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A painting made for you, by hand

Five figures in Brooklyn.

Ručno rađena uljana reprodukcija

Ručno oslikano uljanim bojama na platnu u dimenzijama i okviru po vašem izboru, izrađeno po narudžbi od strane naših umjetnika. ( Prebacite na printove Prebacite na digitalnu sliku)

Opis kolekcionarskog predmeta

Explore Bruce Davidson’s iconic black & white photos capturing Harlem & Brooklyn life in 1959. Powerful social commentary & timeless street photography.

Biografija umjetnika

Bruce Davidson (rođ. 1933.) je priznati američki fotograf poznat po intimnim i empatičnim portretima marginaliziranih zajednica u Harlemu i Brooklynu. Član Magnum Photosa poznat po revolucionarnom kolor dokumentarizmu.

from ·

Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

Standardne dimenzije
po mjeri
CM
INCH

Odaberite jednu od naših unaprijed definiranih veličina koje odgovaraju izvornim proporcijama umjetničkog djela.

širina
visina

Unesite potrebnu širinu i visinu kako bi dimenzije odgovarale vašem okviru ili zidu. Budući da je riječ o ručno oslikanom djelu, umjetnik može malo proširiti rubove slike ili ih skratiti kako bi postigao drugačiji oblik — izbor je vaš. Prije početka slikanja poslat ćemo vam digitalni prikaz (mockup) radi potvrde. Slika prikazana na ovoj stranici ne predstavlja stvarni rezultat — samo digitalni prikaz to čini.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on masivno drvo bars
White €1
Corner sample of the BlurSideWrap canvas edge finish, stretched on masivno drvo bars
Blurside €1
Corner sample of the ExtendedWrap canvas edge finish, stretched on masivno drvo bars
Extended €1
Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8
Corner sample of the H24-GOLD picture frame: rezbarano drvo s gessom, 10 cm wide and 6 cm thick
H24-GOLD €30
Corner sample of the H24-SILVER picture frame: rezbarano drvo s gessom, 10 cm wide and 6 cm thick
H24-SILVER €30
Corner sample of the H36-GOLD picture frame: rezbarano drvo s gessom, 15 cm wide and 6.5 cm thick
H36-GOLD €45
Corner sample of the H36-SILVER picture frame: rezbarano drvo s gessom, 15 cm wide and 6.5 cm thick
H36-SILVER €45

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

Isporuka širom svijeta () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (30 Listopad). Bez kompromisa u kvaliteti.

Chapter 4

The finishing touches

A nameplate, as in a museum?

Detalji gravirane brončane pločice

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Detalji prozirne akrilne pločice

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Detalji crne akrilne pločice

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Five figures in Brooklyn.

Tehnika reprodukcije

Veličina reprodukcije

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Odabrani vrhunski umjetnik

Više detalja, profinjenosti i dodatnog vremena za izradu

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Okvir za reprodukciju

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Za umjetnička djela ili reprodukcije veće od 105 cm (približno 41 inč) na bilo kojoj strani, okvir će biti isporučen u obliku rastavljenog seta za montažu. Ovaj način osigurava sigurnu dostavu i sprječava oštećenja tijekom transporta.

Potrebna je profesionalna montaža – ovo nije proizvod za samostalnu izradu.
Set mora sastaviti i platno zategnuti iskusni profesionalni uokvirivač, koristeći drvno ljepilo (nije uključeno u set), kljeste za zatezanje platna i stege kako bi se održao pravilan kut letvica dok se ljepilo suši. Nepravilna montaža ili neravnomjerno zategnuto platno mogu trajno oštetiti umjetničko djelo, a takva oštećenja nisu pokrivena našim jamstvom.

  • Sve letvice od punog drveta su uključene, precizno izrezane po mjeri.

  • Montira se pomoću priloženih vijaka, uz dodatak ljepila za drvo za spojeve u kutovima, koje nije uključeno u set i koje vaš okviraš mora vlastito nabaviti.

  • Potrebni su profesionalni alati koji nisu uključeni: škripc za zatezanje platna (zatezač) i stezaljke za održavanje pravokonačnosti letvica tijekom sušenja ljepila.

Važno:
Za spojeve u kutovima potrebno je ljepilo za drvo, letvice se moraju pričvrstiti stezgama dok se ljepilo potpuno ne osuši, a za zatezanje platna na sastavljenom okviru potreban je alat za zatezanje platna. Nijedan od ovih alata nije uključen u set. Molimo vas da prije narudžbe ove veličine osigurate uslugu iskusnog profesionalnog uokvirivača.

Natpisna pločica

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Zaštitni lak

Sjajni lak (pojačava intenzitet boja, štiti od svjetlosti i vlage)

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Prilagodite svoje umjetničko djelo

Primjeri mogućnosti prilagodbe: Zamijenite lice fotografijom kupca; Dodajte ljubimca (npr. zamijenite mačku psom); Uključite skrivenu poruku u pozadinu; Promijenite pejzaž ili elemente pozadine.

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Hitna dostava

Globalna dostava () u roku od 3-4 tjedna umjesto standardnih 5 tjedana. (30 Listopad). Bez kompromisa u kvaliteti.

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Brza dostava

Dostava širom svijeta () u roku od 5 tjedana. (6 Studeni).

Uključeno u cijenu

Ukupna cijena

€ 353

Ukupna cijena € 353

Opcija stakla dostupna je samo za dimenzije manje od 110 cm

Included with every order

  • Besplatna ekspresna dostava širom svijeta
  • Visokokvalitetno laneno platno
  • Potpuno osiguranje dostave
  • Jamstvo povrata carine i uvoznih poreza
  • Jamstvo vjernosti boja
  • Politika povrata u roku od 100 dana (samo u slučaju nedostataka)
  • Jamstvo povrata 100% novca
  • Popust na više proizvoda

A Frozen Moment of Resilience: Bruce Davidson’s “Five Figures in Brooklyn”

Bruce Davidson's "Five Figures in Brooklyn," captured in 1959, isn’t merely a photograph; it’s a distilled essence of urban life—a poignant tableau of youth, isolation, and quiet defiance. This iconic image, now housed within the Metropolitan Museum of Art, immediately draws the viewer into a scene both familiar and profoundly unsettling. Davidson, a pivotal figure in Magnum Photos and renowned for his empathetic portraits of marginalized communities, eschews grand gestures or overt drama, instead opting for a deceptively simple composition that speaks volumes about the realities of post-war America.

The photograph’s power lies in its starkness—a monochrome palette dominated by deep blacks and subtle grays. The figures, rendered in soft focus, are positioned within a dimly lit interior, their faces partially obscured, creating an immediate sense of mystery and vulnerability. One young man stands slightly apart from the group, his posture suggesting introspection or perhaps a guarded reserve. The blurred foreground figure, a shadowy presence, adds to the feeling of observation and intrusion—as if we’re witnesses to a private moment, caught in a fleeting instant. Davidson's deliberate use of shallow depth of field further emphasizes this intimacy, pushing the figures into sharp focus while gently blurring the background, effectively isolating them within their environment.

The Context of Brooklyn Gang: A Snapshot of Youth Culture

Davidson’s decision to document the “Jokers” gang in Brooklyn was a deliberate act of social observation. At the time, teenage gangs were frequently portrayed through sensationalist media coverage, often focusing on criminality and delinquency. Davidson sought to move beyond these simplistic narratives, aiming instead to capture the complexities of young people navigating challenging circumstances. He spent over a year immersing himself in their world, building trust and documenting their daily lives—from street games like stickball to quiet moments of contemplation. This extended period of observation is evident in the photograph’s authenticity; it feels less like a staged portrait and more like a candid glimpse into a specific community.

The image emerged during a period of significant social change in America, following World War II. The post-war era was marked by economic prosperity but also by anxieties about conformity and the perceived breakdown of traditional values. Davidson’s work resonated with this cultural climate, offering a nuanced portrayal of youth grappling with identity, belonging, and the pressures of urban life. The photograph's timing—1959—is particularly significant, coinciding with the rise of rock and roll music, the emergence of rebellious youth culture, and growing concerns about juvenile delinquency.

Technique and Artistic Choices: A Masterclass in Documentary Photography

Davidson’s technical approach is characterized by a masterful understanding of light and shadow. He skillfully utilizes available light to create dramatic contrasts, emphasizing texture and form while simultaneously obscuring details. The photograph's graininess—a hallmark of black-and-white film—adds to its raw emotional impact, evoking the gritty reality of urban life. Davidson’s choice to keep the figures partially out of focus is not a flaw but rather a deliberate artistic decision. It creates a sense of immediacy and intimacy, drawing the viewer into the scene while simultaneously suggesting that we are merely observers.

Furthermore, Davidson's use of composition—the asymmetrical arrangement of the figures, the blurred foreground—contributes to the photograph’s overall impact. The image isn’t about capturing a single moment in time; it’s about conveying a sense of atmosphere and mood. Davidson’s approach reflects his commitment to documentary photography, prioritizing honesty and authenticity over stylistic flourishes.

Symbolism and Emotional Resonance: A Portrait of Quiet Strength

"Five Figures in Brooklyn" transcends its literal subject matter to become a powerful meditation on youth, resilience, and the human condition. The young men’s averted gazes suggest a sense of guardedness or perhaps a quiet defiance—a refusal to conform to societal expectations. Despite their apparent isolation, there's an underlying sense of camaraderie among them, hinting at shared experiences and mutual support. The photograph doesn’t offer easy answers or simplistic judgments; instead, it invites the viewer to contemplate the complexities of human relationships and the challenges faced by young people growing up in a rapidly changing world.

Ultimately, "Five Figures in Brooklyn" is a testament to Davidson's extraordinary ability to capture the essence of his subjects—to reveal their humanity through a single frame. It remains a profoundly moving image, offering a timeless glimpse into a specific moment in American history and reminding us of the enduring power of photography to connect us with others.

Pitanja i odgovori

Koliko su intenzivne boje djela "Five figures in Brooklyn."?

"Five figures in Brooklyn." autora Bruce Davidson prikazano je uz Muted zasićenost i Monochromatic intenzitet.

U kojoj fazi karijere Bruce Davidson pripada djelo "Five figures in Brooklyn." (1959)?

S obzirom na datum nastanka iz 1959., djelo "Five figures in Brooklyn." pripada Late Medieval periodu umjetnika Bruce Davidson.

Gdje mogu vidjeti pregled za "Five figures in Brooklyn."?

Kako biste pregledali reprodukciju djela "Five figures in Brooklyn." autora Bruce Davidson, otvorite stranicu Pregled u prostoru tog umjetničkog djela.

More about this painting

Prebacite na printove Prebacite na digitalnu sliku Pošalji
Detalji o umjetničkom djelu Vodič Dodaj u omiljene Preuzmi umjetničko djelo Slični predmeti Slide show Q&A Statistika

In numbers

  • 1959the year it was painted
  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Bruce Davidson

Bruce Davidson

1933 - , Sjedinjene Američke Države

Quick facts about Bruce Davidson

  • Artistic Movement Or Style: Socijalna dokumentarna fotografija
  • Artists Who Influenced This Artist:
    • Robert Frank
    • Eugene Smith
    • Henri Cartier-Bresson
  • Date Of Birth: 5. rujna 1933.
  • Full Name: Bruce Landon Davidson
  • Nationality: Američka
  • Notable Artworks:
    • Brooklyn Gang
    • East 100th Street
    • Subway
    • Bez naslova
  • Place Of Birth: Oak Park, SAD

Biografija umjetnika

Rano djetinjstvo i umjetni buđenje

Bruce Landon Davidson, rođen u Oak Parku, Illinois, 1933. godine, započeo je fotografsko putovanje koje će neizbrisivo obilježiti krajolik američke dokumentarne fotografije. Njegova priča nije priča o trenutnom umjetničkom pozivu, već o postepenom otkrivanju potpomognutom obiteljskom podrškom i ranoj istraživačkoj radoznalosti. U nježnoj dobi od deset godina, njegova je majka s pažnjom izgradila mračnu komoru u njihovom podrumu—čin koji je postao ključan za buđenje strasti koja će trajati cijeli život. To nije bio samo pristup opremi; to je bio poziv u svijet svjetla, sjene i kreativne kontrole. Ubrzo je potražio vodstvo od Al Coxa, lokalnog novinskog fotografa, koji mu je podučio ne samo tehničke zamuknutosti zanata, već i suptilnu umjetnost osvjetljenja i printanja—vještine koje će postati temelj njegovog prepoznatljivog stila. Utjecaj majstora poput Roberta Franka, Eugenea Smitha i Henrija Cartier-Bressona počeo je suptilno oblikovati njegovu viziju, ulijevajući mu želju da sa nepokolebljivom iskrenošću uhvati sirove emocije i društvene stvarnosti. Čak i kao tinejdžer, Davidson je pokazao izniman talent, osvojivši 1952. godine Kodak National High School Photographic Award za evokativnu sliku sove—svjedočanstvo njegovog naglo razvijenog oka za kompozicije i atmosferu.

Formativne godine i zagrljaj Magnuma

Davidsonova akademska istraživanja na Rochester Institute of Technology i Yale University dodatno su izbrušila njegove umjetničke osjećaje. Na Yaleu, pod mentorstvom Josefa Albersa, renomiranog teoretičara boja, doživio je kritičnu prekretnicu. Prvotno predstavljajući seriju fotografija koja prikazuje alkoholičare u Skid Rowu, Davidson je dobio izazovne povratne informacije od Albersa, koji ga je poticao da odbaci ono što je smatrao „sentimentalnim“ radom i prihvati disciplinu crtanja i proučavanja boja. Ova rigorozna obuka pokazala se neprocjenjivom, oblikujući njegovo razumijevanje vizualnog oblika i kompozicije. Njegova sveučilišna teza, foto-esej pod naslovom „Tension in the Dressing Room“, ponudila je intimni uvid u zakulisje Yaleovog nogometnog tima, uhvativši emocionalni intenzitet sportaša koji se pripremaju za natjecanje—projekt koji je objavljen u časopisu Life 1955. godine. Nakon diplomiranja, Davidson je služio u Signal Corps američke vojske u Fort Huachuca, Arizona, gdje je koristio svoje fotografske vještine za dokumentiranje vojnog života. Sretan dodjeljivanje službe u Vrhovnom zapovjedništvu savezničkih snaga u Europi blizu Pariza dovelo ga je u kontakt s Henrijem Cartier-Bressonom, što je bio presudan susret koji je doveo do mentorstva i, konačno, članstva u prestižnoj agenciji Magnum Photos 1958. godine.

Dokumentiranje marginaliziranih zajednica

Davidsonov rad odlikuje nepokolebljiva posvećenost dokumentiranju zajednica koje mainstream društvo često previdi ili pogrešno razumije. Njegovi rani projekti, poput „Brooklyn Gang“ (1959.), pružili su dirljiv prikaz problematičnih tinejdžera koji se kreću kroz složenosti urbanog života. To nije bilo samo promatranje; to je bila imerzija—volja da provede mjesece gradeći povjerenje svojih subjekata i snimajući njihov svijet s empatijom i poštovanjem. Nastavio je to istraživanje s angažmanima za The New York Times pokrivajući Freedom Riders u Sedu, što se razvilo u širu dokumentaciju Pokreta za građanska prava između 1961. i 1965. godine. Podržan Guggenheimovom stipendijom, Davidson je neustrašivo snimio borbe i trijumfe onih koji su se borili za jednakost, stvarajući slike koje su duboko odjeknule kod publike i doprinijele rastućoj nacionalnoj svijesti o rasnoj nepravdi. Njegova posvećenost društvenom komentaru dosegnula je vrhunac s projektom „East 100th Street“ (1970), dvogodišnjom imerzivnom studijom siromašnog kvarta u East Harlemu—projektom koji je osvojio široku priznatost i učvrstio njegovu reputaciju majstora dokumentarne fotografije.

Proširivanje horizonta: Subway, Central Park i dalje

Tijekom 1970-ih i kasnije, Davidson je nastavio pomičiti kreativne granice, istražujući nove teme i tehnike. „Subway“ (kasne 1970-te) označio je značajan pomak prema kolor fotografiji, hvatajući sirovu energiju i raznolike likove podzemnog transportnog sustava New Yorka. Nije se povlačio pred tamnicom ili kaosom; naprotiv, prihvatio ga je, stvarajući slike koje su bile istovremeno vizualno upečatljive i emocionalno rezonantne. Početkom 1990-ih, Davidson je usmjerio svoj objektiv prema Central Parku, pretvarajući ovu ikoničnu urbanu oazu u platno za istraživanje tema ljepote, samoće i ljudske povezanosti. Ponovno je posjetio East 100th Street 1998. godine, dokumentirajući promjene koje su se dogodile tijekom tri desetljeća—potresno promišljanje o gentrifikaciji, otpornosti i neprolaznom duhu zajednice. Osim fotografije, Davidson se upustio i u filmsku umjetnost, režirajući nagrađivane kratke filmove koji su dodatno pokazali njegove sposobnosti pripovijedanja. Njegov rad je priznat brojnim priznanjima, uključujući nagradu za izuzetan doprinos fotografiji na Sony World Photography Awards 2011. godine i Infinity Award za životno djelo od International Center of Photography 2018. godine—svjedočanstva karijere posvećene priznavanju ljudskog iskustva s suosjećanjem, integritetom i umjetničkom vizijom. Njegove slike nastavljaju poticati razmišljanje, nadahnjivati dijalog i podsjećati nas na našu zajedničku ljudskost.

Osnovne informacije

  • Medium: Gelatin silver print
  • Artist: Bruce Davidson
  • Notable elements: Snapshot aesthetic
  • Dimensions: 16x20 in / 40.6 x 50.8 cm
  • Influences:
    • Frank
    • Smith
  • Movement: Documentary Photography

Kviz o umjetnosti

Svako pitanje ima samo jedan točan odgovor.

Pitanje 1:
What is the primary subject matter depicted in Bruce Davidson’s ‘Five Figures in Brooklyn’?
Pitanje 2:
The photograph ‘Five Figures in Brooklyn’ was taken in which year?
Pitanje 3:
What photographic technique is most evident in ‘Five Figures in Brooklyn’?
Pitanje 4:
Bruce Davidson is best known for his work documenting which social groups?
Pitanje 5:
What is the overall mood or atmosphere conveyed by the lighting and composition of ‘Five Figures in Brooklyn’?