Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 181 djela George Hendrik Breitner u našem katalogu
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Iz perspektive galerije, najpoznatije djelo umjetnika George Hendrik Breitner je Girl in Red Kimono. MCJ (Marie) Jordan (1866-1948), The Artist's Wife (1905) i Self-portrait (1882) upotpunjuju triju koju svako oko prepoznaje. Od 181 djela umjetnika George Hendrik Breitner u našem katalogu, galerija u nastavku prikazuje 100 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
In this oil on canvas painting, a woman lies on her side upon a bed. She wears a red kimono that provides a central point of color against the floral patterns of the bedding. The figure appears to be in a state of rest or sleep. To the left of the main subject, another person is partially visible, though their specific features remain indistinct. The room contains additional elements: a…
The room falls away into a deep, impenetrable black, leaving only the soft glow of light to define a single, intimate moment. A woman sits in the stillness, her form emerging from the darkness through a delicate play of light and shadow. The light catches the pale curve of her face and the gentle positioning of her hand, pulling her out of the gloom. There is a heavy, tactile quality…
The painting titled Self-portrait is a work by the artist George Hendrik Breitner. Created in 1882, this oil on canvas depicts the artist himself as the primary subject. The work is classified as a self-portrait, focusing on the physical likeness of George Hendrik Breitner through a direct representation of his own features.
is an oil on canvas work by the Dutch artist George Hendrik Breitner. Created about 1883, the painting captures a moment within a studio setting, characterized by a somber and intimate atmosphere. The composition focuses on the interaction between two figures and their immediate environment, utilizing a vertical orientation to organize the space.
Selfportrait is a painting by George Hendrik Breitner, executed around 1883/1884. This work functions as a direct representation of the artist, focusing on the subject's visage and upper torso. It captures a moment of raw introspection and fatigue through a close-up view of the man's head and neck.
A single window on the left spills a pale, grey light across a room frozen in time. It is a space of heavy fabrics and quiet dust, a domestic interior captured through the lens of a late 19th-century eye. The light does not dance; it settles. It falls upon the smooth surface of a tiled fireplace and the thick upholstery of chairs, casting deep, ink-black shadows into the corners of…
In Gatekeeper, George Hendrik Breitner employs a vertical portrait orientation to focus on the upper body and head of a single male figure. The composition utilizes a close-up, medium shot that establishes an intimate yet imposing depth. This tight framing forces a direct confrontation with the subject, whose posture and gaze suggest a state of intense contemplation or vigilance. He looks upward and slightly to the side, breaking the frontal…
Portrait of a Chanteuse is a work by George Hendrik Breitner. Created about 1880, this oil on canvas captures a singular, quiet moment. The subject is a chanteuse, a woman whose presence is felt through a vertical close-up portrait. She occupies the frame with a stillness that suggests the end of a performance or the weight of a long evening.
The oil painting titled Saar de Swart is a work by the Dutch artist George Hendrik Breitner. This portrait depicts Elizabeth Sara Clasina de Swart, a figure known in her own right as a sculptor. The work is dated about 1885.
Hussar on Horseback1885 · Rijksmuseum
12
Cavalryman in the dunes1880 · The Mesdag Collection
13
Sitting Nude with Red Cloth1888 · Groninger Museum
14
Rain and Wind1892 · Amsterdam Museum
15
Study for the portrait of the actress Theo Mann-Bouwmeester in the role of Francine de Riverolles1886 · Kunstmuseum Den Haag
16
Lying Nude1889 · Museum Boijmans Van Beuningen
17
Lauriergracht in Winter1891 · Dordrechts Museum
18
Portrait of Kitty van Vloten1886
19
Zelfportret1887
20
Bridge with Rain / Rain and Wind1887
21
Field Artillery1897 · Dordrechts Museum
22
Girl in white Kimono1893 · Rijksmuseum Twenthe
23
Meisjes in de sneeuw1894
24
Piling at Van Diemen Street (near the IJ)1897
25
Marie Anne Henriette Breitner (geb.1882-06-14), the Painter's Half-sister1906 · Rijksmuseum
26
Portrait of a Girl1883 · Museum Boijmans Van Beuningen
27
Cavalry1888 · Kunstmuseum
28
Self portrait
29
Reclining nude1887 · Kunstmuseum
30
Flowers
31
The Rokin in Amsterdam1897 · Rijksmuseum
32
Street in Montmartre, Paris, George Hendrik Breitner, c. 1880 - c. 19231923 · Rijksmuseum
33
Two Children in the Dune1884 · Teylers Museum
34
Twee meisjes met bruine kan1885
35
Nude1885 · Kraljevski muzej fine umjetnosti u Antverpenu
36
Selfportait with pince-nez1882 · Kunstmuseum Den Haag
37
The horse of Montmartre1884
38
Neighborhood in Rijswijk Near the Hague1880 · Rijksmuseum
39
The Wooden Shoes1884 · Rijksmuseum
40
Cavalry at Rest1885 · Rijksmuseum
41
The Cannon Shot1887 · Groninger Museum
42
Exhibition1891 · Amsterdam Museum
43
The bridge crossing the Waalseilandsgracht near the Oude Schans, Amsterdam1887
44
Damesportret1888
45
Naakt1888
46
Two Women1890 · Museum Boijmans Van Beuningen
47
Seated Half-Nude1892
48
An Evening on the Dam in Amsterdam1890 · Kraljevski muzej fine umjetnosti u Antverpenu
49
Horse Trams on Dam Square in Amsterdam at Night1890 · Centraal Museum
50
The Dam1891
51
View of the Oosterpark in Amsterdam in the Snow1892 · Rijksmuseum
52
Female nude1892
53
Landscape with Trees1897
54
Field Artillery1895
55
Work on the Van Diemenstraat1897 · Amsterdam Museum
56
Breakthrough of the Raadhuisstraat in the Winter1898 · Amsterdam Museum
57
Breakthrough Raadhuisstraat1898 · Amsterdam Museum
58
View of the Dam.1898 · Museum Gouda
59
The Dam in Amsterdam1893 · Singer Laren
60
Pile drivers1897 · Amsterdam Museum
61
Dam Square Amsterdam in the evening1897 · Dordrechts Museum
62
Artillerie op een rit door de heide1897
63
Artillerie op de heide1897
64
The Red Kimono1893
65
De Singel bij de Paleisstraat te Amsterdam bij avond1897 · Rijksmuseum
66
Two White Horses1896 · Museum Boijmans Van Beuningen
67
Dam Square1898 · Amsterdam Museum
68
Factory girls1898
69
Standing nude1893
70
The Dam in Amsterdam1895
71
Women on the Rokin1895 · Kraljevski muzej fine umjetnosti u Antverpenu
72
Tram Horses on Dam Square in Amsterdam1894
73
Hilly Landscape in Storm1900
74
Heiwerk1900
75
Korte Prinsengracht near the Brouwersgracht in Amsterdam1899 · Kraljevski muzej fine umjetnosti u Antverpenu
76
Fair on the Haarlemmerplein1903 · Amsterdam Museum
77
Warehouses, Amsterdam1901 · Toledo Museum of Art
78
Suburb of Amsterdam1901 · Museum Boijmans Van Beuningen
79
Timber-rafts in the Snow near Zandhoek1903 · Museum Boijmans Van Beuningen
80
The new Teertuinen in winter1904 · Amsterdam Museum
81
View in Amsterdam1901 · Rijksmuseum
82
Hussars in the Open Field1901 · Rijksmuseum
83
Artillery on Maneuver1901 · Rijksmuseum
84
Landscape near Waalsdorp, with Soldiers on Maneuver1901 · Rijksmuseum
85
A Heath Landscape, Presumably in Drenthe1901 · Rijksmuseum
86
Meadow Landscape1901 · Rijksmuseum
87
Riders on the heath near Schaarsbergen1900
88
Straat in Aanbouw1902 · Cleveland Museum of Art
89
Kalverstraat with FlagsKunstmuseum Den Haag
90
Pagina 9: Blanco1906 · Rijksmuseum
91
Neighborhood in the Jordaan, AmsterdamRijksmuseum
92
Girl in Red Kimono1893
93
The Old Beurs at Evening1891 · Rijksmuseum
94
Lunchtime at the Building Site on the Van Diemenstraat in Amsterdam, George Hendrik Breitner, 18971897
95
Distribution of Soup1882
96
Promenade deck with three ladies1897
97
The Rokin in Amsterdam1923 · Rijksmuseum
98
Winter in Amsterdam1900 · Rijksmuseum
99
Demolition in the Oudezijds Achterburgwal1903
100
An Elegant Lady Strolling along a Canal in Amsterdam1895
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora George Hendrik Breitner | Slike iz ovog popisa |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 56 | MCJ (Marie) Jordan (1866-1948), The Artist's Wife, Hussar on Horseback, Marie Anne Henriette Breitner (geb.1882-06-14), the Painter's Half-sister |
 Amsterdam Museum |
Amsterdam | 10 | Saar de Swart, Rain and Wind, Exhibition |
 Museum Boijmans Van Beuningen |
Rotterdam | 9 | Self-portrait, In the Studio, Lying Nude |
 Kraljevski muzej fine umjetnosti u Antverpenu |
Antverp | 5 | Portrait of a Chanteuse, Nude, An Evening on the Dam in Amsterdam |
 Dordrechts Museum |
Dordrecht | 6 | Selfportrait, Lauriergracht in Winter, Field Artillery |
 Kunstmuseum Den Haag |
Den Haag | 3 | Study for the portrait of the actress Theo Mann-Bouwmeester in the role of Francine de Riverolles, Selfportait with pince-nez, Kalverstraat with Flags |
 Groninger Museum |
Groningen | 2 | Sitting Nude with Red Cloth, The Cannon Shot |
 Kunstmuseum |
The Hague | 2 | Cavalry, Reclining nude |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The painting titled Self-portrait is a work by the artist George Hendrik Breitner. Created in 1882, this oil on canvas depicts the artist himself as the primary subject. The work is classified as a self-portrait, focusing on the physical likeness of George Hendrik Breitner through a direct representation of his own features.
The atmosphere thickens as we encounter Rain and Wind, a work by the Dutch artist George Hendrik Breitner. Created about 1892, this oil painting captures a fleeting moment of struggle against the elements. The scene unfolds along a canal-side walkway, where the very air seems to swirl with the force of a sudden storm. Three women move through the damp air, their figures caught in the restless energy of a…
The room falls away into a deep, impenetrable black, leaving only the soft glow of light to define a single, intimate moment. A woman sits in the stillness, her form emerging from the darkness through a delicate play of light and shadow. The light catches the pale curve of her face and the gentle positioning of her hand, pulling her out of the gloom. There is a heavy, tactile quality…
Street in Montmartre, Paris. To the right, a street rises up the hill.
Girl in Red Kimono. Sljedeći su MCJ (Marie) Jordan (1866-1948), The Artist's Wife (1905) i Self-portrait (1882).
Girl in Red Kimono, MCJ (Marie) Jordan (1866-1948), The Artist's Wife, Self-portrait, In the Studio, Selfportrait, Het paard van Montmartre, De anatomische les (naar Rembrandt), Gatekeeper, Portrait of a Chanteuse i Saar de Swart. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 181 djela umjetnika George Hendrik Breitner, datiranih od 1880 do 1923.
Većinom u Rijksmuseum (Amsterdam), Amsterdam Museum (Amsterdam) i Museum Boijmans Van Beuningen (Rotterdam). Gornja tablica muzeja navodi sve njih.
U 1890s: 41 od 100 djela na ovoj stranici nastalo je tada, od čega je Rain and Wind Rain and Wind.
Na ovoj stranici najstarije djelo je iz Portrait of a Chanteuse (1880), a najnovije iz Street in Montmartre, Paris, George Hendrik Breitner, c. 1880 - c. 1923 (1923).
Woman (12), Portrait (8) i Amsterdam (6), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 21 od 100 djela na ovoj stranici.
Impressionism, sudeći po originalima na ovoj stranici.
MCJ (Marie) Jordan (1866-1948), The Artist's Wife, Hussar on Horseback i Marie Anne Henriette Breitner (geb.1882-06-14), the Painter's Half-sister: Rijksmuseum, Amsterdam posjeduje 21 djela s ove stranice.
George Hendrik Breitner stoji kao jedan od najprepoznatljivijih glasova u nizozemskoj umjetnosti na prijelazu stoljeća, poznat po svojim nepokolebljivim prikazima svakodnevnog života unutar užurbanog gradskog ambijenta Amsterdama. Rođen u Rotterdamu 1857. godine u teškim okolnostima – gdje je očev bankrot snažno utjecao na njegovu obitelj – Breitner je izbjegao tradicionalni akademski put, dajući prednost samostalnom umjetničkom putovanju koje će na kraju redefinirati nizozemski realizam. Ovo nekonvencionalno odgojeno djetinjstvo u njemu je usadilo nepokolebljivu posvećenost promatranju i duboko suosjećanje prema borbama običnih ljudi, temama koje prožimaju cijelo njegovo djelo.
Njegove rane godine obilježene su sirovim, buđenjem talenta koji ga je 1876. odveo na Haagsku akademiju likovnih umjetnosti. Pod mentorstvom Willema Marisa, ključne figure Haagske škole, Breitner je počeo usvajati nijanse tonalne harmonije i atmosferske perspektive. Međutim, njegov je duh bio previše nemiran za okvire strogog akademicizma; njegovo radikalno, ponekad grubo ponašanje čak je dovelo do izbacivanja s Akademije likovnih umjetnosti 1ud 1880. godine. Umjesto da ga uguši, ovaj sukob potaknuo je stilsku evoluciju obilježenu odvažnim potezima četkicom i ekspresivnom upotrebom boje koja je nastojala prenijeti sirove emocije umjesto puke, precizne reprezentacije.
Kako se Breitner preselio u Amsterdam 1886. godine, njegova je umjetnička vizija doživjela duboku transformaciju, jer je počeo hvatati sam puls grada. Postao je vodeći predstavnik amsterdamskog impresionizma, pokreta koji je nastojao prenijeti prolaznu energiju urbanog života na platno. Ono što je Breitnera izdvojilo od njegovih suvremenika bio je inovativni prihvat fotografije. Počevši od 1889. godine, pedantno je dokumentirao ulice i stanovnike Amsterdama kroz leću svog aparata, koristeći to medij kao ključni alat za proučavanje i inspiraciju.
Ovo fotografsko oko duboko je utjecalo na njegovu slikarsku tehniku. Usvojio je namjernu frontalnu perspektivu i koristio odsječene figure – elemente posuđene iz spontanosti fotografije – kako bi sažeo bit urbanog života u upečatljive, moderne slike. Njegova djela često zrcalite stilsku inovaciju francuskog impresionizma, ali zadržavaju jedinstvenu nizozemsku grubost. Bilo da je hvatao snježne, mirne kanale u djelu The Singelbrug near the Paleisstraat ili kaotičnu energiju urbanih promjena u Demolition in the Oudezijds Achterburgwal, Breitnerov rad posjeduje filmsku kvalitetu koja oživljava ulice kasnog 19. stoljeća.
Breitnerov repertoar bio je iznimno raznolik, protežući se daleko izvan kaldrmisane ulice. Iako je najpoznatiji po svojim urbanim pejzažima, njegova fascinacija pokretom i formom navela ga je da istražuje različite teme s jednakim intenzitetom:
Povijesni značaj Georgea Hendrika Breitnera leži u njegovoj sposobnosti da premosti jaz između tradicionalnog realizma Haagske škole i bujajućeg modernizma 20. stoljeća. On nije samo slikao Amsterdam; on je uhvatio njegovu dušu, dokumentirajući razdoblje dubokog prijelaza s osjećajem poetske trajnosti. Danas njegova djela ostaju neprocjenjiva blaga u kolekcijama poput Rijksmuseuma, služeći kao prozor u nestalo doba urbane vitalnosti i kao trajni dokaz moći nepokolebljivog, promatračkog pogleda.
