Pregledaj u realnoj veličini Pregled u AR-u Kupi ručno oslikano djelo Prebacite na digitalnu sliku Pošalji
Detalji o umjetničkom djelu Vodič Dodaj u omiljene Preuzmi umjetničko djelo Slični predmeti Rentgenska snimka Slide show Pitanja i odgovori Statistika

Fall of Man

Dimenzije
204.0 x 134.0 cm

Hendrik Goltzius's "Fall of Man" (1608) masterfully depicts Adam and Eve’s transgression, showcasing Northern Mannerism with dramatic lighting & symbolic depth. Explore temptation, innocence lost, and divine judgment in this iconic artwork.

Istražite gravure i slike Hendrika Goltziusa (1558-1617), majstora sjevernog manierizma. Otkrijte njegove dinamične kompozicije, inovativne tehnike poput 'pripadajuće linije' i utjecaj na baroknu umjetnost.

Giclée / Umjetnički otisak

Giclée tisak muzejske kvalitete ili otisak na platnu uz brzu izradu i raznolike opcije završne obrade. ( Kupi ručno oslikano djelo Prebacite na digitalnu sliku)

Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8

Standardne dimenzije
po mjeri
CM
INCH

Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

širina
visina

Unesite potrebnu širinu i visinu kako bi odgovarali vašem okviru ili zidu. Print se može samo izrezati, nikada ne može biti veći od slike, stoga format s drugačijim omjerom stranica uzrokuje gubitak dijela slike. Prije bilo kakve štampe šaljemo vam digitalni prikaz (mockup) na odobrenje. Slika prikazana na ovoj stranici ne prikazuje stvarni rez — to prikazuje isključivo digitalni prikaz.

Dostava širom svijeta () u roku od 2 tjedna umjesto standardnih 4/5 tjedana. (8 Studeni)

Besplatna ekspresna dostava širom svijeta
Visokokvalitetno laneno platno
Potpuno osiguranje dostave
Jamstvo povrata carine i uvoznih poreza
Jamstvo vjernosti boja
Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
Jamstvo povrata 100% novca
Popust na više proizvoda

Ukupna cijena

€ 72

Fall of Man

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 72

Osnovne informacije

  • Title: Fall of Man
  • Dimensions: 204 x 134 cm
  • Location: Hermitage, St. Petersburg
  • Movement: Northern Mannerism
  • Notable elements: Chiaroscuro, cherubs
  • Medium: Oil on panel

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
What is the primary artistic style of Hendrik Goltzius’s ‘Fall of Man’?
Pitanje 2:
The apple in the painting symbolizes primarily:
Pitanje 3:
Which of the following best describes the use of lighting in ‘Fall of Man’?
Pitanje 4:
According to the description, what technique did Goltzius likely employ to achieve subtle color variations in the painting?
Pitanje 5:
The presence of cherubs in the painting primarily serves to:

A Descent into Shadow and Desire: Hendrick Goltzius’s “Fall of Man”

Hendrik Goltzius's "Fall of Man," painted in 1608, isn’t merely a depiction of a biblical narrative; it’s a masterclass in Northern Mannerism—a visual embodiment of human temptation, regret, and the poignant loss of innocence. This meticulously rendered scene, measuring 204 x 134 cm, transports us to the Garden of Eden, not as a paradise of idyllic beauty, but as a stage for a profound emotional drama. Goltzius, a pivotal figure in the transition from engraving to painting, masterfully employs dramatic chiaroscuro—a stark contrast between light and dark—to sculpt the figures and imbue the composition with an almost theatrical intensity. The elongated forms, characteristic of Mannerism, lend a sense of heightened emotion and psychological depth, while the subtle details, from the texture of Adam’s skin to the delicate veins in the leaves, reveal Goltzius's extraordinary technical skill.

The painting centers on Adam and Eve, rendered with an arresting realism that belies their mythological status. They are not presented as naive figures but as individuals grappling with a momentous decision. Eve’s hand, reaching towards Adam, is particularly captivating – a gesture of both desire and apprehension. The positioning of the couple, reclining near the imposing apple tree, immediately draws the eye, establishing a clear visual hierarchy that emphasizes their vulnerability and impending doom. Noticeably absent are any overt signs of punishment or divine judgment; instead, Goltzius focuses on the immediate emotional consequences of their transgression – the burgeoning awareness of their own nakedness and the nascent stirrings of desire.

The Language of Symbolism: Apples, Cherubs, and the Serpent’s Whisper

At the heart of the composition lies the apple itself—a potent symbol of temptation and forbidden knowledge. Its crimson hue explodes against the muted tones of the surrounding landscape, immediately arresting the viewer's attention. The inclusion of two cherubs nestled amongst the foliage adds a layer of mythological complexity, hinting at the divine presence that has been irrevocably disrupted by Adam and Eve’s actions. These winged figures, often associated with innocence and protection, now seem to witness the unfolding tragedy with a sense of sorrow or perhaps even judgment. The subtle suggestion of a serpent coiled within the branches of the tree—a visual echo of the biblical narrative—further reinforces the theme of deception and the allure of transgression.

Technique and Artistic Process: A Master of Detail

Goltzius’s technical prowess is evident in every brushstroke. The painting was likely executed using oil paints on panel, a medium that allowed for the rich textures and subtle color variations he so skillfully employed. The smooth blending of colors creates an illusion of depth and volume, while the meticulous rendering of Adam and Eve's musculature demonstrates his deep understanding of human anatomy. Close examination reveals the use of glazes—thin layers of translucent paint applied over dried underlayers—to achieve a luminous quality and enhance the sense of realism. The directional lines carved into the branches of the tree not only guide the viewer’s eye through the composition but also contribute to the overall feeling of drama and movement.

A Window into the 17th Century: Northern Mannerism and Beyond

"Fall of Man" stands as a powerful testament to the artistic sensibilities of the early Baroque period. Goltzius’s work exemplifies the key characteristics of Northern Mannerism—a style known for its elongated figures, dramatic lighting, and intense emotional expression. The painting reflects the intellectual currents of the time, grappling with themes of sin, redemption, and the human condition. It's a poignant reminder of our shared origins and the enduring power of storytelling to illuminate the complexities of morality and desire. Reproductions of this evocative artwork offer a unique opportunity to bring this masterpiece into your home or office, allowing you to contemplate its timeless message and appreciate Goltzius’s extraordinary artistic vision.

Pitanja i odgovori

Koja tehnika i stil karakteriziraju "Fall of Man" autora Hendrik Goltzius?

"Fall of Man" autora Hendrik Goltzius spaja tehniku Oil On Canvas sa stilom Northern Mannerism. Tehnika i pokret opisuju način izrade i stil djela.

Koja se namjena i prostor preporučuju za "Fall of Man" autora Hendrik Goltzius?

Preporučena uporaba (Statement) i prostor (Living Room) su dvije opcije navedene za "Fall of Man" autora Hendrik Goltzius.

Mogu li naručiti uljanu reprodukciju djela "Fall of Man"?

Ručno oslikane kopije djela "Fall of Man" autora Hendrik Goltzius dostupne su na stranici ovaj web-mjesto: ručno oslikana uljana reprodukcija na lanenom platnu, a mogu se naručiti putem njihove stranice Ručno oslikana reprodukcija.


Biografija umjetnika

Rano život i edukacija

Hendrick Goltzius, nizozemski grafičar, crtač i slikar rođen u njemačkoj zemlji, došao je na svijet u siječnju ili veljači 1558. godine. Kao vodeći nizozemski gravir u ranom baroknom razdoblju, odnosno sjevernom manierizmu, ostavio je trag zahvaljujući svojoj sofisticiranoj tehnici i "obilju" svojih kompozicija. Prema riječima A. Hyatt Mayora, Goltzius je "bio posljednji profesionalni gravir koji je crtao s autoritetom dobrog slikara i posljednji koji je izumio brojne slike koje su drugi kopirali". Njegova obitelj preselila se u Duisburg kada je imao samo tri godine, a nakon što je pod vodstvom oca proučavao slikanje na staklu, umjetnost graviranja naučio je od holandskog polimata Dircka Volckertzoona Coornherta.

Umjetnička karijera

Godine 1577, Goltzius se s Coornhertom preselio u Haarlem u Nizozemskoj Republici, gdje će ostati utemeljen do kraja života. Radio je i za Philipa Gallea na graviranju seta printova o povijesti Lukrecije. Zanimljivo je da je Goltzius imao deformaciju desne ruke uslijed požara koji je preživio kao beba, što se pokazalo neobično prikladnim za držanje burina. Ova jedinstvena fizička karakteristika omogućila mu je da ovlada impresivnim pokretom linije, čineći njegove gravure izuzetno prepoznatljivima. Hendrick Goltzius podnio je upotrebu "proširujuće linije" (swelling line) na neviđenu razinu, gdje se burinom manipulira kako bi se linije učinile debljim ili tanjim, stvarajući tonalni efekt vidljiv iz daljine.

Tehnika i stil

Goltzius je bio pionir tehnike "točke i romba", u kojoj se točke postavljaju unutar romboidnih prostora stvorenih križnim sjeničenjem kako bi se dodatno usavršilo tonalno sjeničenje. Njegovo vladanje burinom navode kao ravno Dürerovom, a izrađivao je i gravure po slikama Bartholomeusa Sprangera, čime je povećao slavu kako ovog drugog, tako i vlastitu. Goltzius je počeo slikati tek u četrdeset drugoj godini života; neka od njegovih ulja mogu se pronaći u Beču. Također je izveo nekoliko drvoreza u tehnici chiaroscuro. <

Javne kolekcije i naslijeđe

Većina značajnih grafičkih dvorana posjeduje skupinu Goltziusovih brojnih gravura, uključujući Museum Boijmans Van Beuningen, Rijksmuseum Amsterdam i The Metropolitan Museum of Art. Njegovo naslijeđe vidljivo je u djelima drugih umjetnika, poput Jacquesa Bellangea, koji je također bio majstor sjeverno-manierističke grafike. Goltziusove gravure i slike nastavljaju inspirirati ljubitelje umjetnosti i znanstvenike, a njegova djela mogu se pronaći na OriginalUniqueArt.com te u Wikipedia članku posvećenom njegovom životu i radu. Goltziusov doprinos svijetu umjetnosti neprocjenjiv je, a njegovo djelo nastavlja biti slavljeno i proučavano od strane ljubitelja umjetnosti diljem svijeta. Njegov jedinstveni stil i majstorstvo u graviranju i slikarstvu ostavili su trajno naslijeđe u svijetu umjetnosti.
Hendrik Goltzius

Hendrik Goltzius

1558 - 1617 , Italija

Osnovne informacije

  • Artistic Movement Or Style: Sjeverni manirom i barokna gravura
  • Artists Or Movements Influenced By This Artist: ['Jacques Bellange']
  • Artists Who Influenced This Artist:
    • Dirck Volckertszoon Coornhert
    • Bartholomeus Spranger
  • Date Of Birth: Siječanj ili veljača 1558.
  • Full Name: Hendrick Goltzius
  • Nationality: Nizozemski
  • Notable Artworks:
    • Obožavanje pastira
    • Arkadski krajolik
    • Glava sirene
    • Herkul ubija Kakusa
    • Demogorgon i božanstva
    • Apollo Belvedere
    • Posljednja večera
    • Vries, Frederik de (umro 1613)
  • Place Of Birth: Braunschweig, Italija