variana Fryja u Marseilleu, pobjegao je u Sjedinjene Američke Države, na kraju se smjestivši u New York, a kasnije u Hastings-on-Hudson. Ovo preseljenje nije bilo samo geografska promjena; označilo je prekretnicu u njegovom umjetničkom putu. Dok je nastavio istraživati kubističke principe, Lipchitzovo djelo počelo je poprimati nove dimenzije, odražavajući traumu egzila i sve veći angažman s egzistencijalnim temama. Stvorio je monumentalne skulpture poput „Rođenja muza” (1944.–1950.), naručenih u sjećanje na Jeromea Wiesnera, koje su pokazale njegovo majstorstvo u bronzi i sposobnost prenosa duboke emocije kroz apstraktne forme.

Kasne refleksije: Vjera, naslijeđe i toskanski odmor

U svojim kasnijim godinama, Lipchitz je doživio produbljivanje veze sa svojom židovskom vjerom, prihvaćajući vjersko bdjenje s obnovljenom žarom – čak je svakodnevno proučavao Toru i nosio tefillin po poticaju Lubavitcher Rebbea, rabija Menachema Schneersona. To je duhovno buđenje infuziralo njegov rad novim slojem značenja. Često se vraćao u Europu, nalazeći utjehu i inspiraciju u Pietrasanti u Italiji, gdje je stekao blisko prijateljstvo s kolegom kiparom Fioreom de Henriquezem. Njegova autobiografija, napisana u suradnji s H. Harvardom Arnasonom i objavljena 1972. godine uz izložbu u Metropolitan Museum of Art, ponudila je dirljivu refleksiju na njegov život i umjetnički put. Jacques Lipchitz preminuo je na Capriju u Italiji 1973. godine, ali njegovo tijelo je preneseno u Jeruzalem radi pokopa – što je svjedočanstvo njegove duboke povezanosti s vlastitim nasljeđem. Njegova toskanska vila, Bozio, danas služi kao židovski ljetni kamp, osiguravajući da njegovo naslijeđe nastavi inspirirati buduće generacije. Za sobom nije ostavio samo izvanredno djelo skulpture, već i moćan primjer umjetničke otpornosti i neukrotivog ljudskog duha.

Osnovne informacije

  • Artistic style: Fragmented, angular
  • Location: Barnes Foundation
  • Dimensions: 73.5 cm x 25.5 cm x 25.5 cm
  • Artist: Jacques Lipchitz
  • Subject or theme: Harlequin musician
  • Influences: Commedia dell'arte