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Ila, die jüngere Tochter des Künstlers

Dimenzije
82.0 x 72.0 cm

Albin Egger-Lienz’s 1920 painting ‘Ila, die jüngere Tochter des Künstlers’ captures a poignant moment with a young girl in a monumental style, reflecting the artist's influence and Austrian Secession era. Discover this evocative artwork and bring its beauty into your space.

Istražite moćna djela Albina Egger-Lienza! Austrijski umjetnik poznat po ekspresivnim tirolskim scenama, povijesnoj umjetnosti i monumentalnom stilu pod utjecajem Hodlera. Otkrijte njegov rad u OriginalUniqueArt!

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Corner sample of the P118B picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118H picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: oblikovani polistiren, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P508YH picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: oblikovani polistiren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: oblikovani polistiren, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: oblikovani polistiren, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: oblikovani polistiren, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: masivno drvo, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: masivno drvo, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: masivno drvo, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: masivno drvo, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: masivno drvo, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: masivno drvo, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: masivno drvo, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: masivno drvo, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: masivno drvo, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: masivno drvo, 6 cm wide and 3.5 cm thick
W953PJ €8

Standardne dimenzije
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Ukupna cijena

€ 72

Ila, die jüngere Tochter des Künstlers

Giclée / Umjetnički otisak

Veličina reprodukcije

-

Ukupna cijena

€ 72

Osnovne informacije

  • Influences: Ferdinand Hodler
  • Year: 1920
  • Artist: Albin Egger-Lienz
  • Subject or theme: Childhood, peasant life
  • Title: Ila, die jüngere Tochter

Albin Egger-Lienz's *Ila, die jüngere Tochter des Künstlers* – A Portrait of Tyrolean Innocence

This arresting painting, titled *Ila, die jüngere Tochter des Künstlers* (Ila, the Younger Daughter of the Artist), offers a poignant glimpse into the life and artistic sensibilities of Albin Egger-Lienz, a pivotal figure in early 20th-century Austrian art. Executed in 1920, this intimate portrait captures a young girl – Ila – seated with an almost unsettling stillness on a simple wooden chair. The scene, rendered in muted earth tones and punctuated by the vibrant red of her shirt, immediately draws the viewer into a world both familiar and subtly unnerving.

  • Subject Matter: The painting’s subject is deceptively straightforward – a young girl. However, Egger-Lienz elevates this commonplace scene through his deliberate composition and expressive handling of form.
  • Style & Technique: Egger-Lienz's style evolved significantly throughout his career, influenced by movements like the Vienna Secession. In *Ila*, we see a transitional phase, retaining elements of realism while foreshadowing the monumental expressiveness championed by Ferdinand Hodler, who profoundly impacted his approach to depicting figures within dramatic, stage-like settings. The brushwork is loose and textured, contributing to a sense of immediacy and emotional depth.

The Artist's Roots: Tyrolean Identity and Early Influences

Born in 1868 in Dölsach-Stribach near Lienz, Tyrol, Albin Egger-Lienz’s artistic journey was inextricably linked to his regional identity. His father, a church painter, provided the initial training that shaped his early work, which predominantly focused on scenes of peasant life and historical events – notably, the Tyrolean Rebellion of 1809. This engagement with local history and folklore is evident in the painting’s quiet dignity and the girl's direct gaze. The influence of Franz Defregger and Jean-François Millet, masters of depicting rural life with a humanist perspective, can also be discerned in Egger-Lienz’s early oeuvre.

Symbolism and Emotional Resonance

*Ila* transcends a simple portrait; it embodies a complex interplay of symbolism. The girl's posture – seated with crossed legs – suggests both vulnerability and quiet strength. Her gaze, direct and unwavering, invites the viewer into her world, prompting questions about innocence, memory, and perhaps even a subtle sense of foreboding. The presence of the other chairs in the background creates a spatial ambiguity, adding to the painting’s unsettling atmosphere. The muted color palette reinforces this feeling, evoking a timeless quality that resonates with viewers across generations.

Historical Context & Legacy

Painted in 1920, *Ila* reflects a period of significant artistic and social change in Austria. Egger-Lienz’s membership in the Vienna Secession signaled his embrace of modernism and his willingness to challenge traditional artistic conventions. His work, often characterized by its raw emotional intensity and unflinching portrayal of human experience, cemented his place as one of the most important artists of the early 20th century. This reproduction offers a unique opportunity to own a piece of art history, capturing the essence of Egger-Lienz’s vision and the enduring power of his artistic legacy.

Pitanja i odgovori

Iz kojeg razdoblja potječe "Ila, die jüngere Tochter des Künstlers"?

"Ila, die jüngere Tochter des Künstlers" autora Albin Egger-Lienz potječe iz razdoblja 19th Century. To razdoblje daje povijesni kontekst djela.

Koji su datum nastanka i stil djela "Ila, die jüngere Tochter des Künstlers" autora Albin Egger-Lienz?

"Ila, die jüngere Tochter des Künstlers" nastalo je 1920. godine, u sklopu pokreta Expressionist realism.

Je li "Ila, die jüngere Tochter des Künstlers" ostalo u domovini svog umjetnika?

Da – umjetničko djelo se čuva u domovini umjetnika. Rodna zemlja umjetnika Albin Egger-Lienz je Austrija, dok se muzej u kojem se čuva izvornik djela "Ila, die jüngere Tochter des Künstlers" nalazi u državi Austrija.


Biografija umjetnika

Albin Egger-Lienz: Život i naslijeđe

Rano djetinjstvo i edukacija

  • Rođen: 29. siječnja 1868. u Dölsach-Stribachu blizu Lienza, Tirol, Austrija.
  • Podrijetlo: Bio je izvanbračni sin Marije Trojer, seljanke, i Georga Eggera, crkvenog slikara. Kasnije je usvojio očev prezime spojeno s mjestom svog rođenja.
  • Njegovo početno umjetničko obrazovanje potjecalo je od njegovog oca, što je postavilo temelje za njegovu buduću karijeru.
  • Svoje studije nastavio je na Akademiji u Münchenu, gdje su na njega duboko utjecali umjetnici poput Francza Defreggera i Jean-François Milleta.

Umjetnički razvoj i utjecaji

  • Egger-Lienzova rana djela fokusirala su se na prizore seljačkog života i povijesne događaje, posebno na Tirolsku pobunu iz 1809. godine.
  • Ključni utjecaj: Umjetnik Ferdinand Hodler značajno je utjecao na Egger-Lienzov stil, vodeći do monumentalne ekspresivnosti koju karakteriziraju herojske figure u prostorima nalik scenama.
  • Pridružio se Bečkoj secesiji 1909. godine, čime je dodatno učvrstio svoju poziciju unutar austrijske umjetničke scene.
  • Njegov umjetnički jezik evoluirao je prema snažno ocrtanim, masivnim oblicima slikanim gotovo monokromatskom paletom zemljane boje.

Glavna djela i postignuća

    Značajna ulja na platnu: Neka od njegovih najpoznatijih djela uključuju „Der Totentanz von anno neun” (1906-19acije), „Almlandschaft im Ötztal” (1911) i „Den Namenlosen” (1916).
  • Sudjelovao je na Univerzalnoj izložbi u Parizu 1900. godine, gdje je osvojio brončanu medalju za svoju sliku „Feldsegen”.
  • Tijekom Prvog svjetskog rata služio je kao ratni slikar na južnom austrijskom frontu.
  • Njegova kasnija djela često su uključivala religijske teme uz prizore seljačkog života, poput „Kristove uskrsnuća”.

Povijesni značaj i naslijeđe

  • Jedinstveni stil: Egger-Lienz je spojio elemente ekspresionizma s tradicionalnom austrijskom umjetnošću, stvarajući prepoznatljiv stil koji ga je izdvojio od suvremenika.
  • Njegovo djelo često je istraživalo teme heroizma, žrtve i povezanosti između čovječanstva i prirode.
  • Odbio je više profesorskih mjesta na prestižnim akademijama, preferirajući zadržati umjetničku neovisnost.
  • Trajni utjecaj: Njegove slike i dalje se slave zbog svoje emocionalne snage i monumentalne veličine, predstavljajući značajan doprinos povijesti austrijske umjetnosti.

Posljednje godine i smrt

  • Egger-Lienz je svoje posljednje godine proveo slikajući freske za Memorijalnu kapelu paloih u ratu u Lienzun.
  • Smrt: Preminuo je 4. studenog 1926. u St. Justina-Rentsch, Bolzano, Južni Tirol, Italija, ostavivši za sobom bogato umjetničko naslijeđe.
Albin Egger-Lienz

Albin Egger-Lienz

1868 - 1926 , Austrija

Osnovne informacije

  • Birth Date: 29. siječnja 1868.
  • Birth Place: Dölsach, Austrija
  • Death Date: 4. studenoga 1926.
  • Influenced By: Ferdinand Hodler, Franz Defregger, Jean-François Millet
  • Movement: Ekspresionizam
  • Name: Albin Egger-Lienz
  • Nationality: Austrijski
  • Notable Works:
    • Der Totentanz von anno neun
    • Almlandschaft im Ötztal
    • Den Namenlosen