Portret Claude Cahun

12 najpoznatijih djela umjetnika Claude Cahun, svako jedinstveno

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 12 djela Claude Cahun u našem katalogu

Ukratko

Selfportrait je slika autora Claude Cahun koja privlači najviše pogleda; original se nalazi u muzeju Museum Folkwang, Essen. Nakon toga, pogled se usmjerava na Untitled (1928) i Untitled (Claude Cahun in Le Mystère D’Adam) (1929). Među 12 djela umjetnika Claude Cahun u našem katalogu, ovih 12 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.

1894 – 1954, Nantes Surrealism Najviše djela: Tate Britain

Top 10 djela Claude Cahun kroz oči galerije

1
Selfportrait od Claude Cahun

Selfportrait

Black and White Photography · Museum Folkwang, Essen

The gaze meets us through "Selfportrait," a profound work by Lucy Renee Mathilde Schwob. In this image, the artist turns the lens upon herself, capturing a moment of intense personal inquiry. Born in 1894 in Nantes, France, Schwob navigates the boundaries of identity through her lens. She moves through the world under a different name, having adopted the pseudonym Claude Cahun. This choice of identity becomes a central part of…

2
Untitled (1928) od Claude Cahun

Untitled

1928 · Gelatin Silver Print

Untitled is a photograph created in 1928 by Claude Cahun and Marcel Moore. This work emerged from a collaborative practice between the two artists, who shared a life and a commitment to disrupting conventional representations of identity.

3
Untitled (Claude Cahun in Le Mystère D’Adam) (1929) od Claude Cahun

Untitled (Claude Cahun in Le Mystère D’Adam)

1929 · Gelatin Silver Print

The gaze meets a figure caught in a moment of profound transformation within the photograph titled Untitled (Claude Cahun in Le Mystère D’Adam). Created in 1929, this work emerges from the collaborative spirit of Claude Cahun and Marcel Moore. The image exists as a silver gelatin print, a medium that captures the subtle shifts of light and shadow across a carefully constructed persona. It is a piece where the boundaries…

4
Untitled (1936) od Claude Cahun

Untitled

1936 · Black and White Photography · Tate Britain, London

Claude Cahun, born in Nantes, France, in 1894, crafted Untitled around 1936. This photographic work emerges from a period of intense experimentation within the Surrealist movement. The artist, who lived until 1954, used the lens to navigate the boundaries of identity. In this specific piece, the camera captures a stillness that feels both deliberate and strange.

5
Self Portrait 1950 (1950) od Claude Cahun

Self Portrait 1950

1950 · Black and White Photography

Self Portrait 1950 is a work by the artist Claude Cahun. This piece is a self-portrait that captures the artist in a moment of personal inquiry. The individual depicted is the creator herself, using the lens to document her own presence. The image is a monochromatic study of form and light, presented in black and white.

6
Studies for a keepsake (1926) od Claude Cahun

Studies for a keepsake

1926 · Black and White Photography

Studies for a keepsake is a Surrealist work created by Claude Cahun. The artist, born Lucy Renée Mathilde Schwob, used this pseudonym to navigate the boundaries of identity. The piece emerged about 1925. It exists as a quiet interrogation of the self through the lens of the Surrealism movement.

7
Self-portrait, 1928 (1928) od Claude Cahun

Self-portrait, 1928

1928 · Photography

In this 1928 photographic print, titled Self-portrait, 1928, we encounter the deliberate and staged presence of Claude Cahun. This work belongs to the Surrealist movement, a period defined by an interest in the subconscious and the disruption of conventional reality. Cahun, a figure who navigated the boundaries of identity with profound intent, uses this medium to document a specific, constructed persona.

8
I am in training, don't kiss me (1927) od Claude Cahun

I am in training, don't kiss me

1927 · Black and White Photography

Created in 1927, I am in training, don't kiss me is a self-portrait by the French artist Claude Cahun. In this work, the artist adopts the persona of a weight trainer. The subject is positioned with a barbell resting on the lap, presenting a figure that challenges traditional gendered archetypes through a combination of masculine and feminine signifiers.

9
What do you want from me? (1928) od Claude Cahun

What do you want from me?

1928 · Gelatin Silver Print · Metropolitan Museum of Art, New York

What do you want from me? is a Gelatin Silver Print Photographic Print created by Lucy Renee Mathilde Schwob. The artist, who adopted the pseudonym Claude Cahun, produced this work in 1928. This piece is a significant example of Surrealist photography, reflecting the artist's lifelong interrogation of identity and the fluid boundaries of the self.

Slavna djela umjetnika Claude Cahun, od 11. do 12. broj

Motivi koji su privukli pažnju Claude Cahun

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Claude Cahun

4 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Claude Cahun Slike iz ovog popisa
Tate Britain, LondonTate Britain London 2 Untitled, I Extend My Arms
Museum Folkwang, EssenMuseum Folkwang Essen 1 Selfportrait
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 What do you want from me?
Arts Council Collection, LondonArts Council Collection London 1 Drunken Bellarmine

Claude Cahun kroz desetljeća: jedan jedinstveni original za svako

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika Claude Cahun: pitanja za galeriju

Koje je najpoznatije djelo umjetnika Claude Cahun?Otkrijte odgovor

Selfportrait, Museum Folkwang, Essen. Nakon njih slijede Untitled (1928) i Untitled (Claude Cahun in Le Mystère D’Adam) (1929).

Koja su deset najpoznatijih slika umjetnika Claude Cahun?Otkrijte odgovor

Selfportrait, Untitled, Untitled (Claude Cahun in Le Mystère D’Adam), Untitled, Self Portrait 1950, Studies for a keepsake, Self-portrait, 1928, I am in training, don't kiss me, What do you want from me? i Self Portrait. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je poznatih djela umjetnika Claude Cahun?Otkrijte odgovor

Naš katalog sadrži 12 djela umjetnika Claude Cahun, datiranih od 1926 do 1950.

Gdje se mogu vidjeti najpoznatiji originali umjetnika Claude Cahun?Otkrijte odgovor

Većinom u Tate Britain (London), Museum Folkwang (Essen) i Metropolitan Museum of Art (New York). Gornja tablica muzeja navodi sve njih.

U kojem je razdoblju Claude Cahun stvorio/la svoje najpoznatije slike?Otkrijte odgovor

U 1920s: 6 od 12 djela na ovoj stranici nastalo je tada, od čega je Untitled Untitled.

Koje je najranije, a koje najkasnije poznato djelo Claude Cahun?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Studies for a keepsake (1926), a najnovije iz Self Portrait 1950 (1950).

Koje je motive Claude Cahun preferirao?Otkrijte odgovor

Black and white (8), Person (5) i Face (4), kroz svih 12 djela na ovoj stranici.

S kojim je materijalima Claude Cahun najčešće slikao?Otkrijte odgovor

Black and White Photography, za 5 od 12 djela na ovoj stranici.

Kojem umjetničkom pravcu pripada rad Claude Cahun?Otkrijte odgovor

Surrealism, sudeći po originalima na ovoj stranici.

Koje originale umjetnika Claude Cahun mogu vidjeti u muzeju Tate Britain?Otkrijte odgovor

Untitled i I Extend My Arms: Tate Britain, London posjeduje 2 djela s ove stranice.

Claude Cahun: portret umjetnika

Claude Cahun: A Surrealist Pioneer Challenging Gender Conventions

Claude Cahun (Lucy Renée Mathilde Schwob), born Nantes, France in 1894, was a singular figure in the surrealist movement and beyond—a photographer, sculptor, writer, and performer who relentlessly interrogated notions of identity and gender. Her artistic practice wasn’t merely about depicting images; it was about embodying them, inhabiting multiple personas, and actively disrupting societal expectations. Cahun adopted the pseudonym ‘claude cahun’ in 1914, a deliberate act of defiance that signaled her commitment to exploring fluid boundaries between male and female experience.
  • Early Life & Influences:
  • Born into an aristocratic family with liberal leanings, Cahun's upbringing fostered intellectual curiosity and a rebellious spirit. She studied at the École Supérieure des Beaux-Arts in Paris alongside Marcel Moore, whose influence would prove crucial to her artistic vision—particularly his advocacy for collage as a method of disrupting conventional representation.

Surrealist Photography & Collage Technique

Cahun’s photographic work stands apart from its contemporaries. Rejecting the polished realism favored by many artists, she embraced a deliberately unsettling aesthetic—often employing double exposures and photomontage to create images that simultaneously reveal and conceal. As Cahun herself stated, “The abstraction, the dream, are as limited for me as the concrete and the real.” This approach mirrored the broader surrealist preoccupation with accessing subconscious realms and challenging rational thought. Her collages weren’t simply assembled images; they were carefully constructed narratives designed to destabilize viewers' perceptions and provoke contemplation about gender roles and societal norms. The use of found objects and manipulated textures underscored her belief in transforming everyday materials into instruments of artistic expression.

Performance & Persona: “Elle” as a Constant Presence

Perhaps Cahun’s most distinctive contribution to art was her exploration of performance and persona. She consistently referred to herself as ‘elle,’ asserting that her true gender was fluid—a concept radical for the time. This deliberate adoption of feminine pronouns wasn't merely stylistic; it represented a profound philosophical stance against binary categorization. Cahun wrote extensively about inhabiting multiple identities, crafting elaborate costumes and theatrical presentations that questioned conventional notions of masculinity and femininity. Her performances served as a powerful critique of patriarchal structures and an affirmation of individual autonomy.

Resistance During WWII & Artistic Legacy

During World War II, Cahun actively participated in the French Resistance movement, utilizing her artistic skills to disseminate propaganda and support underground networks. She created clandestine photographs documenting the plight of refugees and prisoners of war—images imbued with compassion and defiance. Her work during this period exemplifies her unwavering commitment to social justice and her belief in art’s capacity to inspire action. Cahun's legacy extends beyond her visual creations; she remains an icon for gender equality and artistic experimentation, inspiring generations of artists to challenge conventions and embrace ambiguity.

Notable Works & Recognition

Cahun’s oeuvre includes iconic photographs like “I Extend My Arms” and “Selfportrait,” which exemplify her signature style—characterized by meticulous detail, unsettling juxtapositions, and a masterful manipulation of light and shadow. Her photomontages, such as “Untitled,” are considered seminal examples of surrealist collage technique. Cahun’s work has been exhibited internationally and celebrated for its intellectual depth and emotional resonance. She continues to be studied and admired as one of the most innovative and courageous artists of her era—a true pioneer who reshaped our understanding of gender identity and artistic expression.