Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 53 djela Francesco Bacchiacca u našem katalogu
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Od svih originala koje je Francesco Bacchiacca ostavio, najpoznatiji je Joseph Pardons His Brothers (1515). Samo iza njih slijede Sibylle (1530) i Portrait of an Old Man with a Skull (1525). Naš katalog sadrži 53 djela umjetnika Francesco Bacchiacca; galerija je čuvala onih 50 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
In this religious scene, titled Joseph Pardons His Brothers, Francesco Bacchiacca explores a moment of profound reconciliation. Created about 1515, the work captures a significant biblical encounter through a crowded, lively gathering. The artist, Francesco Bacchiacca, focuses on the human element of this spiritual narrative, placing the figures within a natural setting that feels immediate and lived-in.
The artwork titled Sibylle is a painting by the Florentine artist Francesco Bacchiacca, also known as Francesco Ubertini, gen. Bacchiacca. This work is identified in various records by the names Sibyl or La sibylle. The piece is dated to about 1530.
The gaze of the subject meets the viewer in Portrait of an Old Man with a Skull, a work that captures a heavy, contemplative stillness. This oil on panel creation emerges from the hand of Francesco Bacchiacca, an artist whose life was deeply rooted in the artistic traditions of Florence, Italy. Born in 1494, the painter navigates the transition between the late Renaissance and the burgeoning Mannerist style, bringing a…
In this oil on panel work from 1525, we find ourselves in a dense, shadowed woodland. The composition centers on the first family, arranged in a way that feels intimate and slightly unsettled. On the left, a seated male figure anchors the scene, while on the right, a standing female figure holds an infant. Between them, a small child moves through the space, creating a sense of quiet, organic movement.…
The Agony in the Garden is a religious work by the Florentine painter Francesco Bacchiacca. Executed as an oil on wood tondo, the piece captures a moment of spiritual tension within a landscape setting. The composition centers on the biblical scene of Christ's prayer in the Garden of Gethsemane, framed by the circular constraints of the wooden panel.
The Portrait of a Woman and Child / Allegory of Liberality is a refined Renaissance portrait characterized by a smooth finish and a vibrant color palette. The composition features a half-length portrait of a woman in profile facing left, accompanied by a young child positioned in the lower left foreground. The scene is set against a muted, dark neutral background, which serves to highlight the subjects. The color palette is…
The composition is organized into two distinct vertical registers, separated by a layer of soft, white and pink clouds. In the upper register, the Annunciation occurs within a pale, divine glow. God the Father presides above this scene, occupying the highest point of the vertical axis. Below the clouds, a triad of saints occupies the terrestrial plane. The central figure is positioned frontally and appears slightly larger than the others,…
The Crucifixion by Francesco Bacchiacca captures a moment of profound spiritual weight. Created about 1550, this work focuses on the central, vertical figure of Jesus Christ upon the cross. The subject matter is the Crucifixion of Jesus Christ, rendered with a focus on the physical and spiritual suffering of the figure. A vast, hilly landscape stretches into a deep background under a cloudy sky, providing a silent stage for the…
Madonna and Child with Saint Joseph and Infant Saint John is a work by Francesco Bacchiacca. Dated about 1550, this piece originates from the Florentine tradition. The artist, born on 1 March 1494 in Florence, remained active in this city until his death on 5 October 1557.
A young woman occupies the center of this Renaissance portrait, her form emerging from a deep, muted olive green background. She wears a garment of intense yellow, a color that catches the light falling from the upper left. Her reddish-blonde hair is woven into intricate braids, catching the light alongside the soft pink and light blue accents of her headpiece. Beneath her hands, a cat rests, its fur rendered with…
Leda and the Swan1519 · Museum Boijmans Van Beuningen
12
Portrait of a Woman with a Book of Music1540 · J. Paul Getty Museum
13
Madonna and Child with St. John1525 · Dallas Museum of Art
14
A Lady with a Nosegay1525 · Isabella Stewart Gardner Museum
15
Christ Appearing to the Magdalen1517 · Christ Church
16
Scenes from the Story of Joseph: The Discovery of the Stolen Cup (detail)1515 · Galleria Borghese
17
The Preaching of Saint John the Baptist1520 · Szépművészeti Múzeum
18
Joseph Receives His Brothers on Their Second Visit to Egypt1515
19
The Flagellation of Christ1515 · National Gallery of Art
20
Eve with Cain and Abel1525 · Metropolitan Museum of Art
21
Madonna and Child1520 · Metropolitan Museum of Art
22
Moses Striking the Rock1525 · Scottish National Gallery
23
Madonna with Child, St Elisabeth and the Infant St John the Baptist1530 · Christian Museum
24
Mary Magdalene1545 · Palazzo Pitti
25
The Gathering of Manna1555 · National Gallery of Art
26
Deposition1518 · Galleria degli Uffizi
27
Baptism of Christ1520 · Academy of Fine Arts Vienna
28
The Virgin and Child with Saint John the BaptistNational Gallery of Ireland
29
Adoration of the ShepherdsPhoenix Art Museum
30
The three FatesCa' Rezzonico – Muzej 18. stoljeća u Veneciji
31
Baptism of Christ
32
Beheading of John the BaptistGemäldegalerie
33
Saint John the Baptist in the WildernessDetroit Institute of Arts
34
Baptism of Christ with SaintsBadia
35
Woman with a Cat1540 · Staatliche Museen zu Berlin
36
Scenes from the Story of Joseph The Arrest of His Brethren (detail)
37
Scenes from the Story of Joseph The Search for the Cup (detail)
38
The Preaching of Saint John the Baptist (detail)
39
Saint SebastianBirmingham Museum of Art
40
Leda and the SwanMetropolitan Museum of Art
41
Mary with the Infant Jesus and John
42
Madonna and Child in a LandscapeThe Baltimore Museum of Art
43
Madonna and Child with St. Elizabeth and St. JohnThe Frick Pittsburgh
44
Baptism of Christ1523 · Gemäldegalerie
45
Scenes from the Story of Joseph The Arrest of His BrethrenGalleria Borghese
46
Scenes from the Story of Joseph The Search for the CupGalleria Borghese
47
Scenes from the Story of Joseph Joseph Sold by His BrethrenGalleria Borghese
48
Scenes from the Story of Joseph The Discovery of the Stolen CupGalleria Borghese
49
Marcus curtiusNational Gallery
50
The Legend of the King's Sons1523 · Staatliche Kunstsammlungen Dresden
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Francesco Bacchiacca | Slike iz ovog popisa |
|---|---|---|---|
 Galleria Borghese |
Rim | 5 | Scenes from the Story of Joseph: The Discovery of the Stolen Cup (detail), Scenes from the Story of Joseph The Arrest of His Brethren, Scenes from the Story of Joseph The Search for the Cup |
 Metropolitan Museum of Art |
New York | 3 | Eve with Cain and Abel, Madonna and Child, Leda and the Swan |
 National Gallery of Art |
Washington | 2 | The Flagellation of Christ, The Gathering of Manna |
 Gemäldegalerie |
Berlin | 2 | Beheading of John the Baptist, Baptism of Christ |
 Kunsthistorisches Museum |
Beč | 1 | Sibylle |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
Kassel | 1 | Portrait of an Old Man with a Skull |
 Philadelphia Museum of Art |
Filadelfija | 1 | Adam and Eve with Cain and Abel |
 York Art Gallery |
York | 1 | The Agony in the Garden |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this religious scene, titled Joseph Pardons His Brothers, Francesco Bacchiacca explores a moment of profound reconciliation. Created about 1515, the work captures a significant biblical encounter through a crowded, lively gathering. The artist, Francesco Bacchiacca, focuses on the human element of this spiritual narrative, placing the figures within a natural setting that feels immediate and lived-in.
The gaze of the subject meets the viewer in Portrait of an Old Man with a Skull, a work that captures a heavy, contemplative stillness. This oil on panel creation emerges from the hand of Francesco Bacchiacca, an artist whose life was deeply rooted in the artistic traditions of Florence, Italy. Born in 1494, the painter navigates the transition between the late Renaissance and the burgeoning Mannerist style, bringing a…
The artwork titled Sibylle is a painting by the Florentine artist Francesco Bacchiacca, also known as Francesco Ubertini, gen. Bacchiacca. This work is identified in various records by the names Sibyl or La sibylle. The piece is dated to about 1530.
The Portrait of a Woman with a Book of Music presents us with a quiet, poised moment frozen in time. Created by the Florentine painter Francesco Bacchiacca, also known as Francesco Ubertini or il Bacchiacca, this work emerges from the artistic atmosphere of the sixteenth century. The scene centers on an unidentified woman, whose elegant presence suggests a life of refinement and high social standing. Some observers wonder if she…
The composition is organized into two distinct vertical registers, separated by a layer of soft, white and pink clouds. In the upper register, the Annunciation occurs within a pale, divine glow. God the Father presides above this scene, occupying the highest point of the vertical axis. Below the clouds, a triad of saints occupies the terrestrial plane. The central figure is positioned frontally and appears slightly larger than the others,…
Joseph Pardons His Brothers (1515). Sljedeći su Sibylle (1530) i Portrait of an Old Man with a Skull (1525).
21 godina: Joseph Pardons His Brothers datira iz 1515, a Francesco Bacchiacca je rođen/a 1494.
Joseph Pardons His Brothers, Sibylle, Portrait of an Old Man with a Skull, Adam and Eve with Cain and Abel, The Agony in the Garden, Portrait of a Woman and Child / Allegory of Liberality, Annunciation with God the Father and Saints Sebastian, Nicholas and Rocco, Crucifixion, Madonna and Child with Saint Joseph and Infant Saint John i Portrait of a young lady holding a cat. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 53 djela umjetnika Francesco Bacchiacca, datiranih od 1515 do 1555.
Većinom u Galleria Borghese (Rim), Metropolitan Museum of Art (New York) i National Gallery of Art (Washington). Gornja tablica muzeja navodi sve njih.
U 1520s: 11 od 50 djela na ovoj stranici nastalo je tada, od čega je Portrait of an Old Man with a Skull Portrait of an Old Man with a Skull.
Na ovoj stranici najstarije djelo je iz Joseph Pardons His Brothers (1515), a najnovije iz The Gathering of Manna (1555).
Woman (11), Man (8) i Arts (6), kroz svih 50 djela na ovoj stranici.
Oil On Panel, za 15 od 50 djela na ovoj stranici.
Mannerism, sudeći po originalima na ovoj stranici.
Scenes from the Story of Joseph: The Discovery of the Stolen Cup (detail), Scenes from the Story of Joseph The Arrest of His Brethren i Scenes from the Story of Joseph The Search for the Cup: Galleria Borghese, Rim posjeduje 5 djela s ove stranice.
Rođen kao Francesco d’Ubertino Verdi u Firenci 1. ožujde 1494. godine, i poznat širom svijeta kao il Bacchiacca (što znači „karlić“ – nadimak koji se odnosio na njegov istaknuti nos), ovaj talijanski slikar stoji kao ključna figura koja povezuje kasni renesans i usnajući manierizam. Njegov život bio je neodvojivo povezan s vibrantnim umjetničkim okruženjem Firence, grada poznatog po svojoj patronaži i inovativnom duhu. Bacchiaccaova karijera razvijala se unutar obitelji već duboko ukorijenjene u umjetničkoj tradiciji; njegov otac, Ubertino di Bartolomeo, bio je vješt zlatar, dok je stariji brat Bartolomeo d'Ubertino Verdi (Baccio) bio sam umjetnik slikar. To obiteljsko naslijeđe nedvojno je oblikovalo njegovo rano obrazovanje i pružilo plodno tlo za umjetničko istraživanje.
Rani utjecaji bili su duboko ukorijenjeni u firentinskoj školi slikarstva. Bio je pod aprendizom kod Perugina, majstora poznatog po svojim spokojnim kompozicijama i rafiniranoj tehnici, stežući neprocjenjivo iskustvo u slikarstvu freskom i razumijevanju klasičnih principa. Međutim, Francesco Bacchiacca se brzo izdvojio kroz izrazito osobnim stilom – stilom koji je obilježila intenzivna emocija, dinamični pokret i spremnost na izazivanje konvencionalnih umjetničkih normi. On nije samo oponašao idealiziranu ljepotu visoke renesanse; umjesto toga, nastojao je uhvatiti sirovu energiju i psihološku dubinu ljudskog iskustva.
Bacchiaccin prepoznatljiv stil odmah se uočava kroz dramatičnu upotrebu boje, odvažne poteze kistom i izražajni osjećaj pokreta. Za razliku od uravnoteženih kompozicija koje su preferirali njegovi suvremenici, Francesco Bacchiacca je često koristio asimetrične rasporede, stvarajući osjećaj nestabilnosti i napetosti. Njegovi likovi često su prikazani u trenucima intenzivnih emocija – tuga, ekstaza, nasilje – izrenderiranih s iznimnim realizmom i psihološkom oštrinom. Bio je posebno vješt u portretiranju žena, obdarujući ih očaravajućim spojem ranjivosti i snage.
Njegova tehnika uključivala je slojevitost boja kako bi se stvorile bogate teksture i blistavi efekti. Koristio je tehniku poznatu kao „impasto“, nanoseći gustu boju na platno kako bi izgradio trodimenzionalne oblike i pojačao vizualni dojam. Bacchiaccine kompozicije često su prepunjene figurom, stvarajući osjećaj neposrednosti i uranjajući promatrača u samu scenu. Često je u svoje slike uključivao elemente iz suvremenih grafika – posebice venecijanske prizore – što je odražavalo umjetničku razmjenu koja je obilježila renesansnu Firencu.
Godine 1540. Bacchiacca je osigurao prestižnu poziciju umjetnika na dvoru vojvode Cosima I. de' Mediči u Firenci. Taj je imenovanje označilo prekretnicu u njegovoj karijeri, pružajući mu pristup značajnom bogatstvu i utjecaju. Postao je cijenjeni član Medicijevog kruga, surađujući s drugim vodećim umjetnicima kao što su Andrea del Sarto, Jacopo Pontormo i Francesco Granacci. Vojvoda je povjerio Bacchiacci dekoraciju zidova i stropova svog privatnog studija, projekt koji je pokazao njegovu sposobnost stvaranja složenih alegorijskih scena ispunjenih biljkama, životinjama i pejzažima – što je odražavalo Cosimovo interes za prirodna povijest.
Izvan dvorca, Bacchiacca se angažirao u raznim umjetničkim projektima, uključujući dekoraciju panela za cassone (skrinije) i spalliera (zidne panele), kao i dizajniranje tapiserija za Medicijev workshop tapiserija. Njegov rad u tom razdoblju pokazuje iznimnu svestranost i sposobnost prilagodbe vlastitog stila različitim narudžbama i patronima.
Među Bacchiacca najslavnija djela nalaze se „Ubojstvo svetog Ivana Krstića“, koje se danas čuva u Berlinu, te „Ghismonda s Guiscardovim srcem“, dramatičan prikaz tragične ljubavne priče izložen u Umjetničkom muzeju Lowe u Miamiju. Njegova „Madonna i dijete“ nalazi se u Metropolitan Muzeju u New Yorku, a to je slika koja savršeno exemplificira njegovu sposobnost prožimanja religijskih motiva intenzivnom emocijom i psihološkom dubinom.
Bacchiaccaov utjecaj protezao se daleko izvan njegovog vlastitog životnog doba. Bio je mentor brojnim mlađim umjetnicima, uključujući svog brata Antonia d'Ubertino Verdija (koji je također koristio ime Bachiacca), a njegovo rad servirao je kao inspiracija kasnijim manierističkim slikarima. Unatoč relativno malom broju preživjelih slika koji se pripisuju njemu, Bacchiaccaov doprinos razvoju renesansne umjetnosti neosporan je. On ostaje uvjerljiva figura – majstor dramatične emocije koji je pomicao granice umjetničkih konvencija i ostavio trajno naslijeđe florentinskoj školi.
Ključno je razumjeti da je umjetnička linija koju predstavlja Francesco Bacchiacca bila dio šire, međusobno povezano obitelji. Braća Verdi – Francesco, Bartolomeo i Antonio – svi su dijelili strast prema umjetnosti i surađivali su u različitim ulogama. Ta obiteljska suradnja stvorila je jedinstveno umjetničko okruženje u kojem su se razmjenjivalale ideje, usavršavale tehnike, a iz njih je izronio prepoznatljiv stil. Sudjelovanje obitelji protezalo se izvan okvira slikarstva; Antonio je bio i izradivao vez, čime je dodatno raznolikost njihove kreativne produkcije.
Praćenje podrijetla djela koje je stvarao Francesco Bacchiacca otkriva složenu mrežu učenja, suradnji i stilskih utjecaja. Umjetničko naslijeđe obitelji Verdi nastavilo se stoljećima, dok su slijednici održavali tradiciju slikarstva i izrade vezova. Ta obiteljska posvećenost umjetnosti osigurala je da utjecaj koji je ostavio Francesco Bacchiacca traje dugo nakon njegove smrti 1557. godine.
