Portret Federico Barocci

94 najpoznatijih djela umjetnika Federico Barocci, svako jedinstveno

Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 116 djela Federico Barocci u našem katalogu

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Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) je slika autora Federico Barocci koja privlači najviše pogleda; original se nalazi u muzeju Galleria Nazionale delle Marche, Urbino. Nakon toga, pogled se usmjerava na River Divinity (Città del Vaticano, Casino of Pius IV) (1563) i Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569). Među 116 djela umjetnika Federico Barocci u našem katalogu, ovih 94 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.

1535 – 1612, Urbino Mannerism Najviše djela: Galleria degli Uffizi

Top 10 djela Federico Barocci kroz oči galerije

1
Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) od Federico Barocci

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1567 · Acrylic On Canvas · Galleria Nazionale delle Marche, Urbino

Federico Fiori Barocci’s “Virgin and Child with Sts Simon and Jude,” painted in 1567, stands as a cornerstone of Italian Renaissance art—a pivotal moment marking the transition towards the exuberant dynamism of the Baroque style. Executed for the Santuario Madonna dei Miracoli basilica in Saronno, Lombardy, this altarpiece embodies Barocci’s signature blend of meticulous observation and emotive spirituality, capturing an idealized depiction of motherhood and faith.

2
River Divinity (Città del Vaticano, Casino of Pius IV) (1563) od Federico Barocci

River Divinity (Città del Vaticano, Casino of Pius IV)

1563 · Graphite · Galleria degli Uffizi, Firenca

To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…

3
Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569) od Federico Barocci

Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)

1569 · Charcoal · Galleria degli Uffizi, Firenca

To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…

4
Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563) od Federico Barocci

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)

1563 · Oil On Canvas · Galleria degli Uffizi, Firenca

In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…

5
Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) od Federico Barocci

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)

1579 · Acrylic On Canvas · Galleria degli Uffizi, Firenca

Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…

6
Francesco II della Rovere (1572) od Federico Barocci

Francesco II della Rovere

1572 · Acrylic On Canvas · Galleria degli Uffizi, Firenca

Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…

7
Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) od Federico Barocci

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)

1612 · Acrylic On Canvas · Galleria degli Uffizi, Firenca

Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…

8
Composition Study (for “Circumcision”, Paris, musée du Louvre) (1590) od Federico Barocci

Composition Study (for “Circumcision”, Paris, musée du Louvre)

1590 · Acrylic On Canvas · Galleria degli Uffizi, Firenca

Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…

9
Ritratto di monsignor Giuliano della Rovere (1595) od Federico Barocci

Ritratto di monsignor Giuliano della Rovere

1595 · Oil On Canvas · Kunsthistorisches Museum, Beč

The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…

10
Painting of the Circumcision (1500) od Federico Barocci

Painting of the Circumcision

1500 · Acrylic On Canvas · Museo Archeologico Nazionale di Taranto, Tarente

Federico Barocci’s “Painting of the Circumcision,” completed in 1590 for the Confraternita del Nome di Gesù in Pesaro, stands as a pivotal work bridging the Renaissance and Baroque eras. More than just a depiction of biblical scripture—the ritual purification of Jesus after birth—it embodies the burgeoning spirit of dramatic emotion and opulent ornamentation that would characterize the Baroque movement.

Slavna djela umjetnika Federico Barocci, od 11. do 94. broj

11Portrait of a Man (1579) od Federico BarocciPortrait of a Man1579 · Ermitaž 12Madonna di san Giovanni (1564) od Federico BarocciMadonna di san Giovanni1564 · Galleria Nazionale delle Marche 13Il Perdono di Assisi (1580) od Federico BarocciIl Perdono di Assisi1580 · Galleria Nazionale delle Marche 14Quintilia Fischieri (1600) od Federico BarocciQuintilia Fischieri1600 · National Gallery of Art 15Immacolata Concezione (1575) od Federico BarocciImmacolata Concezione1575 · Galleria Nazionale delle Marche 16Head of an Old Bearded Man, 1584-1586 (1586) od Federico BarocciHead of an Old Bearded Man, 1584-15861586 · Albertina 17Portrait of Ippolito della Rovere (1602) od Federico BarocciPortrait of Ippolito della Rovere1602 · Italian Embassy 18Head of Saint Mary Magdalene (1550) od Federico BarocciHead of Saint Mary Magdalene1550 · Musée Bonnat-Helleu 19Burial of Christ (1550) od Federico BarocciBurial of Christ1550 20Communion of Saint Magdalene (1573) od Federico BarocciCommunion of Saint Magdalene1573 · Bavarske državne slikopisne zbirke 21Crocifissione con i dolenti (1566) od Federico BarocciCrocifissione con i dolenti1566 · Galleria Nazionale delle Marche 22The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy (1587) od Federico BarocciThe Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587 23Cristo e la Maddalena (1590) od Federico BarocciCristo e la Maddalena1590 · Bavarske državne slikopisne zbirke 24Assumption (1606) od Federico BarocciAssumption1606 · Galleria Nazionale delle Marche 25Portrait of men (1602) od Federico BarocciPortrait of men1602 26Saint Francis (1604) od Federico BarocciSaint Francis1604 · Metropolitan Museum of Art 27Martyrdom of Saint Catherine of Alexandria (1610) od Federico BarocciMartyrdom of Saint Catherine of Alexandria1610 28Annunciation (1610) od Federico BarocciAnnunciation1610 29Portrait of Antonio Galli (1600) od Federico BarocciPortrait of Antonio Galli1600 · Statens Museum For Kunst 30Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) od Federico BarocciThree Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 31Aeneas' Flight from Troy (detail) (1598) od Federico BarocciAeneas' Flight from Troy (detail)1598 · Galleria Borghese 32Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) od Federico BarocciThree Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · Galleria degli Uffizi 33The Nativity (1597) od Federico BarocciThe Nativity1597 · Muzej Prado 34Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) od Federico BarocciThree Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 35Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) od Federico BarocciThree Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 36Head of a Woman, 1568-1569 (1569) od Federico BarocciHead of a Woman, 1568-15691569 · Albertina 37Annunciation (1582) od Federico BarocciAnnunciation1582 · Vatikan Pinacoteca 38Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) (1573) od Federico BarocciDonkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · Galleria degli Uffizi 39Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) od Federico BarocciNude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · Galleria degli Uffizi 40Presentation of Virgin Mary at the Temple (1600) od Federico BarocciPresentation of Virgin Mary at the Temple1600 · Santa Maria in Vallicella 41Portrait of a Man (1572) od Federico BarocciPortrait of a Man1572 42Portrait of a Lady (1595) od Federico BarocciPortrait of a Lady1595 · Ermitaž 43The Farewell of Christ to His Mother (1612) od Federico BarocciThe Farewell of Christ to His Mother1612 · Musée Condé 44Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) od Federico BarocciReclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 45Figure genuflesse e studi di mani (per la od Federico BarocciFigure genuflesse e studi di mani (per laGalleria degli Uffizi 46Portrait of a Young Lady (1600) od Federico BarocciPortrait of a Young Lady1600 · Nacionalna galerija Danske 47Portrait of a Young Woman (1570) od Federico BarocciPortrait of a Young Woman1570 · Galleria degli Uffizi 48The Adoration of the Magi (1561) od Federico BarocciThe Adoration of the Magi1561 · Rijksmuseum 49Christ on the Cross (1604) od Federico BarocciChrist on the Cross1604 · Muzej Prado 50Male Figure Stooping to Lift a Cauldron (1590) od Federico BarocciMale Figure Stooping to Lift a Cauldron1590 · Louvre 51Female Portrait od Federico BarocciFemale PortraitErmitaž 52St Jerome (1598) od Federico BarocciSt Jerome1598 · Galleria Borghese 53Eternal Father and Angels od Federico BarocciEternal Father and AngelsGalleria Nazionale delle Marche 54The Head of a Priest, study for The Circumcision od Federico BarocciThe Head of a Priest, study for The CircumcisionNationalmuseum 55Head of Christ od Federico BarocciHead of ChristBonnefanten Museum 56Con una figura che sorregge l od Federico BarocciCon una figura che sorregge lGalleria degli Uffizi 57Francesco II della Rovere od Federico BarocciFrancesco II della Rovere 58Rest on the Flight into Egypt od Federico BarocciRest on the Flight into EgyptStädel Museum 59Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciCloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 60Stone-thrower for the Martyrdom of St Vitalis (1582) od Federico BarocciStone-thrower for the Martyrdom of St Vitalis1582 · Art Gallery of South Australia 61Head of a Shepherd, study for The Circumcision od Federico BarocciHead of a Shepherd, study for The CircumcisionNationalmuseum 62Saint Lawrence od Federico BarocciSaint LawrenceGalleria Nazionale delle Marche 63Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) od Federico BarocciHalf-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 64Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies (1579) od Federico BarocciTwo Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · Galleria degli Uffizi 65Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciMan’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 66Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) od Federico BarocciPartial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 67Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile (1595) od Federico BarocciThree Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · Galleria degli Uffizi 68Self-Portrait (1600) od Federico BarocciSelf-Portrait1600 · Residenzgalerie 69Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) (1573) od Federico BarocciStudies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · Galleria degli Uffizi 70Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciKneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 71Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) od Federico BarocciBending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 72Study of a Bent Right Arm (1590) od Federico BarocciStudy of a Bent Right Arm1590 · Louvre 73Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) od Federico BarocciThree Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)Galleria degli Uffizi 74Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) od Federico BarocciDrapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)Galleria degli Uffizi 75Self portrait od Federico BarocciSelf portrait 76One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) od Federico BarocciOne Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 77Putto od Federico BarocciPuttoGalleria degli Uffizi 78Face of a Woman with Downcast Eyes od Federico BarocciFace of a Woman with Downcast EyesLouvre 79Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) od Federico BarocciKneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)Galleria degli Uffizi 80Schizzo compositivo (per l od Federico BarocciSchizzo compositivo (per lGalleria degli Uffizi 81Angels in Flight and Drapery Studies od Federico BarocciAngels in Flight and Drapery StudiesGalleria degli Uffizi 82Tre schizzi di figure od Federico BarocciTre schizzi di figureGalleria degli Uffizi 83The Institution of the Eucharist (1608) od Federico BarocciThe Institution of the Eucharist1608 · Basilica di Santa Maria sopra Minerva 84The nativity od Federico BarocciThe nativityMuzej Prado 85Studies for the figure of Christ in the painting Noli me tangere od Federico BarocciStudies for the figure of Christ in the painting Noli me tangereKupferstichkabinett 86Madonna del Popolo (1575) od Federico BarocciMadonna del Popolo1575 · Galleria degli Uffizi 87The Madonna of the Cat (La Madonna del Gatto) od Federico BarocciThe Madonna of the Cat (La Madonna del Gatto)National Gallery 88Descent from the Cross (1568) od Federico BarocciDescent from the Cross1568 89Aeneas' Flight from Troy od Federico BarocciAeneas' Flight from TroyGalleria Borghese 90Rest on the Flight to Egypt od Federico BarocciRest on the Flight to Egypt 91Portrait of a Young Man (1580) od Federico BarocciPortrait of a Young Man1580 · Musée des Beaux-Arts de Strasbourg 92Annunciation od Federico BarocciAnnunciationMuzej lijpih umjetnosti u Nancyju 93The Circumcision (1590) od Federico BarocciThe Circumcision1590 · Louvre 94Self-Portrait (1570) od Federico BarocciSelf-Portrait1570 · Galleria degli Uffizi

Slavna djela Federico Barocci po razdobljima

Motivi koji su privukli pažnju Federico Barocci

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Federico Barocci

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Federico Barocci Slike iz ovog popisa
Galleria degli Uffizi, FirencaGalleria degli Uffizi Firenca 36 River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
Galleria Nazionale delle Marche, UrbinoGalleria Nazionale delle Marche Urbino 8 Virgin and Child with Sts Simon and Jude (Madonna di San Simone), Madonna di san Giovanni, Il Perdono di Assisi
Louvre, ParizLouvre Pariz 4 Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes
Ermitaž, Sankt PeterburgErmitaž Sankt Peterburg 3 Portrait of a Man, Portrait of a Lady, Female Portrait
Galleria Borghese, RimGalleria Borghese Rim 3 Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy
Muzej Prado, MadridMuzej Prado Madrid 3 The Nativity, Christ on the Cross, The nativity
Albertina, BečAlbertina Beč 2 Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569
Bavarske državne slikopisne zbirke, MünchenBavarske državne slikopisne zbirke München 2 Communion of Saint Magdalene, Cristo e la Maddalena

Federico Barocci kroz desetljeća: jedan jedinstveni original za svako

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika Federico Barocci: pitanja za galeriju

Koje je najpoznatije djelo umjetnika Federico Barocci?Otkrijte odgovor

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Galleria Nazionale delle Marche, Urbino. Nakon njih slijede River Divinity (Città del Vaticano, Casino of Pius IV) (1563) i Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569).

U kojoj je dobi Federico Barocci stvorio/la Virgin and Child with Sts Simon and Jude (Madonna di San Simone)?Otkrijte odgovor

32 godina: Virgin and Child with Sts Simon and Jude (Madonna di San Simone) datira iz 1567, a Federico Barocci je rođen/a 1535.

Koja su deset najpoznatijih slika umjetnika Federico Barocci?Otkrijte odgovor

Virgin and Child with Sts Simon and Jude (Madonna di San Simone), River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere i Painting of the Circumcision. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je poznatih djela umjetnika Federico Barocci?Otkrijte odgovor

Naš katalog sadrži 116 djela umjetnika Federico Barocci, datiranih od 1550 do 1612.

Gdje se mogu vidjeti najpoznatiji originali umjetnika Federico Barocci?Otkrijte odgovor

Većinom u Galleria degli Uffizi (Firenca), Galleria Nazionale delle Marche (Urbino) i Louvre (Pariz). Gornja tablica muzeja navodi sve njih.

U kojem je razdoblju Federico Barocci stvorio/la svoje najpoznatije slike?Otkrijte odgovor

U 1570s: 13 od 94 djela na ovoj stranici nastalo je tada, od čega je Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi).

Koje je najranije, a koje najkasnije poznato djelo Federico Barocci?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Head of Saint Mary Magdalene (1550), a najnovije iz Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612).

Koje je motive Federico Barocci preferirao?Otkrijte odgovor

Renaissance (30), Woman (19) i Man (18), kroz svih 94 djela na ovoj stranici.

S kojim je materijalima Federico Barocci najčešće slikao?Otkrijte odgovor

Oil On Canvas, za 32 od 94 djela na ovoj stranici.

Kojem umjetničkom pravcu pripada rad Federico Barocci?Otkrijte odgovor

Mannerism, sudeći po originalima na ovoj stranici.

Koje originale umjetnika Federico Barocci mogu vidjeti u muzeju Galleria degli Uffizi?Otkrijte odgovor

River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) i Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV): Galleria degli Uffizi, Firenca posjeduje 36 djela s ove stranice.

Federico Barocci: portret umjetnika

Rani život i umjetnički počeci Federica Baroccija

Federico Fiori, kako se zvao prije nego što je postao poznat kao Federico Barocci (1535.-1612.), rođen je u Urbinu, talijanskom gradu bogate renesansne povijesti i umjetničke tradicije. Nadimak “il Baroccio”, koji se odnosi na jednostavnu dvokolicu vučenu volovima, vjerojatno je bio lokalni izraz naklonosti ili možda ironična referenca na njegov skroman početak. Njegov put u svijet umjetnosti započeo je pod budnim okom oca, Ambrogia Baroccija, uglednog kipara koji mu je pružio prve lekcije i usadila ljubav prema vizualnom izražavanju. Međutim, pravi temelj za njegovu buduću veličinu postavljen je kada je ušao u radionicu Battiste Franca, iskusnog slikara koji ga je uveo u složenosti slikarstva. Ta rana obuka bila je ključna; Battista Franco nije samo prenio tehničke vještine, već i potaknuo Baroccijev osjećaj za kompoziciju i detalje, kvalitete koje će postati zaštitni znak njegovog stila.

Rimski period i formiranje osobnog stila

Ubrzo nakon toga, Barocci je otputovao u Rim, tadašnji centar umjetničkog svijeta. Tamo se pridružio radionici Taddea i Federica Zuccarija, dva vodeća majstora renesansnog slikarstva. Boravak u njihovoj radionici bio je transformativan. Izložen različitim stilovima i tehnikama, Barocci je počeo razvijati vlastiti prepoznatljiv izraz. Njegov prvi značajan uspjeh bio je djelo “Sveta Margareta”, koje je naručila bratovština Presvetog Sakramenta. No, pravi trenutak proboja došao je kada ga je papa Pio IV pozvao da sudjeluje u dekoraciji Vatikanske palače Belvedere. Zadatak je uključivao oslikavanje Djevice Marije s Isusom Kristom i svetim licima te izradu freske koja prikazuje Naviještenje. Upravo su ti radovi pokazali Baroccijev talent za dramatičnost, emocionalnu dubinu i virtuozno korištenje boje. Njegov stil bio je jedinstvena mješavina manirizma i elemenata koji su prethodili baroku, što ga čini pretečom ovog novog umjetničkog pokreta.

Značajna djela i umjetnička ostvarenja

Baroccijev opus obilježava niz remek-djela koja svjedoče o njegovoj iznimnoj vještini i inovativnom pristupu slikarstvu. “Pet studija muškog lika i dva desne ruke i ruke” (Uffizi Gallery, Firenze) pokazuje njegovu sposobnost da uhvati ljudsko tijelo u svim nijansama anatomije i pokreta. Studija kompozicije za “Obrezivanje” (Louvre, Pariz) demonstrira njegovu pažnju na detalje i razumijevanje ravnoteže između oblika i emocija. Glava muškarca, skica za “Poziv sv. Andrije” (Musées Royaux des Beaux-Arts de Belgique, Bruxelles), ističe njegov talent za portretiranje i prikazivanje ljudskih osjećaja. No, među najpoznatijim djelima svakako su uljana slika “Rođenje Kristovo” iz 1597. godine koja se čuva u muzeju Prado te “Madonna del Popolo”, također smještena u Uffiziju. Posebno je značajna i “Madonna del Gatto (La Madonna del Gatto)”, djelo koje odražava Baroccijev osjećaj za intimnost i toplinu. Njegovo “Naviještenje” iz 1582. godine također spada u red njegovih najuspjelijih radova.

Utjecaj i nasljeđe Federica Baroccija

Federico Barocci nije bio samo talentiran slikar, već i utjecajan umjetnik koji je ostavio dubok trag na povijest umjetnosti. Njegov dramatičan stil, emotivna snaga i virtuozno korištenje boje inspirirali su mnoge umjetnike, među kojima se ističe Peter Paul Rubens. Baroccijev utjecaj vidljiv je u radovima brojnih slikara koji su slijedili njegov primjer, usvajajući njegove tehnike i tematske pristupe. Njegovo nasljeđe nastavlja živjeti kroz njegova brojna djela koja se danas čuvaju u renomiranim muzejima diljem svijeta, poput Uffizija (Firenca) i Louvrea (Pariz). Barocci je bio majstor koji je uspio spojiti renesansnu eleganciju s baroknom dramatičnošću, stvarajući jedinstven umjetnički izraz koji ga čini jednom od najznačajnijih figura talijanskog slikarstva.